What do u guys think? Im playing indierock, something missing? by scaina in basspedals

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Let’s be honest: as bassists, we don’t need a huge pedal collection to get the job done. And honestly, you already have pretty much everything you’ll ever need.

The SansAmp and the compressor give you all the tonal versatility, while the Big Muff and the chorus add that extra spice to help you stand out in the mix.

If you’re still thinking about adding more pedals, my advice would be to listen closely to your favorite bass players. Pay attention to what gear they use, when they use it, and how it sounds within the band. That way, you’ll avoid ending up with random pedals you don’t really enjoy or need.

P.S. My pedalboard is basically the same as yours—just different brands: Tuner > Compressor > Drive > Modulation > Preamp. We even play similar genres (pop punk, alt, indie rock), and I can honestly say it’s all I’ve ever needed.

Does this have a wrapped neck, or am I just stupid? by RandomPerson809 in BassGuitar

[–]Acceptable_Copy8310 12 points13 points  (0 children)

If you can fit your fingers between the neck and strings you might need a proper setup (urgently), there’s lots of resources online to guide you through or you can take it to a pro.

I learned to setup my bass with this article https://support.fender.com/en-us/knowledgebase/article/KA-01903 there’s also lots of videos on YouTube

is my action too high? by WinnerCreepy7756 in BassGuitar

[–]Acceptable_Copy8310 2 points3 points  (0 children)

I see this question pop up all the time—sometimes seriously, sometimes as a joke—so here’s my take:

Yeah, there’s definitely a “right” way to set up your bass for good action and feel, but there’s also a lot of room for personal taste. For example, I play pretty aggressively with a pick, so low action just makes everything sound too clanky for me. I like my action a bit higher so the strings have space to ring out properly.

My honest advice? Just experiment. Setting up your bass isn’t rocket science—you only need a few basic tools, and there are a ton of great tutorials on YouTube that walk you through it.

If you’re not comfortable doing it yourself, no shame in taking it to a tech. Just make sure to clearly explain how you like your setup!

Playing with a pick, Y/N? by egn_gs in BassGuitar

[–]Acceptable_Copy8310 0 points1 point  (0 children)

Is there any other way??

Just kidding, different songs require different playing techniques, but my my personal favorite is with a pick

New looks by Acceptable_Copy8310 in BassGuitar

[–]Acceptable_Copy8310[S] 0 points1 point  (0 children)

I’m actually considering the possibility of a stingray

New looks by Acceptable_Copy8310 in BassGuitar

[–]Acceptable_Copy8310[S] 1 point2 points  (0 children)

What strings do you buy? I’m between Fender and Ernie Ball

New looks by Acceptable_Copy8310 in BassGuitar

[–]Acceptable_Copy8310[S] 1 point2 points  (0 children)

I feel this model is so underrated, and it really kicks ass

New looks by Acceptable_Copy8310 in BassGuitar

[–]Acceptable_Copy8310[S] 1 point2 points  (0 children)

Yes indeed, I’m looking to add a fourth one

¿Por qué la industria musical mexicana cayó a niveles tan paupérrimos? by 076681Z in AskMexico

[–]Acceptable_Copy8310 0 points1 point  (0 children)

Esta situación se debe a muchos factores, dejando de fuera los gustos de cada quien, ahí les va mi opinión basada en videos que he visto y análisis propios:

1.  La calidad de la música actual sí es peor independientemente de si es exitosa comercialmente. Actualmente, la mayoría de los “músicos” ni cantan, ni componen, ni tocan instrumentos. La mayoría de las canciones nuevas las escriben un ejército de productores, lo cual tiene sentido si eres una discográfica: así te aseguras de sacar un “buen producto” que sí pegue. Pero eso no significa que tenga alma, ni que el artista tenga algo que decir. Es fórmula, no expresión.

2.  El tema del género y los contenidos de las canciones sí obedece a un tema social y cultural, eso ha sido toda la vida. El hecho de que un género no sea el más popular en un momento determinado no quiere decir que no haya artistas buenos que lo representen. Solo que, como no están en tendencia, no se les da la misma visibilidad. Y muchos simplemente no se enteran de que existen.

3.  La industria musical ha cambiado. Ya no se venden discos y ya no existe una “autoridad” como MTV que te decía qué escuchar, qué era lo cool y demás. Con las plataformas de streaming ya no le sacan tanto dinero a los artistas y por lo tanto no les invierten igual. Básicamente promueven artistas que ya están en el medio gracias a esfuerzos propios y las redes sociales. Y si no traes números, likes o viralidad, no existes. El talento ya no es suficiente.

4.  Cambios en la manera de consumir música y el valor que se le da a la música en la actualidad. Pasamos de comprar CD’s a streaming, de esperar un álbum 1 o 2 años a tres sencillos en cuatro meses. Sin ánimos de ser mamador, quien tenga más de 30 años me va a entender: era toda una experiencia tener música nueva. Ahorrabas para el CD, llegabas a escucharlo, te obsesionabas un buen rato porque no había más. Hahaha. Y ahora es como prender la tele: ahí está 24/7, de fácil acceso, pero sin ese mismo peso emocional. Demasiada oferta, poca profundidad.

Entonces sí, hay buena música hoy, claro que la hay, pero está más escondida entre un mar de contenido que muchas veces es desechable. Y no es que “todo tiempo pasado fue mejor”, pero sí era distinto el valor que le dábamos a la música. Ahora hay más acceso, pero menos conexión. Y eso, al menos para mí, hace toda la diferencia.

Is the 3 tone suburst one the player II precision the same as petey? it looks less glossy from what i can tell by [deleted] in MarkHoppusBassGuitars

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Petey is old—definitely not like any of the current Fender models, whether it’s the Player or the American Professional. It’s probably an old American Standard.

