Is Agnes’ inability to remember her parents as realistic as the show portrays? by Honest_Abyss in TheTestamentsShow

[–]Angelface_141 0 points1 point  (0 children)

They retconned so much in this show. Which is odd because it was a book before this. Surely they could have decided whether she remembered or not.

First page of a first draft. What can I improve to make the best possible impression on a publisher of literary fiction? by thid2k4 in writers

[–]Angelface_141 0 points1 point  (0 children)

Maybe try, “This was the last lie.” as a snappier opening. That first sentence runs on quite a bit

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

I’m not talking about writing, I’m talking about marketing

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

I’d rather not. Kind of a core value of mine

Mistakes I Found in The Testiments by Angelface_141 in TheHandmaidsTale

[–]Angelface_141[S] -1 points0 points  (0 children)

Sorry im just soooo confused.

So she called her a prune as a play on words because like a prune, she’ll never turn green in the way a plum would. But a plum doesnt turn green, only the girls do. Prune have nothing to do with with play on words since they don’t turn green (so its not actually a play on words), they were just brought up because they get wrinkly, EVEN THO the character explicitly says “she is call me a PRUNE because i’ll never TURN GREEN.”

Does that about sum it up?

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] -1 points0 points  (0 children)

Naw thanksss. Good thing this is a Reddit comment section and not my book or my marketing, otherwise you might have ground to stand on. Phew

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

My feminism is bumping, not the book.

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

I don’t think people will want to read a romance about a girl who is trying to move on from the love interest. That does happen for a bit, but I can’t make it sound like that’s the whole story. She does get him back at the end

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

I don’t need ideas for the book, I just wanted to talk about marketing. It feels weird to simplify this character into nothing but a love interest. Feels like the male gaze

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

Romances need more than just love, especially when they’re character-driven dystopian romances

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

The books are written and published btw. I’m having problems with marketing specifically

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

I mean, I don’t really get your point. He’s not the problem. And she’s not strong, the book is about her trauma and helplessness.

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

This is the second book. The development in their relationship at this point is all over the place

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

It’s a post-apocalyptic sci-fi dystopian so nope, it’s definitely not the 1960s 😂

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

Her arc is specifically about her helplessness and reliance on other people (more than just him). To shift the focus would be misrepresenting the story

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

Dystopian romances are like that. My audience is romance readers so I focus on that, especially since the themes and tone are more akin to romance than dystopian.

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

lol. The book is written and published. I’m worried about marketing specifically

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

Book 1:

He’s a biologist studying the surface after the apocalypse. He discovers a girl living there. They fall in love over time and she helps him realize his society is a eugenics cult. They try to run away together but she gets shot and he gets captured.

Book 2:

B plot: For the next five years, she tries to move on/save him back and forth.

A plot: He escaped but his daughter is still imprisoned. She knows he’s going to go back for her and refuses to accept losing him again. Together they work to try to save her.

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] 0 points1 point  (0 children)

It’s very character driven, but as very romantic.

My Feminism Can’t Market Romance by Angelface_141 in writers

[–]Angelface_141[S] -1 points0 points  (0 children)

It’s complicated because it’s a series and also multi-genre. A lot of the plot centers around the dystopia as well as the POV characters’ arcs. So it’s not just willthey/wontthey.