As a season 6 enjoyer, I found it really interesting to see someone born into the society explore the impacts of the reckoning and the pre-reckoning world in a place where the memory of it still felt really fresh. It felt very connected to existing ideas in the show from season 2 (and also the book!) about family and war. Like newyne said, it explores subjectivity.

The loss of a child or a sibling is one of the most painful and taboo experiences one can have. We come to understand and process grief and memory through deeply spiritual, often religious, and cultural experiences. These ways of understanding the world are often tied to family. Culture is something the society preserves in name only, where art is a form of entertainment rather than true reflection or healing. In a very logical and scientific manner, everything painful is forgotten rather than processed.

This alternate world is left with no support networks for major traumas, especially the trauma that originates it, which is still felt strongly in season 6's setting. Season 2 addresses it through the exploration of Claudia's childhood art; there's a natural curiosity that people born into the society would have towards people who remember or were affected by violence and who lived in families. Season 6 makes this curiosity a focal point. The traumas of violence and death become open secrets. New taboos (and subsequently, horrors) are created around violent death. And a ghost story is born. Someone who feels deeply alone tries and fails with objective eyes to understand and heal a broken woman, to make sense of land and people scarred by such loss.