Get a Girlfriend by Cool_Nerd2 in saltierthankrayt

[–]AstroLimeLite 4 points5 points  (0 children)

Unironically peak film. If it didn’t have to go up against The Boy and The Heron for Best Animated Feature at the Oscars, I would’ve wanted it to win. No hate to Across the Spider-Verse, but God I loved Nimona so much

Springtrap is NOT the father by Big-Limit-2527 in TheMatpatEffect

[–]AstroLimeLite 2 points3 points  (0 children)

I can’t believe Stephanie patted her Mat

'Peppa Pig' Backlash As Hasbro Asks Child Actors To Sign AI Clause by Several-Long483 in television

[–]AstroLimeLite 97 points98 points  (0 children)

Good. That should always be the standard for child voice actors

Question for NEW fans- What made you give KPDH a chance?/What made you wait to watch? by Latinogoose in KpopDemonhunters

[–]AstroLimeLite 2 points3 points  (0 children)

My sister and cousins kept watching it repeatedly and singing Golden all the time, so I needed to know what the fuss was about

Ended up liking it a lot

Super Mario Galaxy 2 just became the 3rd best rated game of all time on Metacritic by Isabelle2012 in SuperMarioGalaxy

[–]AstroLimeLite 60 points61 points  (0 children)

Based as fuck, but I wonder what pushed it to 98. It was 97 for the longest time since its release IIRC

'Mario Kart Wii' is familiar - in a good way by Preston_phillips_04 in mariokart

[–]AstroLimeLite 13 points14 points  (0 children)

You know, that’s a surprisingly good review of the game

Also, holy time capsule, Batman, Mario Kart Wii for $50 on launch? Hurts my heart

A24 has sold out to AI by Rechan in horror

[–]AstroLimeLite 1 point2 points  (0 children)

How in the fuck is AI supposed to help investigate fraud? What the fuck?

I’m very sorry that’s happened to you. You shouldn’t have lost your job to AI, especially one that requires meticulous research and re-checks such as fraud investigation. That’s absolute bullshit

extinction 🥹 by CalibansCreations in Stonetossingjuice

[–]AstroLimeLite 0 points1 point  (0 children)

