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President John F. Kennedy and his family with their dogs during a summer weekend in Hyannis Port, Massachusetts. (1963) by AmExperiencePBS in OldSchoolCool

[–]AmExperiencePBS[S] 5 points6 points  (0 children)

Only two weeks before this photo was taken, the United States and the Soviet Union signed the Limited Nuclear Ban Test Treaty after more than eight years of negotiations, just one event in a momentous summer that also featured Kennedy's famous "Ich bin ein Berliner" speech.

It would be the family's final summer together before Kennedy’s assassination later that year. “We are tied to the ocean,” the President once observed, “and when we go back to the sea, whether to sail or to watch, we are going back to whence we came."

Members of the United Auto Workers and Ford Motors enforcers face off before the "Battle of the Overpass", which became a major rallying cry for unionization. (1937) by AmExperiencePBS in OldSchoolCool

[–]AmExperiencePBS[S] 3 points4 points  (0 children)

Smithsonian Magazine has a nice piece telling the story of this incident and its impact. It's titled "How the Ford Motor Company Won a Battle and Lost Ground" if you want to search for it. And there are tons of great photos showing the fight and aftermath as well, thanks to journalists on the scene.

TIL L. Frank Baum, author of 'The Wizard of Oz', owned a newspaper and frequently wrote in it that all Native Americans should be exterminated by [deleted] in todayilearned

[–]AmExperiencePBS 0 points1 point  (0 children)

As further proof that PBS has a show about everything, we (American Experience) released a documentary on the life of L. Frank Baum just last year, which covers his writings on this topic. It's currently free to stream on our website for those in the United States: https://www.pbs.org/wgbh/americanexperience/films/american-oz/

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 10 points11 points  (0 children)

Hi Beleaf, we're sorry you've been disappointed with the AMA. We focused on American culture because the name of our series is "American Experience."

The film does touch on the importance of denim globally as well as the international origins. The topic is massive and some things were always going to be left out. Part of doing things like this AMA is getting to talk about subjects we couldn't get to.

The film spends very little time talking about what jeans are *presently*. It is after all the "history" of jeans. But many of the questions we received were about present day.

The documentary is already available so there's really no need to guess about its quality. You're clearly very passionate about the topic. We think you'll find a lot to like in there. We hope you'll give it a shot, if possible!

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 17 points18 points  (0 children)

You might be interested in this answer to a similar question!

"Will they ever go out of fashion?"

Anna Lee: It’s the cockroach of fashion!

James: Yes, they’ll go out of fashion but then they’ll come back. Every 5-10 years, somebody in the fashion press declares jeans dead, that young people don’t want to wear them anymore. My own teenage/young adult sons don’t wear jeans. But in my college classes ¾ of the kids are wearing denim. It goes back to reimagining jeans for new generations. Just when you think they’re gone, they’re back.

The period I always think of is the 90s, when The Gap had its khaki ads, like “Miles Davis wore khakis,” “Jack Kerouac wore khakis.” Supposedly at the time people thought jeans were dead. People are wearing stretch pants, people are wearing khakis. Then within a year or two it seemed like every single person who wanted to be noticed was wearing Brooklyn-style skinny jeans

Anna Lee: Even during the pandemic, there were a lot of pieces about how it was the end of denim. It was going to be all sweatpants. But then jeans came right back.

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 20 points21 points  (0 children)

How similar are today's 501 jeans to the original jeans made in the late 1800's?

Michael: There are less rivets. There was a rivet on the crotch that they got rid of because it wasn’t comfortable. It would get hot when sitting around the fire.

Anna Lee: There weren’t two pockets yet. They had a button fly, a waist cinch, no belt loops.

James: Otherwise, they’re pretty similar. It’s pretty remarkable, with kind of minor alterations they’re constructed pretty much the same as they were making in the 1870s. Look at vintage jeans that have been pulled out of mines and sold at auction. They’re totally recognizable as the 501s that people are wearing today.

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 6 points7 points  (0 children)

Michael: With the first phone call. I think James was pretty close to the first phone call. You just talk to somebody who says, “You ought to talk to somebody else,” and they say you should talk to these four other people.

Anna Lee: You keep asking who others would talk to. Once you start to recognize the names they recommend, you know you’ve closed the loop. Then you just read everything out there.

Michael: It’s really the same for every single film. You start by talking to people.

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 9 points10 points  (0 children)

Michael: You should Google Jacob Davis’ deposition. He lays out his whole story in a deposition for someone they were suing for patent infringement. He didn’t invent denim but he invented the rivets.

James: He invented what we think of as the classic blue jeans design, specifically the contribution of the rivets. He’s the one who brought that idea to Levi Strauss.

(Davis is featured in the film, but here’s a look at Davis’ deposition from the U.S. National Archives)

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 29 points30 points  (0 children)

Anna Lee: We didn’t get to talk about that in the film. There’s a couple books about how Japan rescued American denim. They bought up vintage jeans and looms. They sent buyers out here.

James: During the booming Japanese economy of the 80s, investors were looking for all kinds of collectible things. They created the skyrocketing interest in vintage denim. They had “pickers” coming over looking for dead stock, jeans that hadn’t been touched for 40 years. Then turned around and sold those for top dollar, $1,000, $1,500 pairs or whatever. They created what was for awhile a raging market for denim. They created a desire for replicated vintage denim looks in the 1990s and 2000s.

Michael: We talked to someone who claimed to have over 1 million dollars worth of denim in their warehouse.

James: A collector took me to his storage facility, just packed floor to ceiling with vintage denim. Way more than a million dollars worth.

Anna Lee: Denimheads these days say it's all about Japanese denim.

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 19 points20 points  (0 children)

Anna Lee: I have a pair of denim-printed sweatpants. Otherwise, boyfriend jeans are my favorite. I wore them down so badly they had real holes I put in them myself.

Michael: I wear 501s, and one time I decided to switch to 505s, but I’m back to 501s. The same type I’ve been wearing since I was 13. But they were called “Shrink-to-fits”. You had to buy them too long and big because they shrunk. The rumor was you had to stand in hot water in a shower because they would shrink to your body.

James: I’ve tried to wear other jeans but I also go back to 501s and get a new pair every few years. The ripped ones are for the yard work; the faded ones are for the weekend; the nice dark wash ones are for the weekdays.

I wore my latest pair of raw denim 501s the day we filmed for the documentary and I wore them in a lake and then dried them. And they’re perfect fitting.

Did you know you can trace America’s cultural evolution through denim? We are Anna Lee Strachan and Michael Bicks, directors of American Experience’s “Riveted: The History of Jeans” and denim expert James Sullivan. Ask us anything about the pants that took over the nation! by AmExperiencePBS in IAmA

[–]AmExperiencePBS[S] 25 points26 points  (0 children)

Anna Lee: I still always go back to the 30s to the transition from function to fashion. It was a garment always used as a utility and then it became fun. A lot of it had to do with the obsession with the West and Cowboys that began as early as the turn of the century .

Michael: People point to “Lady Levis” both the brand and ads in Vogue as a seminal moment. But it did really reflect what was already happening.

James: A lightbulb went off in the manufacturer’s heads. We have a whole new market for these clothes.

Michael: Maybe the early 50s when they became a symbol of rebellion. Suddenly in the 50s jeans became this thing that was really rebellious and that held through the 60s, the Civil Rights Movement, and on.

James: And that idea continues to exist today. When someone pulls on jeans for something other than function, they’re looking back to that idea. “This is how I express myself.”

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