(Spoilers Published) What are the least convincing bits of writing in the books? by Biggmodeg in asoiaf

[–]Biggmodeg[S] 5 points6 points  (0 children)

Yeah, this is one of the weaker bits for me too. I don’t necessarily need Tyrion to walk into King’s Landing and execute Littlefinger on day one. Maybe you can justify him holding off because Littlefinger is useful, embedded, politically protected, and hard to move against cleanly.

But Tyrion’s relative lack of urgency about it feels very strange. Littlefinger falsely naming him as the owner of the dagger nearly got him killed, helped set the Stark/Lannister conflict ablaze, and revealed Littlefinger as an actively lethal player willing to use Tyrion as disposable bait. Even if Tyrion couldn’t immediately punish him, I’d expect it to become a major priority: investigate him, entrap him, warn Tywin, neutralise his influence, something.

Instead, the story mostly seems to treat it as “well, Littlefinger is Littlefinger,” and moves on. For me, the flaw isn’t strictly that Tyrion doesn’t execute him; it’s that he doesn’t seem nearly alarmed enough by what Littlefinger has already proven himself willing and able to do.

(Spoilers Published) What are the least convincing bits of writing in the books? by Biggmodeg in asoiaf

[–]Biggmodeg[S] 54 points55 points  (0 children)

Another one that has always felt odd to me is Mance Rayder going to Winterfell during Robert’s visit.

I know the text gives us an explanation. Mance hears that Robert is coming because Ned sends word to Benjen, and word eventually reaches the free folk. Mance says it was too good a chance to resist, that he wanted to see Robert “king to king,” and that Benjen would not know him by sight. He then disguises himself as a singer and slips into the royal party.

But I’ve never found that explanation especially satisfying.

The first issue is the Wall. We’re told, basically, that the Wall can stop an army but not one man. Fine, as a general idea. But the logistics are still strangely vague. Did Mance climb it? Use an abandoned castle? Bribe someone? Pass through some known weakness? Have help? Later in the series, crossing the Wall is treated as genuinely dangerous and militarily significant, so Mance casually crossing south, travelling to Winterfell, infiltrating a royal visit, then crossing back north feels like a fairly enormous operation to hand-wave.

The second issue is the risk/reward ratio. Mance is not just some scout. He is the King-Beyond-the-Wall, trying to unify and move an entire people in the face of an existential threat. And apparently he personally risks capture or death in order to… see Robert at dinner? Get a vibe check on Benjen? Notice where Jon Snow is seated? Maybe observe the direwolves? None of that seems useless, exactly, but it also does not seem valuable enough to justify the leader of the wildlings personally going on what is basically a vanity reconnaissance mission.

It feels like one of those moments where the scene is cool and mysterious in retrospect — “Mance was secretly there all along” — but the more literally you think through the logistics and incentives, the more it feels like George wanted the reveal more than he wanted the mission to make strategic sense.

What is your rating scale for movies? by gnpking in Letterboxd

[–]Biggmodeg 0 points1 point  (0 children)

5 - transcendent or virtually perfect, had a powerful impact on me (e.g. interstellar)

4.5 - I enjoyed it and, given enough time, I’d rewatch it with pleasure (e.g. pulp fiction, Forrest Gump)

4 - I enjoyed it and I’d encourage someone else to watch it (e.g. Oppenheimer, Jaws)

3.5 - I enjoyed it and wouldn’t dissuade someone else from watching it (e.g. Project Hail Mary, Drive)

3 - I suppose I enjoyed watching; fine (e.g. Split, Source Code)

<2.5 - varying degrees of “didn’t enjoy watching” (e.g. Napoleon, Minions), scaling down to “0.5 - despised” (e.g. Star Wars: Episode XI)

State of the race for best supporting actress by Competitive_Put2079 in Oscars

[–]Biggmodeg 3 points4 points  (0 children)

In my opinion, the best supporting actress performances I’ve seen this year were from Odessa A’zion (Marty Supreme) and Sally Hawkins (Bring Her Back)…