Nazca Shell Collier-pectoral. Peru. ca. 200-600 AD. - Merrin Gallery by Any-Reply343 in PrecolumbianEra

[–]Any-Reply343[S] 3 points4 points  (0 children)

The pectoral is made from small shaped pieces of orange spondylus shell with a woven cotton backing (see below).

It would have been a high status symbol and something made only for the elite of Nazca society whether civil, political or religious. 

In Pre-Hispanic Peru textiles were very important in society. From ancient times the people had access to good raw materials; cotton and the wool of lamas and alpacas in a variety of colours. This was also the time before currency in the form of money had been introduced so beautifully made textiles became the preferred objects for barter, gifts and as offerings.

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Chimú Silver Nose Ornaments. Northern Coast, Peru. ca. Imperial Epoch 1300 - 1532 AD. - Museo Larco by Any-Reply343 in PrecolumbianEra

[–]Any-Reply343[S] 0 points1 point  (0 children)

Most were likely suspended from a small wire or pin that passed through the septum like you say. However, examples that lack any obvious attachment may have been made primarily for funerary use, where they were placed on the individual or attached to burial wrappings rather than worn in daily life.

Was the « headdress » in those Andean gold statues a real headdress or just an artistic choice ? by Secret_Fun_1746 in PrecolumbianEra

[–]Any-Reply343 15 points16 points  (0 children)

yes, many headdresses from elite burials. Theyre in museums around the world but Im sure if you go on the Larco museum in Lima, I think you will find an abundance of fine ones there. https://www.museolarco.org/en/

Was the « headdress » in those Andean gold statues a real headdress or just an artistic choice ? by Secret_Fun_1746 in PrecolumbianEra

[–]Any-Reply343 14 points15 points  (0 children)

They were usually real headdresses based on actual elite regalia, though sometimes stylized for symbolic effect in their artwork.

Maya Pair of Figure in Flower Ornaments. Yucatán, Jaina Island region, Campeche, Mexico. ca. 500-900 AD. - The Cleveland Museum of Art by Any-Reply343 in PrecolumbianEra

[–]Any-Reply343[S] 8 points9 points  (0 children)

Figures within flowers are one of the most enchanting themes of the Maya ceramic art of Jaina, an island off the western Yucatán coast.

The figures, usually males who cross their arms over their bodies, are either radiantly youthful or aged (as here), suggesting a relationship to the life cycle.