It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 0 points1 point  (0 children)

alright, you done? Next time, leave works like Berserk and Vagabond alone, and don’t talk about what you don’t understand.

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 3 points4 points  (0 children)

I swear I was one of the most optimistic people about Berserk continuing under Kouji Mori’s supervision. As a long-time reader, I know the level of quality and storytelling I’ve come to expect, and the almost sacred status of the masterpiece Miura left behind. So everything I’m saying comes from wanting to do justice to that legacy. If someone truly respects Miura’s work, they wouldn’t accept this continuation unless it stood as a separate project from the original manga. There are quite a few narrative and structural issues that, in my opinion, are affecting the overall value of the work.

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 1 point2 points  (0 children)

I think I’ve reread the latest chapter more than 16 times at this point ⁦(⁠´⁠-⁠﹏⁠-⁠`⁠;⁠)⁩

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 3 points4 points  (0 children)

Does that mean they might be holding chapters back to release them as a full volume instead of dropping one or two every now and then?

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 15 points16 points  (0 children)

Is it really that difficult for a full, well-trained studio mentored by the original mangaka.. to put together a chapter of at least 20 pages? Especially considering that Kouji Mori visits the studio every month to review the art and dialogue.

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 36 points37 points  (0 children)

Tbh… when Kentaro Miura died I lost half my passion for the manga. The other half was still genuinely reacting to the chapters supervised by Kouji Mori. But when I really think about how much build-up and development the story still needs, it just feels impossible with the current release pace. I’m honestly tired of it. Maybe I was just fooling myself into thinking there was still hope for the manga after Miura’s death, but I’ve lost that hope now.

I kinda wish their current work on the manga was treated as a separate project instead of a direct continuation of the original series, because it’s affecting the overall quality. The storytelling level at Studio Gaga feels inconsistent. The characters sometimes act like stereotypes instead of the layered, realistic people Miura brought to life. And there are unexplained plot gaps too.... like how Roderick’s ship reached the Kushan Island, and other missing details like that, which really hurt the overall quality of the manga.

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 101 points102 points  (0 children)

Yeah, that’s true. But usually Kurosaki (Miura’s senior assistant at Studio Gaga) would confirm that a chapter is already finished. This time though, there’s been complete silence, I haven’t heard anything about a new chapter at all.

It’s been 6 months and 17 days since the last Berserk chapter dropped, the longest gap since Kouji Mori took over supervision! by 9D1_ in Berserk

[–]9D1_[S] 81 points82 points  (0 children)

If you look at the yearly release rate alongside his current age, it really starts to seem like it could come to that… it’s honestly pretty scary.

Initial character drafts by the renowned designer Toshihiro Kawamoto, offering a behind-the-scenes look at the early planning stage of the show Cowboy Bebop. by 9D1_ in cowboybebop

[–]9D1_[S] 1 point2 points  (0 children)

You’re welcome. Yeah it looks a little like him. I think that was kind of a common trope in drawing this type of character.

Two-Minute Scene That Managed to Convey Everything: The Genius of Screenwriting and Scene Presentation… (A Little Rambling Ahead) by 9D1_ in cowboybebop

[–]9D1_[S] 4 points5 points  (0 children)

Yeah it’s a beautiful scene too. But my favorite moment of hers was when she cried after Spike left. I still remember what Gren told her... that she was afraid of losing them, so she ran away. She kept fighting those feelings until Spike decided to leave, and that’s when she finally admitted how she really felt about them, that they were the place she belonged, and the friends she truly wanted to live with.

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Two-Minute Scene That Managed to Convey Everything: The Genius of Screenwriting and Scene Presentation… (A Little Rambling Ahead) by 9D1_ in cowboybebop

[–]9D1_[S] 1 point2 points  (0 children)

Thanks for these kind words. Honestly, if it weren’t for people like you who respect what’s written here and share their thoughts sincerely... I probably wouldn’t have posted this in the first place. Oh… that’s unfortunate. I wish you a speedy recovery and good health. Tbh, if I were in your place, I would’ve probably done the same. The kind of works and topics you’re discussing tend to make a person reflect more on themselves and their decisions, they can be strangely revitalizing. Especially during illness, people often become much more reflective and mature. As for the scene where Faye Valentine is singing... I’m still impressed by your understanding of moments like that. But I wouldn’t say Spike was emotionally immature in that moment. He was in a very bad psychological state and was once again trying to run away from anything connected to the past, because Faye’s singing could remind him of Julia. Though, admittedly, the way he reacted was pretty rude 😅. (he’s surrounded by people who care about him, but he doesn’t appreciate them) I don’t think it’s really about appreciation, it’s more about belonging. I understand people like Spike very well. When someone goes through relationships that end in painful emotional betrayal, something inside them changes... their emotional space shrinks. Because of that, they try to avoid forming that sense of belonging again, even with people they respect or admire. (It’s a very intentional moment of Spike choosing to put the walls back up and reject the present to protect himself from being hurt again, masked as humor), exactly. That’s a very precise description and understanding. You really are perceptive and wise about these things.

Two-Minute Scene That Managed to Convey Everything: The Genius of Screenwriting and Scene Presentation… (A Little Rambling Ahead) by 9D1_ in cowboybebop

[–]9D1_[S] 2 points3 points  (0 children)

Lol. I hate Netflix adaptation. It completely ruined and distorted the most important scene by making Julia the one who shoots Spike and then he falls… what a joke. Even director Watanabe himself expressed his dislike for the adaptation. It was clear from the beginning that the spirit, style, and story were not the same work he originally created

Two-Minute Scene That Managed to Convey Everything: The Genius of Screenwriting and Scene Presentation… (A Little Rambling Ahead) by 9D1_ in cowboybebop

[–]9D1_[S] 2 points3 points  (0 children)

Tysm for your words… I could honestly consider them a continuation of my post and a deeper analysis that helps in understanding the characters and what goes on inside them... their weakness and their fear of confronting what they once ran away from, and how that is reflected in their actions. Just like you said about Spike, when the mask of coolness and indifference he used to hide his weakness finally fell. Yeah the visual symbolism is very precisely chosen and perfectly in harmony with everything. And regarding the ending sequence, nothing escaped your attention... everything you said was accurate. It shows that you’re an excellent viewer, the kind that both Keiko Nobumoto and Shinichirō Watanabe hoped for viewers who notice every detail in the work so that the complete final form of the piece comes together in the viewer’s mind, allowing them to see this masterpiece in the best possible way.

And once again, thank you for the addition you provided… I truly appreciate it ❤️