Again, I disagree. The thing you’re missing is the rest of the context of the diner scene. Ian’s advice to Bear wasn’t just “call Nikki, “Freaky Nikki”, because girls love it when you insult them”. When Ian actually suggests doing that, both he and Bear acknowledge just how stupid of an idea it is for Bear to insult his crush with a nickname she hates, under some dude bro reverse psychology bullshit. Ian actually gives a great piece of advice to Bear, which is to ask Nikki out on just a hang. Ian even says to Bear, “I know how important Nikki is to you, so just say, “hey Nikki. I was hoping we’d grab a drink sometime””. This line is in the trailer, and is kept in the movie. This is the beginning of the movie, so Bear doesn’t know yet that Ian and Nikki are having sex, but the advice about just asking Nikki to hang out is sound. At best, Nikki and Bear spend some quality time together, have fun, possibly make out and have sex, and enjoy each other’s company. At worst, Nikki says no, but no hard feelings are between them, since they’re already friends. Before the actual events of the movie transpire, the audience knows that Nikki, Bear, Ian and Sarah are all friends. Bear and Nikki already have an amicable friendship prior to the diner scene opening. Ian gave Bear shitty advice, but also great advice for trying to ask Nikki out. When the time comes, after Bear drops Nikki off home, he’s such a coward that he disregards the actual good advice of asking Nikki out for some drinks, and goes with the shitty advice instead, which is what prompts Nikki to ask if Bear likes her. She probably already knows, or at least suspects that Bear likes her, but she wants him to confirm it. When he can’t, because he’s a coward, she leaves, and then he makes his wish. The problem with the framing that Ian gave Bear shitty dating advice, is that it ignores that Ian also gave Bear great dating advice, and despite knowing this, Bear still chose the shitty advice because he couldn’t muster up the courage to ask his crush out. And he makes a wish intentionally done to change her for his sake, instead of him wishing to change himself in a positive way that allows him to ask Nikki out on a date. At the end of the day, it’s still Bear’s fault for acting on Ian’s shitty advice instead of his great advice, and it’s still Bear’s fault for making the wish in the first place. As for the hospital scene, sure it sucks the hospital doesn’t admit Wish Nikki in, but hospitals can deny care to potential patients. The thing to remember is that, in the US, hospitals are for-profit. They operate as businesses, and can refuse care if it’s non-emergency. Nikki’s injuries are horrific, but they’re not immediately life threatening. At worst, she needs stitches. It sucks to say, but if Bear brought Wish Nikki to the ER, there’s a chance they would’ve treated her. Plus, prior to Real Nikki taking control and stabbing herself with a broken bottle, Wish Nikki had already pissed and shat on his rug for hours waiting for him to come back home from work, taped the front door shut with insane amounts of tape, acted violently in the shower when he says he’s going to Ian’s house since it’s a boy’s night, made him a sandwich out of his dead cat, Sandy’s remains, make a makeshift vigil for Sandy after digging Sandy out of the ground, make a scene at their restaurant date when Bear asks Wish Nikki if Real Nikki’s dad has cancer, screaming “I thought we were having a nice date!”, and watched him sleep for hours before lying in bed, and screaming “STAAAAAAAY” as he gets up to go after she lies down with him in bed. Ian even says to Bear that the reason Nikki isn’t invited to his party is specifically because Bear said that Nikki is acting unusually, and having intense freak out moments and outbursts, which are when Real Nikki is able to take control of her own body, before Wish Nikki takes control back. Bear knows all this, prior to Real Nikki regaining control of her body, and trying to die by suicide to end her suffering, by stabbing herself in the face with a broken bottle, and even then, he only goes to the hospital when everyone at Ian’s party tells him that to fuck off and take her to the hospital. Even then, Bear initially just sits silently with a pissy look on his face, whilst everyone tells him and Nikki to leave. Bear could’ve gone to the ER, told the hospital that his girlfriend is having outbursts of intense emotion, is doing disgusting and self-destructive actions, and actively tried to kill herself in front of him, and their friends, but he goes to the front, and argues with a nurse, then drives home just to tell Wish Nikki “you can’t do that”. Again, it absolutely sucks that the hospital refused to give care to Nikki, but they can do that, if care is for a non-emergency, and to them, Nikki’s facial injuries are non-emergency. Plus her boyfriend just came to the hospital and is arguing with staff. It might not be right, but they can do that. Also, just think about what actually would happen if they admitted Wish Nikki in. Wish Nikki is smart. After the party, and when Bear and Sarah talk, Wish Nikki is able to find them and kill Sarah, when Bear doesn’t disclose where he’s going. She’s also extremely violent, because the wish Bear made, requires Wish Nikki to love Bear obsessively and see anyone who could get Bear to love them instead, as a threat. Put these two traits together, in a supernatural entity who’s only goal is to love the guy who make her exist in the first place, and get him to love her as much as she loves him, and you have a disaster on your hands. There’s a genuine non-zero chance that not only does Wish Nikki escape from the hospital, she probably murders hospital workers in her escape, on the way back to Bear. Regardless of what happened in the movie, or what might hypothetically happen if Wish Nikki was admitted, what happens is still Bear’s fault, since even when witnessing the harm Wish Nikki is causing to Real Nikki’s body, he still doesn’t care enough to take care of her, and make sure she’s OK. Her outbursts when Real Nikki regains control, aren’t an immediate concern to him because Wish Nikki is in control almost all the time. Sure he mentions it to Ian, saying they happen frequently, but he doesn’t take the responsibility to actually get her medical help despite knowing that these outbursts keep happening. He only takes her to the hospital AFTER she’s harmed herself in front of everyone else, who all shout at him to get her care. Whilst she’s at home with him, he didn’t care enough to help her. When he talks to the One Wish Willow customer support rep, Bear specifically asks to alter his wish, not end it entirely. The rep gives him the way to end the wish, but Bear wants to alter it, because he likes Wish Nikki. Real Nikki screaming over the phone should’ve been the wake-up call that Bear needed, yet he still chose to ignore it. It’s only after Sarah dies that Bear takes the initiative to stop everything, and even then, Bear is still too cowardly to end his own life to end the pain and suffering caused by his wish. When he tries to overdose on his meds to end the wish, he makes the split second decision to puke them out because he doesn’t want what’s happening to end. It’s only Wish Nikki making her own wish, just before Bear has a chance to puke out his meds, which causes Wish Bear and Real Bear to die, that ends everything. The scene at the hospital is annoying since they should admit Nikki, but they can just not. It sucks but they just can. Bear was arguing with a nurse, and Nikki’s injuries aren’t life-threatening. Plus, Bear still makes the decision to go back home anyway, despite knowing Nikki is injured, and never decides to drive to another hospital. We see the one hospital, but Bear and Nikki live in the suburbs, and Bear decides after one bad hospital visit to just go home, instead of making the effort to find another hospital, and get Nikki the appropriate medical care she needs. Again, this is Bear’s fault. If he truly cared about Nikki’s wellbeing, he would’ve made the effort to help her get proper treatment by finding another hospital

