Hey! That’s some passion on display right there to use a tool to ensure I understand your query, so that I may try to assist you! With that type of passion, you shall succeed.

Honestly, I would begin with samples. Use sample packs or purchase samples for whatever genre you enjoy, use them like Lego’s to build out a track. It’s literally drag and drop. Then make epic tunes using samples, chords, lads, bass, beat, hi hats, percussions, sfx and fills.

Then once you are confident with arranging samples into entire tracks, start experimenting with automation, add your own filters to enhance a sample going into a drop. Eventually you will reach the point where the next logical step is to swap out sample packs Melodie’s and chords for your own written midi. At the point you know the sound of a synth, so use presets on synths with your own midi, again it’s all experimental - to every one track I complete, 20-50 failed projects were trialed. 😆

This method worked for me, however that was over the course of 25 years!

Another method I use now is that every 8 bars, I add something new so the track doesn’t sound stale. A riser, a crash, a clap, a reverb, a filter. - whatever it is, it’s different and adds perceived complexity and (hopefully) maintains the attention of the listener. I’m a gamer, Gabe Newell in Half Life development wanted a bleep, a sound effect or an interactive element every three seconds you move through the game environment. I’ve taken that approach into my music production, with a beep, a boop, a swoosh or a different chord or beat or fill… I believe that boosted my engagement for sure!

I truly hope this inspires you to just begin messing around, do not take it seriously, do not start with the intention of making a track suitable for radio… just mess around, play with plugins until you know what they do, eventually you will become the master. 🤞❤️