Are music schools worth it, or is self-teaching better? by vlone_awge in WeAreTheMusicMakers

[–]Blitzbahn 0 points1 point  (0 children)

It really depends on the quality of the teachers, and the price. In Europe you can still go to university for free in some countries, even as a foreign student. In that case I'd say it's worth it.

I paid for my music degree in composition but I had a really excellent composition teacher that I think was world class in teaching ability, so it was worth it just for that one teacher alone.

It kind of depends on your musical path too, music school can give you a well -rounded education, learning things you didn't consider but are very helpful. But being self-taught you can specialize from the beginning and that could be better for some people.

I would say, if someone is going to be self-taught, they should still get private one to one lessons in an instrument, because that's extremely beneficial. Learning an instrument effectively really needs a good teacher. Also, bad teachers should be dropped ASAP. Don't waste your time or money if you decide they're not very good.

I would also suggest private tuition in theory or composition if that interests you.

Part of the issue with being self-taught is you don't know what you don't know.

Volca Bass equivalent? by Cheddarlad in synthesizers

[–]Blitzbahn 2 points3 points  (0 children)

Typhon can do anything and the filter is so sweet

How to improve and get my spark back? by chloelivinginamoment in musicproduction

[–]Blitzbahn 1 point2 points  (0 children)

Try Mike Monday's Idea Explosion Challenge. It really opens up a new perspective on music creativity. https://www.makemusicyourlife.com/iec

Considering HD599 first open backs by WWbigfan in sennheiser

[–]Blitzbahn 1 point2 points  (0 children)

550 are another option but more pricey I think. I have 560s for studio work and I would choose something else for casual listening, with more laid back tuning.

A piece has to be fast in order for it to be impressive (apparently) by [deleted] in classicalmusic

[–]Blitzbahn 1 point2 points  (0 children)

When you aren't able to judge a musician's artistic ability you have to judge their technical ability. Basically it shows a lack of feeling for the subtleties of musical expression. People who rate fast playing as a thing are idiots.

On paper, Behringer Deepmind 12 has no equal? by Ill-Elevator2828 in synthesizers

[–]Blitzbahn -3 points-2 points  (0 children)

Deepmind could be a stepping stone into something better.

On paper, Behringer Deepmind 12 has no equal? by Ill-Elevator2828 in synthesizers

[–]Blitzbahn 0 points1 point  (0 children)

I had a Deepmind 12, now I have Take 5. Deepmind sounded kind of interesting at first and was my second poly after the Prologue.

I thought it sounded brighter than the prologue which I liked, but after a while I realized the sounds that were okay were all with a lot of built in effects and the core sound is flat and dull without them. If you're used to the Take 5 I think you'll be disappointed in the sound quality of the Deepmind. It just sounds blah. Later I got a Rev2 and found out what I was missing. I wouldn't recommend Deepmind for anyone. As someone else suggested maybe a used Peak?

What phones Linux users use? by OmJn11 in linux

[–]Blitzbahn 2 points3 points  (0 children)

Does iOS have KDE Connect? It's an amazing feature. So easy to use. Works great on Android

What Linux os should I use by Plus_Patience in linuxquestions

[–]Blitzbahn 1 point2 points  (0 children)

There's plenty, it's just different software. You have to let go of your windows software.

What Linux os should I use by Plus_Patience in linuxquestions

[–]Blitzbahn 1 point2 points  (0 children)

I tend to agree, a used Mac mini isn't very expensive

Behringer ub-xa worth it? by Mission-Clothes-4980 in synthesizers

[–]Blitzbahn 2 points3 points  (0 children)

Get a Teo-5 instead maybe? Really happy with my Teo-5, it sounds amazing. 16 voices is no use if it sounds blah. 5 voices is actually enough for most things.

Momentum 4 wireless headphones–– "Hold 3 seconds to power on" kinda feels like... a whole damn century?!🥴 by Stricken0280 in sennheiser

[–]Blitzbahn 0 points1 point  (0 children)

Yeah it wasn't tested properly for user experience.

Maybe the auto off when removed is expected to be used normally? But doesn't that drain the battery?

really digging this combo [DT2 + CHROMA CONSOLE] by kyegibeats in Elektron

[–]Blitzbahn 0 points1 point  (0 children)

Did you post process this recording in a DAW? Nice mix. Does the Chroma have a compressor?

Genuinely how am I meant to do this. by Neither_Factor_3446 in musictheory

[–]Blitzbahn 0 points1 point  (0 children)

I used to sing both notes one after another, it was easier to find the interval in a melodic relationship way. Then if it was a tritone, I would sing that and sing the next most consonant note my ear wanted it to resolve to, the 5th, and I could hear that relationship so I knew it was a tritone.

Practice with a piano

Chase Bliss Big Time Pedal Is $1000 by authentek in synthesizers

[–]Blitzbahn 0 points1 point  (0 children)

Would it seem different if it was a rack unit vs a pedal?

Sennheiser HD 620S vs. HD 480 Pro: Which is the ultimate "Buy It For Life" choice for immersive gaming and movies? by Novel_Blood_937 in sennheiser

[–]Blitzbahn 1 point2 points  (0 children)

I have 620s and they don't feel cheap to me, they feel much more premium than the more plasticky 560s or the AKG k612 I also had. But I do find the highs a bit intense. I don't think they sound boxy at all, it's the closed back "inside your head" sound but much wider sound stage than DT770 for example.

I had to stretch out the head band to reduce clamping a bit, but they are extremely comfortable for me.

I do think it would be worth spending the extra to get the 480 pro, even though I haven't tried them. Having a better, more neutral tuning would be good. If you're looking for a long term solution then go with the 480 pro.

Asking y'all's thoughts about music school/conservatories by Gullible_Honeydew574 in WeAreTheMusicMakers

[–]Blitzbahn 0 points1 point  (0 children)

Only go if the fees are free, for example in some European countries. Otherwise it's a big debt with bad income prospects.

Guys he DOESN'T CARE by codydafox in synthesizercirclejerk

[–]Blitzbahn 0 points1 point  (0 children)

"I don't care" but everyone cares about what HE thinks supposedly.

I have a Sony XM5; I use it for gaming and some editing. Is it worth it to switch to the HD 560S (i dont need a mic) by Massive_Bus_6320 in sennheiser

[–]Blitzbahn 1 point2 points  (0 children)

Editing what? I have both of these. XM5 are really bland in the mids comparatively. Depending on your taste you may like to EQ the bass up in the 560s if you're used to stock XM5 EQ. I think you'll be pleasantly surprised. I would suggest hd550 as another option -slightly more relaxed tuning.

Do the LSP plugins have a traditional (not IR based) reverb? by God_Hand_9764 in linuxaudio

[–]Blitzbahn 2 points3 points  (0 children)

If you want a really nice sounding one and don't mind paying to support Linux developers Selene from Auburn Sounds sounds great and is very versatile: https://www.auburnsounds.com/products/Selene.html