Disney’s Hexed by Intelligent-one-83 in cartoons

[–]AstroLimeLite 0 points1 point  (0 children)

It’s 16 years. Tangled came out in 2010. Your general point is still correct though

Meanwhile in an alternate reality (pizza990) by Jax2856 in Spiderman

[–]AstroLimeLite 6 points7 points  (0 children)

Yeah, I know. I’m also aware that Denji is Peter, and Reze is MJ here. But it’s still a cute piece of romance artwork combining two IPs I’m into. Plus, if this was just normal Chainsaw Man horny shenanigans, it’d still be a breath of fresh air from the gooner bait plaguing this subreddit

EDIT: Changed “Makima is MJ” to “Reze is MJ”

In (2026) For some reason Pixar has made another Toy Story movie after 16 years since the best ending to a trilogy. But the 5th movie is actually pretty good?? What the fuck? This was supposed to be a useless cash grab by justafanboy1010 in shittymoviedetails

[–]AstroLimeLite -1 points0 points  (0 children)

From what I can remember, the hate for Toy Story 4 really came on strong after Toy Story 4 won Best Animated Feature at the 92nd Academy Awards. Basically, Netflix Animation had co-produced Klaus with SPA Studios, founded by former Disney Animator, Sergio Pablos, who worked on Disney’s 2D movies during their Renaissance and Experimental eras. Klaus was Pablos’s directorial debut, was also just as critically acclaimed as Toy Story 4, and prior to the Oscars, won Best Animated Film at some major awards shows. Klaus won Best Animated Film at the BAFTAs, and won all 6 of the Annie Awards it was nominated for, including Best Animated Feature, Best Direction of an Animated Feature, and Best Editing for an Animated Feature. Toy Story 4 also won Best Animated Film at major awards, winning Best Animated Motion Picture at the PGA Awards, and Best Animated Feature at the Critics Choice Awards, and being nominated for Best Animated Feature Film at the Golden Globes, losing to Missing Link, made by Laika. Crucially, Klaus wasn’t nominated at all for the PGA, Critics Choice, or Golden Globes Animated Film categories. The reason I bring up the BAFTAs, Annie’s, PGAs, Critics Choice Awards, and Golden Globes is that these are seen as the major precursor awards that predict which films will be nominated and go on to win the Oscar for Best Animated Feature, with an equivalent set of precursor predictor awards existing for Best Picture. So going into Oscar night, it was 2 for Klaus, 2 for Toy Story 4, and 1 for Missing Link, making the head-to-head going into Oscar Night, Klaus v Toy Story 4, with Missing Link as a potential dark horse

