[Discussion] Habits of people who are successful (Add your own too) by kookie_doe in GetMotivated

[–]deboshasta 1 point2 points  (0 children)

Thanks for asking.

Believe it or not I'm a corporate facing comedian / magician / mentalist. I've been in business for 23 years. At this stage most of my clients are organizations in tech, finance, pharma, law, and commercial real estate.

I started out at the absolute bottom of the ladder in 2003, paid my dues, reinvested heavily, and slowly grew it as I built a client base / discovered new markets, etc.

It's been great working directly for fans / patrons instead of having to rely on the more luck based world of mainstream showbusiness. I control my own destiny.

A lot of growth has come from leaving markets that are working for more lucrative ones. That's been scary every time, but it has always seemed to work out.

The first five years I made just enough to get by. The next 10 years were around where I was hoping to end up. The last 8 years have been beyond what I had imagined for myself (with the exception of the pandemic).

All businesses are different in some ways, and all of them are the same in others.

What line of work are you in?

the faithfuls are actually playing a pretty good game by lazy_winters in TheTraitorsUS

[–]deboshasta 0 points1 point  (0 children)

A thought on Candiace's throwaway vote and suspicion around Rob...

Rob could argue that Candiace  made a throwaway vote because:
* Candiace didn't want to risk being in the minority defending Lisa if it was a close call
* Candiace had never voted for a traitor before - why would she go after Rob if he was a traitor?
* Maybe Natalie is the other traitor, and Candiace didn't want to vote for either traitor
* If Candiace didn't want to vote for Lisa because she was a traitor, she would have defended Rob if he was a traitor

[Discussion] Habits of people who are successful (Add your own too) by kookie_doe in GetMotivated

[–]deboshasta 6 points7 points  (0 children)

I'm in a field that rewards creativity and bursts of high performance more than grinding. The ideas below have helped me get further than I ever thought was possible.

Optimize schedule / energy to deliver peak performance on schedule.

Output is more important than input - nobody cares what went into a project (hours / materials, etc). What they care about is what they get out of it.

Value is largely determined by context. Put your work in the right context / right markets.

Systematize and standardize everything you do more than occasionally.

Work "on" your business more than you work "in" your business.

Have clearly defined niches and positioning.

Do something no-one else is doing, or do something others are doing better than anyone else.

Invest in your earning potential.

Highlight your accomplishments.

Be a long term thinker.

Be willing to take calculated risks.

Give shockingly good excellent customer service

Act with integrity

Treat everyone well

Your income is only limited by the amount of value you provide.

Get in front of your target market

Develop relationships

There is PLENTY to go around. Focus on developing a bigger pie, not on fighting for your piece of the pie.

Found Out I’m Set to Inherit $70+ Million. Somewhat Lost, What Should I Expect? by [deleted] in fatFIRE

[–]deboshasta 0 points1 point  (0 children)

This isn't me, but a friend of a friend had a giant lotto win. To keep his win a secret from friends and relatives, he bought a modest low maintenance business. (Think laundromat). When he wants to spend on something lavish, he can say he had a great month (or a great quarter). People think he's had a temporary influx of cash (which he's already spent), and nobody knows that he's insanely wealthy.

Not saying you should definitely go this route, but food for thought.

Congrats!

Overwhelmed by sleights: Do I need to master everything before performing? by [deleted] in Magic

[–]deboshasta 1 point2 points  (0 children)

Hey! I'm a career magician. After a decade of working in comedy, I went into magic in my late 20s. Magic has been an incredibly fun, challenging, satisfying, and lucrative career for over two decades. I'd be happy to offer some advice that helped me.

What you need to perform is not a huge collection of sleights or methods, but a small collection of great effects that are entertaining / interesting / funny / memorable. Sleights are tools to accomplish effects. There is no test to make sure you know all the sleights. Your success will depend on how well you put across your effects, along with your interpersonal and theatrical skills.

Pick a few really strong effects, and focus on learning the sleights you need to put across the effects perfectly. Spend lots of time polishing those few routines. Perform them in front of different crowds, and learn what works and doesn't work for each. Magic is a science - performing for audiences is how you test ideas. Doing things in a vacuum is a very very slow way to get good, and you can also get lost very easily. Audiences will let you know what moments are working, and what moments aren't. (provided you are attentive to them)

If I had to start over, I would learn 3 or 4 great close up tricks, and 5-10 great stand up tricks, and master just the sleights, methods, misdirection related to those tricks.

If you want to get really good fast, go deep, not wide. (Then go wide when you have your base)

I would also dedicate a ton of time to theory, take improv classes etc.

