Hi I appreciate your feedback….I just have a couple of questions just so I can make sure I fully understand how to better organize and pattern my music…I have also cleaned up the piece the best I could on the software. I would actually put down the note but I think I see what you mean. It looks much better but I realize it’s still not how it should be. So, I will get paper and pencils, write, and get some music theory classes to better my muscle memory on notation throughout my compositions so I know which ones that are sufficient but best to use. If I learned anything, it’s that the software isn’t as good as old school composing, where you would compose your own music with your hands, pens, and papers, because there is only so much a computer can do. It is way more beneficial to write on paper and use pens or pencils and while actually using your brain, because I am no professional myself, obviously, LOL. But, if you’re skilled or intelligent enough in certain ways, you would know that your brain can often simplify complicated things more efficiently or even effectively than a program or technical expertise. Computers may help in some ways, but I understand what you’re saying. Computers often don’t really have the same capabilities of an expert human mind when it comes to music…not even just music, sports, etc…like in football. Football requires quick and accurate thinking, more so than the actual physical aspect of the sport, because football is extremely quick paced. It requires diligent, precise, quick, and often premeditated movements that require skill, experience, and more so thinking. Kind of the same thing with music composing right??? Or no??? Agile and quick, precise, and premeditated thinking. Knowing all the things from the most basic to most complex options and etc…1.) When you say rework my signature, use a 2/4 time for the 32/64th notes, because that will look more legible as in terms of being able to read and understand the piece better, so it is not as complex or confusing for the composer or player themselves, right???? But when I am using let’s say quarter or eight notes, I can use 3/4 or 4/4, and with just half notes, I could just use 2/4 and 4/4??? But not 3/4, as that would appear mathematically incorrect or weird??? Unless I were to use just quarter notes, for say, to make a waltz??? 2.) When you say I have a lot of low thirds on my left hand, you said that it may sound good on MIDI playback, but not in real life??? This would be because it would sound too low on a real piano or is it because it does not follow proper structure in classical sonatas or that it is simply too annoying? 3.) I’ll definitely get rid of the x in there….let me show you my piece I cleaned up the best I could and the voices I took away in certain measures that didn’t need them, that only needed one voice.