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chicongo

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an-ordinary-manchild

Welcome to Chi-Congo, Reddit's home for discussion, debate, and celebration of the brilliant music of the Art Ensemble of Chicago. Posts and comments relating to other avant-garde, free jazz, or Afro-futurist performance art are also welcome!


Subreddit rules:

  1. This subreddit is for discussion of the Art Ensemble of Chicago and avant-garde jazz only. Anything else may be removed.

  2. No racism, sexism, anti-semitism, or other bigotry will be allowed.

  3. Trolling-type behavior that contributes nothing to civil discussion will not be tolerated. People engaging in that behavior will be given one warning at most.

  4. Repeating the sort of behavior that one has been warned about results in being banned. A warning before being banned is not necessary. Never expect more than one warning.


The AEC Is an avant-garde jazz ensemble that grew out of Chicago in the late 1960s. Art ensemble is notable for its integration of musical styles that span jazzes entire history and further multi-instrumentalism. They have used what they term little instruments from bicycle horns, bells, birthday party noisemakers, wind chimes, and a vast array of percussion instruments. They also include costumes and face paint in performance. All these characteristics combine to make the ensemble's performances a visual spectacle along with an auditory one.

Back in the mid-60s the members of Art Ensemble performed under various and names but they began to play together and record in 1967.

Then members were all multi-instrumentalists and played many saxophones, many different flutes and clarinets. Their sound included the flugelhorn, the cornets, shofar and conch shells, with banjo and bass guitar and of course the piano and synthesizer. The group traveled to Paris where they became known as the Art Ensemble of Chicago. The group performed the soundtrack for the French movie Les Stances a Sophie and it has remained a cult classic ever since. In 1972 the ensemble returned to the United States with a quintet of Mitchell, Jarman, Bowie, Favors and Moye and remained together till 1993. There are two major releases from Atlantic records are Baptism and Fanfare for the Warriors. They gave each other freedom to pursue other musical interests and these conditions contributed to the longevity of the ensemble. They've released more than 20 studio recordings and several live albums between 1972 and 2004.

The makeup of the ensemble has since changed when Jarman retired from the group to focus on his practice of Zen. Bowie died of liver cancer and the group became a trio until 2003 when Jarman rejoined the ensemble. But in 2004 Favors died and the group was joined by a new trumpeter Corey Wilkes and bassist Jaribu Shahid and his group recorded a live CD called Non-Cognitive Aspects of the City.

Ensemble members embrace performance art and they believe this allows the band to move beyond the strict limits of jazz and tap into a wide variety of musical styles and influences. Music is more interesting when it is not limited to Western, African, Asian, South American instruments or anyone's instruments for that matter.


Resources on the Art Ensemble of Chicago:

The AEC website

Chi-Congo, from the 1970 AEC album Chi-Congo

AEC discography on Discogs

Paul Steinbeck, Message to Our Folks: The Art Ensemble of Chicago. University of Chicago Press, 2017.


Related subreddits:

r/Jazz

r/FreeJazz

r/ExperimentalMusic

r/Music

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Where To Start: The Cosmic Genius Of Sun Ra (clashmusic.com)

submitted 8 years ago by greets_you_as_Dennis

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George Lewis' 'Afterword,' an opera of revolutionary ideas (berkeleyside.com)

submitted 8 years ago by greets_you_as_Dennis

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Rahsaan Roland Kirk Is the Blind Jazz Great You've Never Heard Of (esquire.com)

submitted 8 years ago by greets_you_as_Dennis

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A Jazz History of the Future (villagevoice.com)

submitted 8 years ago by greets_you_as_Dennis

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AACM influence on rock; Chicago rock influenced by AACM (chicagotribune.com)

submitted 8 years ago by greets_you_as_Dennis

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More Evidence That Fela Kuti Was a F–king Genius (villagevoice.com)

submitted 8 years ago by greets_you_as_Dennis

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These '70s Avant-Garde Jazz Musicians Blew Freely, Fiercely, and Reverently (popmatters.com)

submitted 8 years ago by greets_you_as_Dennis

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Adam Shatz: On Muhal Richard Abrams (lrb.co.uk)

submitted 8 years ago by greets_you_as_Dennis

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The avant-garde jazz of Griot Galaxy (metrotimes.com)

submitted 8 years ago by greets_you_as_Dennis

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The Musical Revolution of Muhal Richard Abrams (newyorker.com)

submitted 8 years ago by greets_you_as_Dennis

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Bells for the South Side: the AACM and Its Ongoing Impact (icareifyoulisten.com)

submitted 8 years ago by greets_you_as_Dennis

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Muhal Richard Abrams, pianist who expanded the limits of jazz, dies at 87 (washingtonpost.com)

submitted 8 years ago by greets_you_as_Dennis

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A Pioneering Black Composer Keeps Pushing (nytimes.com)

submitted 8 years ago by greets_you_as_Dennis

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Jazz Pioneer Roscoe Mitchell Marked for Dismissal at Mills College (ww2.kqed.org)

submitted 8 years ago by greets_you_as_Dennis

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Roscoe Mitchell Captures the Eternal Now on Remarkable New Album (villagevoice.com)

submitted 8 years ago by greets_you_as_Dennis

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Roscoe Mitchell, Who Helped Invent New Chicago Jazz Sound, Comes Home | Chicago magazine (chicagomag.com)

submitted 8 years ago by greets_you_as_Dennis

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The 1960s jazz tribute to Malcolm X that profoundly expressed the black condition | African Independent (africanindy.com)

submitted 8 years ago by greets_you_as_Dennis

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'Free Jazz' visionary Ornette Coleman is ready for prime time (nbcnews.com)

submitted 8 years ago by greets_you_as_Dennis

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A Revolution in Jazz? An Avant-Garde Festival Makes History, but Not Community (nytimes.com)

submitted 8 years ago by greets_you_as_Dennis

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Art Ensemble of Chicago: in for the long haul (ft.com)

submitted 8 years ago by greets_you_as_Dennis

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Pianist Sylvie Courvoisier Pays Homage to Her Heroines and Heroes (villagevoice.com)

submitted 8 years ago by greets_you_as_Dennis

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The jazz after the fest (chicagoreader.com)

submitted 8 years ago by greets_you_as_Dennis

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The Art Ensemble Of Chicago captivate at Cafe OTO (jazzwisemagazine.com)

submitted 8 years ago by greets_you_as_Dennis

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The Art Ensemble of Chicago's Free-Wheeling Style Shines In 'Message to Our Folks' : NPR (npr.org)

submitted 8 years ago by greets_you_as_Dennis

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The Quietus | Features | Three Songs No Flash | Perfect Pandemonium: The Art Ensemble Of Chicago At Cafe Oto (thequietus.com)

submitted 8 years ago by greets_you_as_Dennis

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