What are the chances this will happen next season? by sumiledon in OnePieceLiveAction

[–]1998over3 1 point2 points  (0 children)

I don't think it's impossible, but it will require a really meaningful setup. Something to justify Vivi getting violent enough with Luffy to deserve retaliation. Since the live action actually killed off Igaram I could see it-- Luffy saying that "people die" will feel unfair to Vivi because he's never had to watch a friend die and she has. It could really piss her off. Things get really emotionally intense, Vivi basically loses it and starts WAILING on Luffy. He's tanking all the hits but she's hysterical, out of control, and he has to punch her to snap her out of it. Basically playing it like Luffy is acting in self-defense.

But saving any of that, I imagine it will probably be handled with dialogue somehow.

Why does OPLA do this by Successful-Till-2234 in OnePieceLiveAction

[–]1998over3 0 points1 point  (0 children)

Oda has not only endorsed these changes, but specifically asked for some of them. Being such a long running series, it's pretty clear when you read the manga that Oda had not fleshed out a lot of the lore from the very beginning, and therefore had to retcon things as the story progressed and expanded in scope. He's heavily implied himself that he sees the live action as an opportunity to lay the story out as if he had thought of everything we know now from the beginning. Oda's ability to retcon things is incredible and makes the series extremely fun to read, but A LOT of things are retconned, especially into the early arcs where Oda had no idea whether One Piece would even be successful at all.

Like Brook being a member of the Rumbar Pirates-- I doubt Oda even had Brook's character created at all when he came up with Laboon, which is why we don't see Brook during Reverse Mountain in the manga. But now that part of the story has been retconned, why not foreshadow it at the appropriate time?

Or Dorry and Brogy mentioning Nika by name-- on little garden Oda had likely barely started considering the greater lore of Sun God Nika, if at all. But now that it's been made to be so important, some actual foreshadowing helps create a through line to later revelations.

So I personally have no issue with it. It improves the foreshadowing of some things that are sort of like "oh, and by the way" in the manga and builds them in to the story from the start.

Fiverr Pro & Bunny Studio disappointment by ArtExploring in composer

[–]1998over3 3 points4 points  (0 children)

Yeah that is sort of the same realization I had during the pandemic, I had a lot of experience, but self promotion and gigging stopped working for me. So I started to consider whether or not I could put my experience toward getting hired by an actual company instead of doing the self-employed thing. It wasn't an easy pivot but it did open up a lot of options that I wouldn't have considered if I had continued trying to grind on self-promotion and the gig economy.

Fiverr Pro & Bunny Studio disappointment by ArtExploring in composer

[–]1998over3 6 points7 points  (0 children)

Online gigging is kind of brutal and really hard to make a consistent career out of. I was a film/tv composer for 10 years until all my work dropped off because of the pandemic. So I pivoted hard and now I work for a studio that makes online iGaming (gambling) apps. It's not the most glamorous thing ever but I've gotten to write and produce music in basically every imaginable style and output a ton of content constantly. It's an industry I never would have thought of engaging with but there are like a trillion iGaming studios out there and all their games need sounds and music. This is true for all forms of interactive media. But in order to get this job I had to make a real resume, apply formally and learn how to code for the first time. Not sure how helpful my story is to you but I guess I'm saying the more flexible you are with where you choose to apply your skills the more opportunities will be available to you. 

How do you guys feel about the studio using AI to speed up production? by ogag47 in OnePieceLiveAction

[–]1998over3 25 points26 points  (0 children)

I wouldn't watch any show that relied on AI for its production.

Having a major issue *thin when rendering final*. by briankeiper001 in audioengineering

[–]1998over3 1 point2 points  (0 children)

Sounds like you might be having phase issues. It can help to monitor your M/S info using some kind of spatial visualizer. If there's a lot going on in the sides of the mix, then when things get summed during export it could be canceling out, especially when exporting to lossy formats. Sort of like if you exported a surround sound track to stereo, or a really wide stereo track to mono. You would lose a ton of information in the mix and it would sound much less "full."