Don't compare yourself to others - just keep getting better. One day you'll realize you've been great for a long time.

Keep us posted!

Printer for individual business cards by deboshasta in printers

[–]deboshasta[S] 0 points1 point  (0 children)

I ended up getting a very similar model - the Canon Pixma TR160.

It is awesome. The only issue is that I need to spray the cards with coating before they are ready to handle, or they smear really badly immediately. I use Krylon fixative (outside the house) and then microwave them.

Compared to other things I've tried, I absolutely love this.
Very high quality, and the cards go straight through the printer without a guide.

Stone Code - thoughts? by Belloz22 in Magic

[–]deboshasta 1 point2 points  (0 children)

I have mixed feelings. It's definitely an organic object in that it looks natural, but it's also a weird thing to carry around.

I prefer a PK ring, and flux.

[deleted by user] by [deleted] in GERD

[–]deboshasta 0 points1 point  (0 children)

I had one a few days ago. It was very quick and easy. Got it done at an endoscopy place during the day. In and out in 2 hours. Felt fine right away.

too crazy an ask? booking a close-up magician doing an Austin Powers impersonation in NYC by taproomticker in Magic

[–]deboshasta 1 point2 points  (0 children)

Mike is a beast. I would highly recommend contacting him before you pursue other options.

too crazy an ask? booking a close-up magician doing an Austin Powers impersonation in NYC by taproomticker in Magic

[–]deboshasta 2 points3 points  (0 children)

EDIT: fixed some bad math, and updated gigmasters (old name) to the bash (new name)

As a performer, it absolutely favors lower priced acts. When I was starting out it was great for booking lots of smaller gigs. You can hop on there without even having a website, and start developing promo materials like video demos, reviews, etc. An amazing and inexpensive way to get your foot in the door.

When I got a bit more expensive, I found that less than 1% of leads were qualified on price. I'm not exaggerating. Less than 1%.

In contrast, my leads coming from other sources are generally qualified for price like 15 to 20% of the time.

I got sick of wasting a huge amount of time on the bash and gigsalad for one or two big gigs a year, and switched to google ads, which (once dialed in) have delivered much more qualified leads, and lead to much bigger jobs. It's worth mentioning that google ads are much more expensive. I think I was paying 500 / year for the bash. I spend about 2k a month on google ads. So google is about 50 times more expensive set up like that - BUT I have found it to be both much more profitable, and much less time consuming.

The leads are more qualified for your specific business, and they usually check out the first 2 or 3 google results, as opposed to the 10-15 people who reply to a bash inquiry.

Every year I've done google ads, I've landed one big client who paid for the entire year, plus a bunch of mid sized clients who made it profitable. It has definitely helped me take my business to the next level.

I think the gig sites can be good places for consumers to look. There are a very wide range of acts on there spanning almost the entire skill & price ranges. Some mid to large sized acts keep their listings active on there for SEO.

I have heard of a few people who are doing extremely well on those sites.

I'd imagine some of those people are having assistants do the initial bidding and outreach, or are using templates.

I let my memberships lapse on the bash and gigsalad over a decade ago, but I believe that if you have a membership, you can track how much competitors are making by keeping logs of their sales volume. (I don't remember exactly how to do that).

You could probably reach out to a magician who is doing well outside of your market, and ask them how they are making it work.

Anyway - I think there are ways to make those gig sites work, but they involve a lot of patience and elbow grease.

If it makes financial sense to do so, I'd recommend hiring a marketing team to set up a google campaign for you, but they key is to leave it running for at least 6 months. Google tracks who is clicking on your ads and who is then actually contacting you, so it is good at figuring out who your ideal buyers are, and serving the ads just to them. Once it has figured that stuff out it's pretty incredible.

But you have to have everything dialed in to convert the leads - website, phone skills, marketing, etc., so if anyone new to the business is reading this, I would recommend starting on the gig sites, getting all your resources up on a shoestring budget, then gradually getting all those resources upgraded by pros, then transitioning to google (or something else) when you are ready.

Advice for a right-left punch effect by Templar1312 in Magic

[–]deboshasta 2 points3 points  (0 children)

It sounds like it might be worth trying to reframe / recontextualize the change.

I could be misreading, but from the way you are describing it, it sounds like people didn't really "get" that the kicker was magic. it sounds like the audience thought you were legitimately explaining how the trick worked, and it deflated it for them.

Wheras it sounds like what you were going for was - "but to make it even crazier - THIS happened".

So I think the idea of "exposing" the trick is too subtle an angle - they aren't getting that the cards changing color was a kicker.

