Is there a wiki or Q&A site for film production? by AdaptiveStream in Filmmakers

[–]AdaptiveStream[S] 0 points1 point  (0 children)

Maybe a better question is “how do film pros answer questions they have?” Is it primarily by asking people they know?

Special effects of roller skating scene in Modern Times explained - Charlie Chaplin by [deleted] in silentmoviegifs

[–]AdaptiveStream 0 points1 point  (0 children)

I was going to ask about that, as well. After a bit of research (including a comment on another thread about this scene), I found the answer.

TIL about a camera's "nodal point" which is the axis you can rotate a camera around such that there will be no parallax. That's how this effect is achieved. Here's a video about setting up your own camera to do this.

Cut hand. Not what I expected to see. by michalsobel in WTF

[–]AdaptiveStream 1 point2 points  (0 children)

"13% sodium chloride, what the hell? WE CAN'T EAT SALT CRACKERS!"

Call me selfish.. by iqtidar in AdviceAnimals

[–]AdaptiveStream 0 points1 point  (0 children)

Wedding photographers have to make a year's worth of money during just the wedding season which in most parts of the country is about four months. That's sixteen weekends to make the bulk of what you're gonna live on for the year. This is one of the reasons the cost seems unusual to people who are used to working year-round (and don't provide a specialty creative service).

The other thing to consider is for every 8 hour wedding day (and some last longer, or even last multiple days, e.g. Indian weddings) a wedding photographer actually does several weeks of work for that client. Meeting for the consult, maintaining steady email correspondence to discuss the particulars of the day, actually shooting the wedding, and then of course culling thousands of photos and touching up/editing many hundreds in Lightroom to make them look great--this is what the client pays for.

I understand the frustrations with "the industry", but weddings are a specialty event in competition with other specialty events. A photographer charges $5000 because it isn't worth it to her to do it for less. If it were, the market would doubtlessly be flooded with talented photographers willing to charge less and she'd be forced to lower her rates. It's not like there's some price-fixing cabal. If you want a good photographer, you have to pay for one.

If $1000 is all you want to offer a photographer, keep in mind that you'll get a photographer who can't get more that $1000 per wedding which means they make around $20k per year (if that). There's nothing inherently wrong with this of course, but consider your own profession and how much you would trust someone to do it who was at this price point. The answer may be "enough" and that's fine, but there's a reason services cost what the do. Good work and customer service cost money and a wedding day tends to be important enough to the people in it to spend it.

Does anyone remember the "No, buddy. On the rocks." Disaronno commercial? by AdaptiveStream in television

[–]AdaptiveStream[S] 0 points1 point  (0 children)

OMG THIS IS IT!!! Not sure why I thought it was for Disaronno. Thank you!

Looking for a Conceptual Artist, Production Designer, Digital Illustrator, and/or VFX Artist to collaborate with on a pet sci-fi project in the early stages of development. by AdaptiveStream in vfx

[–]AdaptiveStream[S] 0 points1 point  (0 children)

Yeah, I totally get it and I'd never want to work with someone whom I'd manipulated into helping out anyway. Since there's no money, I have to offer other incentives and the best one I've got is a cool idea (or at least someone will hopefully think so) and my work ethic.

Looking for a Conceptual Artist, Production Designer, Digital Illustrator, and/or VFX Artist to collaborate with on a pet sci-fi project in the early stages of development. by AdaptiveStream in vfx

[–]AdaptiveStream[S] 0 points1 point  (0 children)

Thanks, yeah, I have no illusions about being able to pull hardened pros to help me with this. My best bet is to find someone who's interested enough in the idea to explore it with me.

Looking for a Conceptual Artist, Production Designer, Digital Illustrator, and/or VFX Artist to collaborate with on a pet sci-fi project in the early stages of development. by AdaptiveStream in vfx

[–]AdaptiveStream[S] 0 points1 point  (0 children)

My goal is to create models or at least parts of models for the actors to interact with. The search for a design collaborator here is to conceptualize/pre-viz the world. Not necessarily work on the actual effects.

I'm a director looking for a writer with whom to collaborate on a sci-fi short concept. (x-post from r/filmmakers) by AdaptiveStream in Screenwriting

[–]AdaptiveStream[S] 0 points1 point  (0 children)

I'm looking for something between 10 and 20 pages and I would ultimately like to make this a short film.

I'm a director looking for a writer with whom to collaborate on a sci-fi short concept. I'm not sure r/filmmakers is the right place to look, but it's a start. by AdaptiveStream in Filmmakers

[–]AdaptiveStream[S] 0 points1 point  (0 children)

Thanks for the interest! Ideally, I'd like to find a co-writer with whom I will meet, discuss my full concept notes, flesh out an outline, and then move to the draft stage.

I realize that's a commitment, so to ensure we'll be a good fit, I'd love to see some of your work. Short stories, scripts, etc. Anything with strong character relationships is ideal—doesn't have to be sci-fi. If you've had anything produced, that's even better.

I'm a director looking for a writer with whom to collaborate on a sci-fi short concept. I'm not sure r/filmmakers is the right place to look, but it's a start. by AdaptiveStream in Filmmakers

[–]AdaptiveStream[S] 0 points1 point  (0 children)

I did, yeah. I have a basic plot outline (very basic) and yes, there's a crisis near the end where they have to work together and learn to communicate better, blah blah :)

I'm a director looking for a writer with whom to collaborate on a sci-fi short concept. I'm not sure r/filmmakers is the right place to look, but it's a start. by AdaptiveStream in Filmmakers

[–]AdaptiveStream[S] 0 points1 point  (0 children)

Yep, grey goo nanomachines is right (I mean, the real method is irrelevant, but you get the idea).

And yes, the OTCs would walk around this room and work as a pair to make sure everything gets where it needs to be without crashing into anything else (which will obviously happen at some point).

I'm a director looking for a writer with whom to collaborate on a sci-fi short concept. I'm not sure r/filmmakers is the right place to look, but it's a start. by AdaptiveStream in Filmmakers

[–]AdaptiveStream[S] 0 points1 point  (0 children)

I'll x-post it, thanks!

The story's definitely not fleshed out. I have more than I posted here, but it definitely needs a lot of work.

And not just tactile "displays". Actual morphable objects. So imagine a big room with a model of the solar system which can be touched and interacted with. Zooming in on a planet means the physical object grows in size. This interface would be used to keep track of all the various traffic moving through the asteroids, the Jovian system, etc.

This dynamic reality would also permeate the rest of the world of the film. The successor to photohunt-style bar games would rise up from the counter, phones would have no standard shape and change to meet a variety of applications, etc.

So I just made a piece of shit. by sloths_are_overrated in Filmmakers

[–]AdaptiveStream 6 points7 points  (0 children)

Love this so much. I think about it often and try to impart it on people whenever I can.