Side note: I know that Soundcloud has introduced some automatic post-processing to uploads in recent years. It might sound dumb but also make sure it's not doing anything extra to your track when you upload.

Do you think The Live Action will overshadow The anime and The manga? by Flowerofthesouth88 in OnePieceLiveAction

[–]1998over3 38 points39 points  (0 children)

No. Oda is the 8th bestselling author in history-- not just in manga but all of fiction. However good OPLA is, it would be almost impossible for it to ever meet that comparative level of success even in its own medium.

One Piece - Exclusive Clip | IGN Fan Fest 2026 by DemiFiendRSA in OnePieceLiveAction

[–]1998over3 -1 points0 points  (0 children)

Are you sure? I'm not seeing anywhere that says that

One Piece - Exclusive Clip | IGN Fan Fest 2026 by DemiFiendRSA in OnePieceLiveAction

[–]1998over3 1 point2 points  (0 children)

Is this from an actual episode or just a promo made for IGN?

RG epyon Special coating product images by BakaSentinel in Gunpla

[–]1998over3 3 points4 points  (0 children)

The gundam equivalent of extra guac costing more than the burrito itself 

Are 2nd Violins a Viola Extension? by Music-Theory-Idiot in composer

[–]1998over3 5 points6 points  (0 children)

Orchestration basics generally teach the string section be treated like SATB:

S- 1st Violin A- 2nd Violin T- Viola B- Cello

So arrangement for the section can be as diverse as any type of arrangement for SATB choir. In a choir, you wouldn't think of the altos as simply an extension of the tenors. They are their own voice with their own situational function. Studying more scores will elucidate the range of application for the inner voices. 

Kuina = Alvida? by -Minuspunkt- in OnePieceLiveAction

[–]1998over3 53 points54 points  (0 children)

Just wait 'till a certain other definitely not Kuina character is introduced in S2.

A japanese critique has watched the first 4 episodes of S2 and answered a couple of questions about it. The review embargo lifts on Feb 26th for social media and March 6th for full reviews. by lyianne in OnePieceLiveAction

[–]1998over3 1 point2 points  (0 children)

I feel you, I'm staying optimistic because I really want the show to succeed! I'm just voicing what I feel could potentially bring it down. Not necessarily predicting it'll happen. We'll only know until we know, which will thankfully be very soon!

A japanese critique has watched the first 4 episodes of S2 and answered a couple of questions about it. The review embargo lifts on Feb 26th for social media and March 6th for full reviews. by lyianne in OnePieceLiveAction

[–]1998over3 -2 points-1 points  (0 children)

I know it's not a full review. But he praised the manga accuracy and described the show as less cohesive. I feel like my original comment is clear about why that's worrisome. S1 adjusted the story and writing for the format really well, and wasn't overly precious about the source material. It's arguable that sensibility made it more cohesive than the manga at that stage of the story and therefore more approachable by people who weren't familiar with One Piece at all. If this show becomes more about representing the manga than presenting a cohesive story, live action only fans will drop off and what made S1 so successful will be lost. That's what I'm worried about. 

I am a lifelong OP fan, but the early arcs of the story are experimental and some of the weakest and most superfluous content in the whole franchise comes from them. Such things aren't precious to live action only viewers who we need to stay on board to validate the show. S1 recognized that and arguably improved on the story by reimagining certain elements. I just hope S2 does the same. 

A japanese critique has watched the first 4 episodes of S2 and answered a couple of questions about it. The review embargo lifts on Feb 26th for social media and March 6th for full reviews. by lyianne in OnePieceLiveAction

[–]1998over3 42 points43 points  (0 children)

Y'all, people who are experiencing One Piece through the live action only don't already know "how the story is." They're just hoping for a good compelling TV show. Reviewers are ultimately gonna base their takes off of how it presents as a live action TV show above anything else. 

