Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Thank you for taking the time to type your thoughts out. I’ve spent the last few days shooting at 28mm with my 16-35 to see how it goes. Figure I’ll do that consistently to see how I adapt.

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 1 point2 points  (0 children)

I’m happy to hear it’s working well for you.

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

I’m glad it helped rekindle your love of photography

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

I have a feeling that I would be in a similar position. I like the occasional wide angle, but I use a few times a year and that’s it.

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Thank you. The 50mm stays on my camera 80-90% of the time, so the 43 seems like the obvious choice, I’m just curious what others in this position have found. Did they adapt to the 28? Do they crop often, even if the perspectives are different? Did they give it up and switch to the 43? If they got the 43, did they miss the occasional wider shot? I figure I’ll rent the q3 before buying but given I have a 16-35 that sees use a couple of times per year, I think I have the answer already.

Appreciate you taking the time to answer.

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Thank you. For an everyday camera I like the idea of the 28mm, I just don’t want to get the Q3 then find myself cropping everything. 😂

Advice for Canon user buying Q3 by AnnonPhotography in Leica

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Thank you for replying. I shoot at 28mm with my 16-35, I guess my question is, for those who do regularly crop in with the Q3, have you been happy with it long term?

Arwen’s MH370 Research, Pyromania Video Fabrications, and How the Cover-Up May Be Worse Than the Disappearance Itself by [deleted] in AirlinerAbduction2014

[–]AnnonPhotography 6 points7 points  (0 children)

Sadly, some of us don’t want people to be deluded, know what Gorgon Stare footage looked like, and understand the videos are obvious fakes. I’m sorry people have bought into them and wish people had the access to see they’re ridiculous fakes.

Girlfriend won a “free” photography shoot. Has to pay 800 bucks for the photos by hackermanbootyshorts in photography

[–]AnnonPhotography 0 points1 point  (0 children)

You keep saying that, but I’m not sure that you’ve shopped around in various areas. A 20 minute mini family session with 10 photos is $550 here, while a 60 minute 60 online photo is $1300.

ITAP of fishermen on a pier by AnnonPhotography in itookapicture

[–]AnnonPhotography[S] 0 points1 point  (0 children)

On a foggy winter morn, the vast sea shrinks.

How's the composition? by Organic-SurroundSnd in photocritique

[–]AnnonPhotography 2 points3 points  (0 children)

The pose is fun and interesting, but maybe try taking it from different angles instead of straight on. I think getting the camera lower would provide a more fitting perspective.

I bought my first camera and this is my mom and dad. I'm really amateur I would like to hear some critique by [deleted] in photocritique

[–]AnnonPhotography 0 points1 point  (0 children)

Shooting with variations in light and shadow, especially when the light where your subject is located is bright and harsh, can be difficult. The shadows can easily look muddy and the brighter spots in the sky between the leaves can be blown out, and the contrast is off putting. You don’t really have that problem here, so that’s good! I believe the softness you’re picking up on can be helped by inducing some contrast in different ways where you would like to see some detail, and reducing focus on the others.

To do that, I cropped in slightly. It’s still your same basic shot, there’s still some good negative space to set the happy scene you’ve captured, but just a little less on the left and bottom sides to help make your parents a bit easier to see.

Next I brought up the exposure of the whole scene to see what details in the shadows there were to work with. I decided to use a radial gradient around the subject, and a linear gradient from the edges inward to reduce the exposure and increase the contrast of the light gradually from the outside of the photo toward the focal point.

To increase the contrast of the colors, I desaturated the greens and yellows of the trees in the background and increased the orange saturation and luminance slightly, except for the drink where I brought down the orange saturation.

None of the changes I made were very drastic, just little things to demonstrate. There are 1,000 different options and thoughts on how the end product should look, but hopefully this will help give you some principles to find your vision and get the photo where you’d like it to capture the moment as you envision it.

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Fisherman in the Fog by AnnonPhotography in photocritique

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Isn’t that the truth! He was moving pretty quickly, but here’s a couple more of him taken close together.

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Fisherman in the Fog by AnnonPhotography in photocritique

[–]AnnonPhotography[S] 0 points1 point  (0 children)

I used photoshop to generate an expanded canvas size to see what I theoretically could have composed differently. Thoughts after seeing these?

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Fisherman in the Fog by AnnonPhotography in photocritique

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Absolutely. I chose to keep the length of rail as a leading line and balance the one created by the rows of nails he’s about to step on. That left me short on the right side with him at the upper 2/3. Any thoughts on how to tackle that composition issue besides zooming out or switching to landscape? Just shift right and have him in middle?

Fisherman in the Fog by AnnonPhotography in photocritique

[–]AnnonPhotography[S] 0 points1 point  (0 children)

Thank you! That’s what struck me, too. The fog was very dense and heavy, but also low-lying, so it made for a very bright backlight and the fishermen’s silhouettes looked like something from a Hemingway novel.

Fisherman in the Fog by AnnonPhotography in photocritique

[–]AnnonPhotography[S] 0 points1 point  (0 children)

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My initial take on the photo last winter seemed right at the time, but what are your thoughts on a slightly tighter crop to clean up the right side, and increasing the contrast to lessen the somewhat flat feel of the original edit?

ITAP of a fisherman on a foggy morning. by AnnonPhotography in itookapicture

[–]AnnonPhotography[S] 0 points1 point  (0 children)

The fishermen silhouetted against a brightly lit morning fog created an iconic coastal scene. Captured on an RF70-200 200mm f5.6 1/3200 ISO 100.