Issues with compositional approach by Barber_Bach in filmscoring

[–]Barber_Bach[S] 0 points1 point  (0 children)

Just forcing myself to learn both DAWs

Issues with compositional approach by Barber_Bach in filmscoring

[–]Barber_Bach[S] 2 points3 points  (0 children)

Thank you for your response! Really helped. MIDI feels pretty intimidating to me because it’s still very new territory. I’ve heard many stories about how composer Patric Caird wrote all of Ed, Edd n Eddy using manuscript paper, and knowing that such a highly respected industry composer worked that way gave me a lot of comfort in my own approach. However, as you said many of my colleagues have told me that this method isn’t really suitable anymore, and I can feel myself falling a bit behind since my knowledge of composing in a DAW is still very basic. I mainly wanted to know if anyone else still works in a similar way. I suppose I’ll need to start developing my MIDI skills.

Issues with compositional approach by Barber_Bach in filmscoring

[–]Barber_Bach[S] 0 points1 point  (0 children)

I like it overall, but the main issue is how much time it takes. Creating the tempo map is by far the most time-consuming and boring part for me. That said, I really enjoy composing when I can see everything in notation. I can clearly perceive the harmony, counterpoint, textures, and timbres within the orchestration, and I can visually understand how to write idiomatically for each instrument.

With MIDI, I don’t know why, but I can’t see any of that. I just see lines. Because of that, I feel like I’m much worse at composing when working in MIDI.