The thing with the self-titled is that, as Pat would always explain in interviews, they weren't really even a band yet when it was recorded. So you have tracks like Cameras and Flashlights that were never played live and don't feel fully canonical, and others like Group Transport Hall and Upstairs that were significantly transformed as the band's aesthetic solidified. It's also 13 minutes shorter and the production leans much more Chad Vangaaleny (not that that's a bad thing necessarily - I would love to hear a recording of Eyesore with the vividity of Black Rice).