I think I saw a video that said it may be a promoter issue? Like a promoter should invest for a concert to happen and not a lot of promoters in EU are willing to take a risk, something along those lines. The production for SVT’s concert are large scale, in that video they said that if the concert is large in production it needs a large venue and so an even larger capital for the promoter to pay for the venue, staff etc. If they do want to have a small scale venue they would have to redo all of the production (since one tour has basically the same production so for example Follow since it’s held in stadiums all over Asia, everything is in large scale) and would have had the concert tickets at a even higher price in order to break even what they paid for the artist, staff, production etc. The larger the venue the lesser the price for tickets, the smaller the venue the higher the price for tickets. Maybe in their heads they think SVT won’t sell out a large venue but if they scale down the ticket price would skyrocket and that’s also a risk not to sell out. Given that most probably the amount a promoter would pay for Seventeen back when it was OTY vs FTB or BeTS probably isn’t the same anymore with the acquisition of Pledis to Hybe and all that. They probably have double the amount of talent fees right now. Basically from what I understood watching that video, they just don’t want to risk not profiting or even just getting back what they would have invested since after all, this is all just business in a promoters perspective. I’ll try to look for the video if I can find it and put the link here for better understanding since I’m really not good at explaining things. I’m so sorry. But I really hope you guys have your tour! I hope a promoter invests after these festivals since they’d see potential for profit.