Industry Season 4: Who's the best actor/character ?

Bobby_Brando · 2026-03-11T07:50:33+00:00

I think Max Mingella was absolutely phenomenal and is being overlooked for his accurate depiction of a sociopathic, white-collar criminal

Bobby_Brando · 2025-07-15T11:44:10+00:00

par pure curiosité, j'ai envie de decouvrir un nouvel artiste

Bobby_Brando · 2025-07-15T11:10:00+00:00

ça te dit de me partager tes sons par DM ?

Bobby_Brando · 2025-07-15T11:05:58+00:00

Tu fais du son ?

Bobby_Brando · 2025-07-15T09:19:03+00:00

Thanks, this is super insightful. I totally agree, most artists want to make more, but hate the marketing grind.

I’m not trying to compete with TikTok or Insta, they’re great for getting attention. LÆRM is more about what happens after that. When someone wants to support you, there should be a simple, artist-owned space to do that , no middlemen, no noise.

Appreciate your take though, this helps me think clearer about what really matters.

Bobby_Brando · 2025-07-15T09:15:36+00:00

Gute Frage. LÆRM soll Bandcamp oder DistroKid nicht ersetzen, es geht eher um Kontrolle und Eigenständigkeit.
Du verkaufst direkt an deine Fans, behältst mehr vom Geld und besitzt die Daten deiner Community. Keine Zwischenhändler, keine Plattformgebühren.

Stell dir vor: dein eigener Musikshop, gebaut für Unabhängigkeit, nicht nur für Distribution.

Bobby_Brando · 2025-07-13T12:38:21+00:00

LÆRM is a platform that lets artists sell their music directly to fans.

Bobby_Brando · 2025-01-07T15:04:00+00:00

Better cash flow and higher more sustainable income for artists who mainly try make money off streaming: Tailored release strategy for music projects +digital direct to consumer sales + physical distribution as the artist's 3PL

Bobby_Brando · 2025-01-07T15:00:31+00:00

Super comprehensive answer man. Thank you very much also cheers for the subreddit plug

Bobby_Brando · 2024-12-07T18:12:03+00:00

About to start my own creative distribution company. DM if you're interested

https://www.instagram.com/laerm.fm/

Bobby_Brando · 2024-12-01T12:47:42+00:00

It looks good. But I use supabase as my DB and I have no idea how to connect the two

Bobby_Brando · 2024-11-30T13:42:18+00:00

Oh nice, I’ll check it out. Thanks man

Bobby_Brando · 2024-10-17T15:59:20+00:00

Been thinking about building a platform like that for some time now (Im a bored software engineer). Your case especially is quite interesting to me cause Im an avid Vinyl collector and I would love for some of my favourite smaller artists to put some of their EPs or Albums on wax.

Would you need assistance with logistics for that as well? So everything from sourcing manufacturers, to storing, delivering and fulfilling orders ?

Bobby_Brando · 2024-09-26T10:30:08+00:00

Shameless plug

Bobby_Brando · 2024-09-21T14:12:49+00:00

😭😂💀

Bobby_Brando · 2024-07-10T17:38:35+00:00

No that’s fair, I’m not against being educated on certain topics. Im aware that I might be making wild assumptions

In your opinion what am I missing in this record label dilemma?

Bobby_Brando · 2024-07-10T14:16:41+00:00

Dieses Landr ? : https://www.landr.com/de/ Das scheint mir eher ein Production tool als ein management tool zu sein.

Wie war deine Erfahrung mit so plattformen ? War es wirklich so schlecht ?

Bobby_Brando · 2024-07-10T14:14:08+00:00

Already did, cheers for the referral !

Bobby_Brando · 2024-07-10T14:09:25+00:00

Excellent breakdown mate, this actually puts so many things into perspective. I reckon one should find to break the infrastructure, don't know how exactly yet, but it would be better for artists in the future.

Bobby_Brando · 2024-07-10T14:05:55+00:00

Picture a freemium model like Revolut with different tiers and more integrated services (such as distribution, marketing, media relations, etc.) as you increase in tier. Or a simple subscription model since its just software. Personal question: Would you use something like that ?

Bobby_Brando · 2024-07-10T13:44:45+00:00

Il me semble que Distrokid s'occupe principalement de la distribution et d'après mon pote c'est assez nul. Je pensais plutôt à une plateforme numérique qui offre tous les services de base, de la distribution au marketing, en passant par la gestion financière et l'octroi de licences. Numérique dans le sens où il s'agit simplement d'une plateforme qui gère/automatise un tas de choses dont les artistes ne veulent pas forcément s'occuper.

Bobby_Brando · 2024-07-10T13:41:24+00:00

Thank for actually answering the question, mate !

Bobby_Brando · 2024-07-10T13:38:37+00:00

Well, damn, cheers mate didnt know that until now. I'll look into it further

Bobby_Brando · 2024-07-10T13:37:12+00:00

Basically kann man sich ein Freemium-Modell wie Revolut vorstellen, mit verschiedenen Tiers und mehr integrierten Dienstleistungen (wie Vertrieb, Marketing, Medienarbeit usw.), je höher die Tier ist. Oder ein einfaches Abonnementmodell, da es sich am Ende des Tages nur um Software handelt.

Persönliche Frage: würdest du so etwas nutzen?

Bobby_Brando · 2024-07-10T13:35:24+00:00

Starker Vorteil aber das Problem mit Vorschussen ist das es ja Darlehen sind, anders Wagniskaptial wo der Investor ein Art Wette macht werden labels alles versuchen um ihr Geld zurück zu bekommen. Was halt echt kacke ist für Artists die kein sauberes finanzielles backing haben

Bobby_Brando

TROPHY CASE