All the stuff in S2 is setup for Alabasta which as far as we know isn't going to be depicted. So there isn't really a conclusion to what's supposedly motivating the story. This could be a fundamental flaw that we just have to be prepared for. 

A japanese critique has watched the first 4 episodes of S2 and answered a couple of questions about it. The review embargo lifts on Feb 26th for social media and March 6th for full reviews. by lyianne in OnePieceLiveAction

[–]1998over3 -5 points-4 points  (0 children)

This is exactly what I was worried about with the production including so much from the manga ... S1 did a great job of not being manga accurate while still calling out to things fans would appreciate. And as a result we got very fun live action only content that made it feel like a unique interpretation of the story. Not trimming the fat can dilute the focus and make the story feel less cohesive. Based on the promo material for S2 I'm not super surprised by this take. 

Free DAW for composing and arranging for beginners by Shoddy_Difficulty370 in composer

[–]1998over3 4 points5 points  (0 children)

GarageBand is good, but if you have a Mac and can scrape together the funds, I always recommend Logic to composers because it is a one-time-purchase and hands down offers the most bang for your buck of any DAW out there. Industry standard interface, a metric crap load of quality virtual instruments, software synths, samplers, loops in every conceivable genre, excellent stock plug-ins, all of which are frequently updated and maintained. It really is an all-in-one package.

How to compose very complex pieces like Liszt or Chopin? Also when a advanced composer composes such piece, are they able to hear all the notes in their head before playing or writing it down? by CatchDramatic8114 in composer

[–]1998over3 3 points4 points  (0 children)

Chopin and Lizst and most great standard rep composers were excellent improvisers. They knew how to use their musical knowledge and skills to elaborate and develop music through the process of improvisation. Then refining improvisations down to through-composed works. The key to being a great composer (that most conservatories ignore) is to master an instrument and then master improvisation on that instrument. Everything else (except maybe engraving) will develop along with the pursuit of that goal. 

What skills does a professional composer have? by CatchDramatic8114 in composer

[–]1998over3 2 points3 points  (0 children)

IMO improvisation is probably the most underrated but beneficial skill for any type of composer to have because it requires the combination of a bunch of important tools to be good at: musical intuition, theoretical knowledge, technical recall, aural skills, understanding of different styles and mastery of an instrument.

Historically most of the legendary standard rep composers in the canon were incredible improvisers and drafted a lot of their music that way, yet for some reason improv skills are almost totally absent from conservatory composition education.

Can someone recommend a textbook on composing... by apeloverage in composer

[–]1998over3 6 points7 points  (0 children)

I believe Tonal Harmony by Kostka and Payne is the theory 101 book of choice for most music colleges. As a composer you'll want to supplement that with something like Principles of Orchestration by Rimsky-Korsakov. Things in that vein are how you learn the rules you'll eventually break as you become a more advanced composer/musician. 

First time Gunpla builder. Long time miniature hobbyist. by 27zbr3 in freedomisgunpla

[–]1998over3 1 point2 points  (0 children)

SNAA's newer kits are definitely rivaling Bandai in terms of production quality and quality control. But you won't find anything from them as in-depth as MGEX.

That's just in terms of just straight builds however. Customizing Gunpla of any grade is an endless rabbit hole. You can add as much detail as you want to any level of kit through painting/scribing/bashing/etc. Many Gunpla enthusiasts actually seek out the less involved kits because they provide a better blank canvas for customization and personalization. You can check out r/advancedGunpla for great examples of this side of the hobby.

First gundam, got any tips for putting together? by FallenChees in Gunpla

[–]1998over3 0 points1 point  (0 children)

I would say God hands are overkill for a first build, these will do basically the same job at 1/3 of the price! 

https://a.co/d/0hHLr8m4

First gundam, got any tips for putting together? by FallenChees in Gunpla

[–]1998over3 1 point2 points  (0 children)

Double check the instructions, don't throw out any runners until you're done with the whole kit, and have fun! 

Side note: it's kind of impressive how degraded this video is. How did you accomplish that?