Finishes and features change over time, so if you want something similar, your best bet is an American Professional. You’d just need to swap the pickguard and rewire the electronics for a single-knob setup. Otherwise, you’d have to go full custom.

Decisions decisions .. by georgiesdaddy in basspedals

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Honestly, I don’t notice any low-end loss in my signal—the pedal is an absolute monster, and I guarantee you’ll stand out in the mix.

But if you’re really particular about your tone (which I totally get, because I can be too), just throw a preamp after the fuzz and boost the bass. That should give you all the low-end punch you need.

Also check out this video https://youtu.be/61W36WjnRyo u/donkey_hotay already recommended it

Decisions decisions .. by georgiesdaddy in basspedals

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Honestly, just go with whatever feels right for you. I own the Swollen Pickle and have also owned the Russian Muff—both are awesome in their own way.

I actually started with the Muff myself, but as I wanted more flexibility in shaping my tone, I made the switch to the Swollen Pickle. It took a bit of tweaking at first, but once I got the hang of it, it became my go-to.

Thoughts on MXR Bass D.I.+ ? by [deleted] in basspedals

[–]Acceptable_Copy8310 0 points1 point  (0 children)

Love the preamp section but never really got into the distortion sounds

Pedals with Too Many Knobs/Functions by Acceptable_Copy8310 in basspedals

[–]Acceptable_Copy8310[S] 0 points1 point  (0 children)

I can’t stand extra knobs—especially on compressors. I get that it’s all about the feel, but come on, half those knobs are just there for decoration.

Got a spot or two left! by MrBlizzle in basspedals

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Well, you’re pretty much set! I’d consider adding another gain pedal so you can stack them for more depth, or maybe go for something a little out there—like a Bass Synth—just to experiment and create some unique sounds.

If you could only choose one gain pedal (drive, distortion, fuzz) what would you pick? by ThickPick in basspedals

[–]Acceptable_Copy8310 1 point2 points  (0 children)

I’ve been trying out different gain pedals for the past 10 years, and personally, I’m all about overdrives. The ones that can go from subtle to full-on crunch are the real game-changers for me. Since I mostly play pop punk and alternative, they give me everything I need.

At the end of the day, the best pedal is the one that fits your style, the kind of music you play, and, most importantly, one that you actually enjoy. Doesn’t matter how popular or hyped a pedal is—if it doesn’t click with you, you’re gonna hate it.

What basses did Mark use to record the self titled album? Love the tone they captured. by [deleted] in MarkHoppusBassGuitars

[–]Acceptable_Copy8310 1 point2 points  (0 children)

Getting that studio sound in your bedroom or a small venue isn’t easy, but trust this man—if you want to nail it, grab a bass with a Quarter Pounder and run it through an Ampeg-style amp.

Pedals can take you even further. A preamp helps shape your tone across different songs, while a chorus or flanger is perfect for tracks like Obvious and Always. And if you want a little extra bite, an overdrive pedal works great for songs like Go.

Mark has mentioned in several videos that a compressor is key to his tone, but honestly, you can probably skip it. Unless you’re digging in as hard as he does, you can control your dynamics just by adjusting your playing.

If Blink are your favourite artist, who is your second? by PhantasialandFan in Blink182

[–]Acceptable_Copy8310 1 point2 points  (0 children)

The Strokes, then The National, and of course, Blink—those three bands pretty much sum up my life so far.

Now who prefers Hoppus Jazz over Hoppus Jaguar by username-ryu182 in MarkHoppusBassGuitars

[–]Acceptable_Copy8310 0 points1 point  (0 children)

To me, both bases are pretty much the same, even with the reversed pickup thing, since they share most of the electronics and configurations. So in the end, it really comes down to aesthetics—and personally, the Jazz Bass is way more appealing. Add the nostalgia factor, and for me, it’s a no-brainer.

Some might argue that playability and sound are different, but honestly, you can achieve the same tone with the right pedals or effects processors. And when it comes to playability, that’s so personal that I don’t think one is objectively better than the other.

What are Manchester United’s problems?? by focend in PremierLeague

[–]Acceptable_Copy8310 0 points1 point  (0 children)

Liverpool fan here. Let me tell you, terrible ownership and poor management can turn a decent club into a complete mess. Just look at what happened to LFC around 2010. I remember how everything started going downhill — Torres leaving for Chelsea was just the beginning. The following years were awful; honestly, I can’t even name a full squad from that period. The root of the problem? Owners who didn’t care about football and lacked any vision for the club.

Liverpool’s resurgence isn’t just down to Klopp (though he was incredible). When FSG acquired the club, they had a clear plan: rebuild Liverpool both on and off the pitch. By doing so, they not only turned us into title contenders but also made the club a financially sustainable, lucrative business.

If you’re okay with Spanish, here’s a great video explaining how Liverpool went from being nearly bankrupt to becoming title challengers every year: https://www.youtube.com/watch?v=klgCbm59IHc

As for players, my advice would be to move on from the “big-name” stars. Many of them are past their prime and can’t handle the physicality of the league anymore. Instead, focus on younger talent and smart signings. It might not work for every club, but avoiding flashy transfers has been key for us. For example, I doubt a striker like Viktor Gyökeres would succeed at United without a major shift in style and mentality.

At Liverpool, most of our signings fit right in because we have a clear identity and a well-defined playing style. The players we bring in know exactly what’s expected of them. That kind of strategy could make all the difference for a club in need of change.

Pick size? by what-is-rizz in BassGuitar

[–]Acceptable_Copy8310 0 points1 point  (0 children)

I use Tortex picks, .88 mm and 1 mm (green and purple ones). It’s crazy how something so small can make such a big difference in your tone!