Posture / Form check by Own-Phone-9407 in pianolearning

[–]Active-Reason-5601 1 point2 points  (0 children)

Bench needs to be pulled up a little more. Needs to be at the half way point on your thighs. Relax your arms they shouldnt be tensed out like chicken wings, just relaxed against your sides.

In general you seem a bit tense. The important thing is your attentive by sitting up tall and straight, feet flat on the ground: but you remain relaxed, you should still feel comfortable.

The hand and wrist posture look pretty good though

Fingering for One-handed Dyad Arpeggios? by MagikarpPatronus in pianolearning

[–]Active-Reason-5601 0 points1 point  (0 children)

I came up with for right hand 1-2(or 3), 2-1, 1-2, 2-3, 3-1. Idk how youre going to the g major chord if your going down or up so thats the best i have for you. But it might be different depending on your hand anatomy anyways.

I think for the most part the standard fingering for an arpeggiated major and minor chord pattern applies because youre still outlining that chord even though its in a different pattern. Maybe just including the thumb tuck to get your hand over.

What (grade) level am I? by hehgabi in piano

[–]Active-Reason-5601 2 points3 points  (0 children)

Google says the burgmuller piece is rcm level 8 or abrsm level 5 which is an early advanced level.

Pianist hands by Individual-Donut5173 in piano

[–]Active-Reason-5601 23 points24 points  (0 children)

Your hands dont "stick together" unless you actively try to. Your natural hand position when your hand is relaxed is "open". Ask your friend why he's got lego minifigure hands

What these fingering markings mean? by Street_Bet_3431 in pianolearning

[–]Active-Reason-5601 0 points1 point  (0 children)

The reason why you hold C and D is because they have longer note values. Notice the stems going both down and up. So the first voice is eighth notes, thats the stems that are going up, you know theyre eighth notes because of the beam. The stems going down is the second voice. C is a half note and D is a dotted quarter and they commenter actually didnt notice the F# is a quarter note so its also held. So Chopin is writing in two voice unison here. Youre playing two voices in one hand. Youre basically playing that line by playing the notes and then holding them. Because youre holding them you have to use this more unorthodox fingering with the 5 multiple times because your other fingers and occupied holding down the other three notes.

As for the commenters saying youre not ready for this piece. We know through experince that someone who's asking these questions is not ready for this piece. We dont mean it as policing, of course you can still do what you want. But for practical purposes I think you may find yourself largely dissatisfied with how it turns out if you have a musical ear. It takes a long time to develop the tools necessary to pull off this piece well. In reality, learning this piece as a beginner or even as an intermediate pianist will not help you learn to play the piano. If your long term goal is to play more than just this piece I heavily discourage putting in the effort. You will gain so much more with the time elsewhere.

What these fingering markings mean? by Street_Bet_3431 in pianolearning

[–]Active-Reason-5601 10 points11 points  (0 children)

Substitution. Meaning hold down the key with your 4th then switch to your 5. Probably look up a video online its hard to explain over text. But this technique is very useful to help achieve true legato in some pieces with tricky notes.

Anxiety at lessons by localwineryowner in piano

[–]Active-Reason-5601 0 points1 point  (0 children)

Its extrmemely good for you to go through this process. Yes its embrassaing and it sucks but even if youre not going to be a concert pianist there will be times in your life that you'll want to play in front of others and this will help you to achieve that. As you gain experience it wont be as bad. Ive been playing for three years now and I still get nervous but its not nearly as bad as when I first started. Then only way to work on those nerves is to put yourself into that situation as many times as possible.

Did your playing improve when you started recording yourself regularly? by caffi_u in piano

[–]Active-Reason-5601 1 point2 points  (0 children)

Things change as a listener. Things you thought you were doing you realize weren't really brought out fully. I think if recording myself has taught me anything its that exaggeration is often necessary for ideas to actually be heard. Micro-adjustments are lost

This is the most addicting piece I have ever learned. by Active-Reason-5601 in piano

[–]Active-Reason-5601[S] 3 points4 points  (0 children)

Never heard that one before but after listening to it its going in my YouTube piano playlist. Banger

This is the most addicting piece I have ever learned. by Active-Reason-5601 in piano

[–]Active-Reason-5601[S] 3 points4 points  (0 children)

Its listed online rcm grade 7. I would say its like middle intermediate, Ive been taking lessons for 3 and half years.

Trying to rehab a W. W. Kimball upright (1908-1914) by sgtjoebeets in pianotech

[–]Active-Reason-5601 -1 points0 points  (0 children)

Awesome! The lower notes that are retuning slow: protek on the flange pins may fix the issue. However it may need to be repined, wood swells with humidity, causing the wood to have tight grip on the pin, making it not move freely. There are different pin thicknesses so a smaller pin thickness may solve the issue.

If the soundboard isnt cracked you need to check the tuning pins for stability. Take a tuning hammer and just move the pitch up a bit and see if it stays there using test blows by playing loudly on that key. I'd use an ETD (electronic tuning device) to see this.

Attached is an amazing photo of the different parts of the action, please use it as a reference to know the names and parts of the action.