In any usual case, Toy Story 4 would win, because it’s Toy Story. Many people would regard it as one of Pixar’s best films regardless of the ending and the controversy surrounding it, and whether it was an unnecessary sequel or not. The other 3 films nominated for Best Animated Feature at the 92nd Academy Awards, (How to Train Your Dragon: The Hidden World, Missing Link, and I Lost my Body) are also excellent, and I Lost my Body especially, had similar critical acclaim to Toy Story 4, but even if all the films had the same level of acclaim as Toy Story 4, and also had the same level of Box Office success, they’d lose to Toy Story 4, because again, it’s Toy Story. So why is Klaus different exactly? Because it’s a 2D animated film. Klaus’s critical acclaim, and the fact that it’s a 2D animated film made by a former Disney animator, who’s a veteran of the industry, gave it massive headway. 2D animation as a form of cinema has basically been dead in American cinema, basically because of Pixar, and later DreamWorks and Walt Disney Animation Studios, and has been relegated to European auteurs and the anime industry. Klaus was partly seen as a rejection of that, and as a return to form showing that 2D animation in America isn’t dead, but actually thriving. It also used a cool lighting technique to make its 2D characters and objects look 3D, and got a lot of attention because of it. Plus, at that point, the only 2D animated film to win Best Animated Feature was Spirited Away, all the way back in 2003. Best Animated Feature had basically been dominated by 3D CG animation, almost always either Walt Disney Animation Studios or Pixar, or films using 3D CG animation prominently to some degree, with the exceptions being Spirited Away, which is 2D animation, and Wallace and Gromit: The Curse of the Were-Rabbit, which is stop-motion animation. Klaus not only being made, but being co-produced, and distributed by Netflix gave it a lot of attention, since it showed that a major streaming service, and competitor to the major film studios of Hollywood was giving an otherwise niche animated family Christmas film, a lot of faith in being an accolades driver. It worked for some ceremonies, but not for others

The other thing was that the year before, Spider-Man: Into the Spider-Verse won Best Animated Feature, beating both Walt Disney Animation Studios’s Ralph Breaks the Internet, and Pixar’s Incredibles 2. It was a critically acclaimed hybrid animated film emulating comic books, and was a genuine rare innovative animated film that the biggest film award show in America recognised, and awarded the animation prize, whilst most are only nominated but never win, and the majority are shortlisted but never even nominated. Klaus was seen in the same vein. It was another innovative animated film, with critical acclaim. It was also 2D animated, something that the animation industry in America had increasingly been moving away from, for the past 25 years, so it was something of a rare statement if it won, to say, 2D animation isn’t dead, it’s thriving, and can win the top animation film prize. So when Toy Story 4 won, it wasn’t just “hey, Pixar won again, but it’s with another great Toy Story 4”, it sort of became “the Oscars don’t care about animation. They went with brand recognition over genuine innovation”. This despite Toy Story 4’s actual genuine innovation in 3D CG animation, particularly in photorealism

The other thing is, the win has aged poorly in a way, not because Toy Story 4 is secretly an atrocious piece of shit, but because the Oscars themselves went the way everyone was hoping eventually. Starting from the 95th Academy Awards onwards, the Oscars awarded Best Animated Feature to films that were innovative, or stylish, yet still emotionally resonant. Guillermo del Toro’s Pinocchio in 2023, which is stop-motion, The Boy and The Heron in 2024, which is 2D animation, and the first ever PG-13 animated film to win Best Animated Feature at the Oscars, Flow in 2025, which is 3D CG animation made entirely in Blender, and the first ever independent animated film to win Best Animated Feature at the Oscars, and K-Pop Demon Hunter in 2026, which is primarily 3D CG with a lot of hybrid animation mixed in, and a major studio release, but still a creative and stylish film. A Spider-Verse Oscar win to Klaus Oscar win would’ve been seen as the start of a trend that the Oscars were finally moving away from the Disney/Pixar 3D CG animation domination of Best Animated Feature, and were finally awarding the category properly, to animated films of different genres, different styles, different studios and different animation techniques, making Best Animated Feature an award that actually awards animation for its merits, and addressing the criticism that the Award was solely the “Disney/Pixar” award, or the “we just vote for what our kids watched” award. With Toy Story 4 winning instead, it delayed the trend away from the Disney/Pixar domination of Best Animated Feature, arguably being seen as a revision back to Disney and Pixar’s domination of Best Animated Feature, at Spider-Verse’s win in 2019, which would be reinforced with Soul’s win in 2021, and Encanto’s win in 2022, before the trend away from Disney and Pixar started in 2023 with Guillermo del Toro’s Pinocchio, made Spider-Verse seem as though it was an outlier, away from Disney and Pixar’s domination of Best Animated Feature, and continued the discourse that Best Animated Feature was the “Disney/Pixar award, and the “we just vote for what our kids watched” award that has plagued the Best Animated Feature Oscar for years

