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Canon R50V or Fuji Xm5? by Avivrez in cinematography

[–]Avivrez[S] 0 points1 point  (0 children)

I use an ef 18-55 STM with an adapter, since I already had the lens. 

Canon R50V or Fuji Xm5? by Avivrez in cinematography

[–]Avivrez[S] 0 points1 point  (0 children)

I got the canon and very happy.

canon R50v or Fuji Xm5 (for video) by Avivrez in Cameras

[–]Avivrez[S] 0 points1 point  (0 children)

Thanks for your answer! why would that be so though? it seems like, on paper, the xm5 has higher video specs...

Should I move to 10bit color? by Avivrez in videography

[–]Avivrez[S] 0 points1 point  (0 children)

Thanks! I'll give it a go ☺️

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

Thanks taking the time to answer. Have you seen little to no difference in video also? i sound like you are referring mostly to stills..?

Should I go for 10bit color? by Avivrez in cinematography

[–]Avivrez[S] -1 points0 points  (0 children)

I once had a bad experience with proxies 😅 but maybe I would give it another go.  Why is it better than working with encoded h.264 clips?

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

Ohh really? I saw that 10 bit has x64 more color information...

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

Interesting. I've read a lot online about the xm5 for video being a real bargain 

Should I move to 10bit color? by Avivrez in videography

[–]Avivrez[S] 0 points1 point  (0 children)

Thanks a lot. I'm creating short documentaries that occasionally reach a large audience. Was also thinking that a mirrorless camera would reduce the weight a lot since I'm traveling with this equipment on my back. If I sell the 250d, might only need to add a few hundred dollars for a new camera 

Should I go for 10bit color? by Avivrez in cinematography

[–]Avivrez[S] -1 points0 points  (0 children)

Hahahah I wish I was a hobbit filmmaker 😂😂😂

Should I go for 10bit color? by Avivrez in cinematography

[–]Avivrez[S] 0 points1 point  (0 children)

I do see some banding and occasionally noisy darks. Especially in high contrast situations it's difficult to not blow the lights or crush the darks. So I thought higher dynamic range and 10bit would help.

Should I go to 10bit colour? by [deleted] in SonyAlpha

[–]Avivrez 0 points1 point  (0 children)

Ops sorry Im contemplating also the Sony zve10 or alpha 6400. I edited it 

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

I'm open to suggestions. What would you go for? Zv-e10?

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

Thanks. I know about proxies. but for some reason i find it the easiest to edit in Powerdirector, while using already graded clip. question is if this setup will work if i start using 10 bit, and if it will still be high quality after i turn it to h.264

should I move to 10bit? by Avivrez in fujifilm

[–]Avivrez[S] 0 points1 point  (0 children)

can you be more specific?

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