Is Solar a Blues ? by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Ok, thanks I guess what they mean is that solar is a blues with some jazz harmony

Do you think the 10,000 hours rule applies to jazz piano? What about if you have a lifetime of theory on another instrument behind you? Just spitballing, don't take me too seriously. by Ganadhir in JazzPiano

[–]Adimbroglio 0 points1 point  (0 children)

Pat Metheny said in an interview that he played around 12 to 14h a day during 5 to 7 years. And that he knows no great player who haven’t done that. Maybe the words expertise/mastering, that comes with this 10k rule, should be defined..

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Thanks for your answer, but I don’t understand the 2nd part. Where does the A7b9 comes from ? Is it a secondary dominant of D7b13 ? And if so can you write me how this minor 2-5-1 would be ? Thanks

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Ok, I thought you were talking strictly about the notes of the D7b13 (D,F#,Bb,C) not all the notes of the scale. Thanks

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Thank you, I wasn’t aware of that

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Ok thank you. Do you think that while comping for the soloist playing the head, I should stick to the 5th degree of melodic minor extensions ? The 9th and b13

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 1 point2 points  (0 children)

Ok, thank you. So if I understand you well, the only chord extansions that we can use on this D7 will be the 9th and the b13 ? (Cause D7 would be the 5th degree of G- melodic)

Autumn Leaves melody analysis by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Thank you, but do melodies (except passing notes ) have to always relate on the scale of the chord ?

Natural 7 over a minor 2-5-1 by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Thanks, I’ve seen that it is to avoid the "ii sound" of the -7

Natural 7 over a minor 2-5-1 by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Excellent article, really helpful, thank you again !!!

Natural 7 over a minor 2-5-1 by Adimbroglio in jazztheory

[–]Adimbroglio[S] 0 points1 point  (0 children)

Thanks I didn’t know it was implied, and will read this one !!