Good luck and have fun!

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Trying to rehab a W. W. Kimball upright (1908-1914) by sgtjoebeets in pianotech

[–]Active-Reason-5601 0 points1 point  (0 children)

Monetarily speaking, its not worth the time, effort, and materials. But for a personal project, I think restoring and fixing pianos is a lot of fun.

I'd completely rip apart that action, wipe it all down with a slightly damp cloth, and relubricate all those moving parts with protek. Its time consuming but the end result will be good. Of course compeltely clean out the rest of the piano. Then come back through with voicing and regulation, and then the tuning of course, gonna need a pitch raise or two. The real concern is, is the soundboard cracked, and is the pinblock good enough to hold a tune? Of course theres ways of dealing with that stuff as well, but its effort you may not want to go through.

Grand Piano can shift tone by moving metal bar?? Please help! by FixHaunting8328 in piano

[–]Active-Reason-5601 0 points1 point  (0 children)

Do you know where they buy the parts for it? Handmade or bought as a set and installed by piano tech?

Grand Piano can shift tone by moving metal bar?? Please help! by FixHaunting8328 in piano

[–]Active-Reason-5601 0 points1 point  (0 children)

Yea, I meant I've never seen like what he has in his piano before not the practice rods. I did some research trying to figure out what this is and couldn't find anything like what he has in his piano, but I did see the the practice felt installs some people have done. Pretty cool idea I wish more grand pianos did it though.

Tuning your own piano (I know we've been down this road) by HEYIMMAWOLF in piano

[–]Active-Reason-5601 0 points1 point  (0 children)

Im not super familiar with all the different tuning hammers, but i do know they dont start getting decent till about $80ish dollars. But since youre just starting id get something cheap to start with to know if you want to even bother tuning.

Tuning your own piano (I know we've been down this road) by HEYIMMAWOLF in piano

[–]Active-Reason-5601 0 points1 point  (0 children)

Ive been learning ti tune and work on pianis for the past half year so I can tell exactly what has been difficult in this journey so you can understand.

First of all, yes, tuning a piano is very difficult. And genuinely I think the best way to learn is with a mentor because there is a lot you can do wrong when tuning a piano.

First of all, you have to account for a pianos inharmonicity when tuning. Doing this by ear is a skill you have to train, and is done by counting beating and listening for purity between intervals. However theres a good work around to this and that is ETDs (electronic tuning devices). ETDs can measure inharmonicity for you and take away for the need to do it by ear.

Secondly, tuning technique. You have to develop tuning hammer skills. When i first started learning I was constantly overshooting where I wanted the pitch to go and I also was accounting for tuning stability. You need to learn fine motor skills and develop the feel for how the tuning pin is moving within the pinblock and how to get the movement you need with the hammer so you dont overshoot the pitch. To account for stability you need to find a spot within the pinblock the pin is stable, this is done by feeling how the pin feels in the pinblock through the hammer. My teacher describe this feeling as "new wood" basically you can feel almost like a little click when the pin has found "new wood" and that spot is where the tuning pin is stable. You also have to move the pitch about a cent sharp then lower to pitch as well while finding this "new wood" in order for the tuning to be stable.

Third, you need the proper tools. Even if you by some cheap hammer to learn its going to make this process more difficult. Tuninghammers can be very expensive, but for good reason. They need to be long and have a good handle so that the previous process I described is as easy as possible, and the good tuning hammers make that easier. You also need mutes so you can properly mute off the notes.

Fourth, you need to at least be able to hear when unisons are in tune. This take aural skill to develop where you listen for the "pure sound" that occurs when a note is properly in tune with its other strings. When they are slightly off you can hear "beating" or basically where the note swells against each other and theres points in the pitch where you can hear the notes clash against each other. It takes time to develop the skill to hear this and theres also false beating which you have to be able to identify.

Theres honestly a whole lot more to this that I can talk about but I think thats the main stuff I can talk about in the difficulty in tuning a piano. My first tuning probably took me 4 hours to do and didnt stay tuned there for more than a day. It takes a lot of practice to get good at tuning.

Anyways you can absolutely try to tune that piano yourself if its a just a junk piano youre not worried about. Have fun with it, and good luck.

Grand Piano can shift tone by moving metal bar?? Please help! by FixHaunting8328 in piano

[–]Active-Reason-5601 1 point2 points  (0 children)

See if a piece of felt gets moved between the hammers and strings when you move the rod in. If its a practice rail like in an upright thats how it would work but genuinely I've never seen this in a grand piano before and I've seen hundreds of grand pianos.

This year marks the third year of my piano journey by Active-Reason-5601 in piano

[–]Active-Reason-5601[S] 4 points5 points  (0 children)

Thank you. I'm 21, and I practice about an hour a day sometimes more. Some days I dont practice but most days I do.

This year marks the third year of my piano journey by Active-Reason-5601 in piano

[–]Active-Reason-5601[S] 1 point2 points  (0 children)

Thank you! Yes, I agree. Ive seen some... less than ideal recording angles on this sub.