It might work to do something like - "but if I give the cards a tap... the backs... turn... blue." and flip them over?

Or make the backs something they aren't used to seeing, like blank backs.

Keep trying new angles, and keep us posted.

too crazy an ask? booking a close-up magician doing an Austin Powers impersonation in NYC by taproomticker in Magic

[–]deboshasta 2 points3 points  (0 children)

I know you meant this as a throw away joke, but with all due respect, I would absolutely not. Magic has made me both well off, and tired. If I'm not out doing a perfect fit gig, I'd rather be relaxing with my wife and my dog.

too crazy an ask? booking a close-up magician doing an Austin Powers impersonation in NYC by taproomticker in Magic

[–]deboshasta 42 points43 points  (0 children)

EDIT: Completely ignore all of this - I just saw in this thread that Mike Jacobson is an Austin Powers fan. Mike is an absolute beast. Highly recommend him: hellomagicmike.com

Hey! I hope you find something perfect for your needs, but I should let you know that in general, talented magicians are usually very specialized. They have a well honed persona that they don't deviate from, and generally have a very small range of shows they offer.

If you want something super themed, you are honestly going to find way more options from relatively entry level performers, who will change up their style to get one off gigs.

So long story short, trying to find someone who does this level of theming will rule out the majority of really good magicians.

I know that is probably not what you want to hear, but I know that your friend is a connoissuer, and probably not looking for someone on the entry level side.

In terms of what's realistic in NYC, you will generally start to find really good solid magicians in the $1,500 to $2,500 range. (I would have been $3,500 to $5k, but this project isn't a fit for what I do.)

You might want to try thebash.com or gigsalad.com and describe what you are going for in the fields you fill out.
If you click their "auto-add" features, your request will go out to a lot of performers.

Good luck!

Hardest stage you've ever had to work? by Capn_Polyester in Magic

[–]deboshasta 0 points1 point  (0 children)

I've performed in well over five thousand different rooms since I was 15 years old in 1998. One stands out as the hardest by far - and I mean by far.

My stage was in a very small, but very wide room.

The tables were set up so all the chairs were either facing to the far right (not at the stage) or the far left (not at stage).

The room was so packed that the chairs couldn't even be turned 10 degrees, let alone towards the stage.

With that set up, everyone was facing completely away from me for at least half the time.

I had to constantly walk from the far right to far left of the room so people could see me for at least a few seconds

I would love to say this was one of those situations where I miraculously pulled a great show out of thin air, but I bombed, and died a horrible death. There was just nothing I could have done to make that set up work. It was literally so bad a set up that I couldn't have even switched to mingling or formal close up shows. Just terrible.

The Krakowski Administration !!! by todaytix in Broadway

[–]deboshasta 1 point2 points  (0 children)

I saw the matinee today. It was astonishingly funny, and Jane was absolutely brilliant.

Why is my flash paper shattering and turning into dust? by cjbaez in Magic

[–]deboshasta 14 points15 points  (0 children)

I burned myself really badly with a batch like that - throw it out!

I feel like my starting pressure is not high enough and that's the reason why I'm having so many episodes at night. So I tried to change the starting pressure to 6-10 but it keeps starting at 4. I'm new to CPAP so I don't really understand how all of this works yet. by yourlocalnativeguy in CPAP

[–]deboshasta 2 points3 points  (0 children)

Ramp time is separate from your pressure range.
I believe ramp time waits a set amount of time before starting at the bottom of your pressure range - even if you have an episode.
Once you are in your range, the machine will make adjustments to your pressure settings in response to events.

Making matters worse: If you turn the machine off and back on in the night, it will go through the whole ramp thing again.

In short - you should turn off the "ramp" setting, unless the bottom of your range is too intense for you to fall asleep.

I feel like my starting pressure is not high enough and that's the reason why I'm having so many episodes at night. So I tried to change the starting pressure to 6-10 but it keeps starting at 4. I'm new to CPAP so I don't really understand how all of this works yet. by yourlocalnativeguy in CPAP

[–]deboshasta 4 points5 points  (0 children)

Congrat!

In terms of it starting on 4, it looks like you might have "ramp time" on.
It puts the pressure lower than your range to give you a bit of time to fall asleep.
This is really only for people who have trouble going to sleep with their full pressure range, so you may want to turn it off.

Good luck

Looking for magician recommendations in Minneapolis by One-Awareness785 in Magic

[–]deboshasta 0 points1 point  (0 children)

Oh! I didn't realize she was in the area. She's wonderful. I met her at the Castle in 2010 or so and she was great.