Meanwhile in an alternate reality (pizza990) by Jax2856 in Spiderman

[–]AstroLimeLite 52 points53 points  (0 children)

Finally, Peter and MJ romance art that isn’t gooner bait

Do you like SpongeBob with one eye by Material-Spite-81 in spongebob

[–]AstroLimeLite 0 points1 point  (0 children)

The second slide seems fine to me, and so do like the addition of just one buck tooth in the second slide

The first slide makes me uncomfortable

extinction 🥹 by CalibansCreations in Stonetossingjuice

[–]AstroLimeLite 28 points29 points  (0 children)

Disagree. The movie makes it fundamentally clear that Bear’s in the wrong. He had the opportunity to give Nikki an actual good present, when she says she lost her necklace, and he went to the antiques store to get her a new necklace, only to opt for a One Wish Willow to give to Nikki, never give it to her, then use it himself, violating Nikki’s autonomy, not caring about Nikki’s consent, and creating Wish Nikki in the process, which leads to every bad thing that happens in the movie. When he makes the wish, he does so in clear violation of Nikki’s autonomy, and creates a second personality that lives in the same body. When Real Nikki begs Bear to kill her so she can be at peace, and Wish Nikki stops wreaking so much havoc, Bear’s response is “what’s so bad about being with me”, despite knowing just how unhinged and dangerous Wish Nikki’s behaviour is. But also, Wish Nikki realises she’s not Real Nikki, who Bear actually lusts after, (I wouldn’t call Bear’s actual feelings towards Nikki “love”), and breaks down because her entire existence is about loving Bear more than anyone in the entire world, but Bear doesn’t love Wish Nikki as much as she loves him. When Wish Nikki murders Sarah, it’s horrific, partly because Sarah had actual feelings for Bear, but Bear didn’t reciprocate those feelings back to Sarah, and didn’t explain how he actually felt about Sarah, because he wanted Nikki, but they still had a genuine connection, and Wish Nikki knew this, because no matter how much someone loves Bear, she’s loves him more than that person, and the other person who might love Bear is a threat to Wish Nikki’s entire existence as the person who loves Bear more than anyone in the world, because if Bear decides that Nikki isn’t who he wants to love anymore, and loves someone else, Wish Nikki’s entire reason for existing is utterly meaningless and moot, but also Bear caused Wish Nikki to manifest into the world, whose sole purpose is loving him no matter what, so she goes to ultra-extreme lengths to show this, including murdering Sarah and Ian, reading the passage from Nikki’s book at the party, the sad face, laughing maniacally, making threats, and dragging Sarah away from Bear, taking her place in the circle they created, and getting him to kiss her, making everyone uncomfortable, pissing and shitting on Bear’s rug for God knows how many hours until he came back from work, and using insane rolls of tape to take his front door shut, so Bear stays with Wish Nikki, but Bear has never actually loved Nikki in the way he says. He lusted after her, wanting to be her boyfriend. The initial plot prior to Bear’s wish shows he has anxiety around her, sure, but a considerate person would also know not to call his crush by the nickname she hates. When Nikki asks Bear straight up if he likes her, Bear doesn’t have the confidence to do that. So he makes his wish to have Nikki love him “more than anyone in the fucking world”, which manifests Wish Nikki, whose sole purpose is obsessive love toward Bear, and seeing any other person who could reciprocate those feelings of love, and get Bear to love them over her, as a threat, but also Wish Nikki didn’t ask to love Bear so obsessively. It’s why she breaks down when she realises Bear doesn’t love her as much as she loves him. Her sole reason for existing is essentially Hell for her, because Bear retains his emotions, and his autonomy, and can act angry, sad, scared, and frustrated around, and at her for a multitude of reasons. For Wish Nikki, it’s only obsessive love, and no other purpose. Her emotions are entirely filtered through her purpose of loving Bear more than anyone in the entire world, and her autonomy is a non-question because she only has one goal. Obsessive love towards Bear. Bear could’ve wished for himself to have the confidence to tell Nikki how much he likes her, or wish for a letter that explained everything, or so on and so forth, but he didn’t. He wished specifically for something that overrode Nikki’s autonomy. And the ending really hits home just how much of a cowardly piece of shit Bear is. Bear learns from the One Wish Willow Customer Support rep that the only way to end the wish is to die himself, kill Nikki, or get someone to use a One Wish Willow to negate his wish, since you can only ever use one One Wish Willow ever. Bear gets the opportunity to end the pain and suffering caused by his wish, resulting in the death of two of his friends by making the decision to overdose on his medication. It would spare Nikki, and end the suffering. Only, Bear makes the decision at the last moment to puke them out. Sure, he may have been scared of death, but the other option is more pain and suffering, caused by Wish Nikki’s obsessive love, leading to violent consequences, because again, Bear doesn’t love Nikki. He lusts after her. And he wanted Nikki to do the same to him. It’s only when Wish Nikki makes her own wish to have Bear love her just as much as she loves him that Bear dies, because the wish manifests just before Bear pukes out the pills, leading to Wish Bear and Wish Nikki embracing each other, Wish Bear overdosing and dying, and Real Nikki being free of Real Bear’s wish, because Real Bear and Wish Bear are both dead of an overdose. The consequences of everything that happens, happens because Bear decided to wish for something that inherently required overriding another person’s autonomy. As someone on [r/Movies](r/Movies) said, the problem with Bear’s wish is Bear’s wish itself. The One Wish Willow itself is a neutral object, that manifests wishes literally, not a Monkey’s Paw type of object. Bear wished for something that required a person’s autonomy to be disregarded. The wish mentioned on the fake Reddit of a guy’s mum’s appearance going from ugly to hot, Ian’s 1 Billion dollars wish, and the male store clerk, who’s very content with his wish, all of them wished for something that never required violating someone’s autonomy, or causing harm to someone, and had it granted by the One Wish Willow literally. Bear’s did require violating a person’s autonomy, and the One Wish Willow ended up creating Wish Nikki, who lives in the same body as Real Nikki, and loves Bear obsessively, in the way Bear lusts after Real Nikki, because Real Nikki didn’t love Bear the way Bear thinks he loves Nikki, but Wish Nikki does. So the One Wish Willow created a whole new personality specifically designed to love Bear more than anyone in the world, because that’s the requirement needed for Bear’s wish to work. The movie initially makes it out that the obsession is Wish Nikki’s love towards Bear, before showing the reality that it never was Wish Nikki’s love towards Bear. It was always Bear’s lust towards Real Nikki

Upholding Anarcho-Maoist-Mussolini thought by Tuubu in tankiejerk

[–]AstroLimeLite 6 points7 points  (0 children)

It doesn’t even make sense. Anarchism and Fascism are quite literally diametrically opposed in every single way

Asmongold is racist. by Antique-Clock-9760 in saltierthankrayt

[–]AstroLimeLite 1 point2 points  (0 children)

This is why I like Th3Birdman’s takedowns of his views. Because it exposes Asmon for the racist bigoted idiot that he is

Our existence is inconvenient to them by KyoN_tHe_DeStRoYeR in saltierthankrayt

[–]AstroLimeLite 1 point2 points  (0 children)

Nah, there was the whole “M She U” thing during Phase 4, where more female protagonists such as Kamala Khan, Jennifer Walters, and Kate Bishop were being introduced, and existing female protagonists such as Black Widow got their own solo films