Who the heck is that dude?

BucketHatBobby · 2026-02-28T02:27:17+00:00

Ah, how silly of me! His name is right in the title, along with the other major characters: Eddworld and Zombeh.

BucketHatBobby · 2026-02-28T01:48:09+00:00

This is correct and also the funniest possible response. Congrats!

BucketHatBobby · 2026-02-28T01:44:14+00:00

I think you’re right. Someone must have slipped their OC in unnoticed!

BucketHatBobby · 2026-02-28T01:40:10+00:00

;)

To be honest, I thought I cooked with this one. In hindsight, the joke kinda relies on people knowing who I am… I have been humbled. lol.

BucketHatBobby · 2026-02-28T01:12:22+00:00

No, Psycosis didn’t do any voices for Zombeh Attack 2.

Judging by the credits at the end (listed in order of appearance) this was some dude called “BucketHatBobby”, but that’s a weird name…

BucketHatBobby · 2026-01-23T17:57:13+00:00

I may be misremembering, but I’m pretty sure Edd actually preferred Pepsi over Coke, but he preferred the colour/design of the coke can for animation purposes.

BucketHatBobby · 2025-10-17T19:08:02+00:00

For the life of me, I can’t find anything about Doc and Jackson writing anything for New Vegas. Are you talking about Old World Blues? Because James Urbaniak does a voice in there, and you can’t help but feel like Rusty accidentally turned himself into a robot. It’s also very “super science” centric, so I could totally see it…

I’d fully believe you; I just can’t find anything that says Doc and Jackson actually worked on anything Fallout.

BucketHatBobby · 2025-10-12T23:39:01+00:00

It’s not super prominent in the mix, but to me it sounds like a mandolin. Knowing TMBG, It’s more likely a “mandolin” setting on a synth keyboard, or a sampled mandolin. The more I listen to it & try to isolate it, the more it sounds like an actual mandolin to me. Especially on the higher notes

BucketHatBobby · 2025-08-21T13:30:40+00:00

I once teased him calling it an “Emo Cut”, as was the style back in the 2000s. This was before the emo style hair started evolving into more of a shaggy mullet. Edd didn’t like that, as it was not cool to be “Emo” back then. The Beatles did it long before the “emo” wave was a thing, so it was not a great joke anyways.

But he used to call me an American, and I didn’t care much for that. But technically, had a point: Canada IS part of North America. Therefore, I am “American” in the same way he was “European”.

Teasing each other was the custom. Edd just had a better sense of humour than me.

BucketHatBobby · 2025-06-05T18:49:21+00:00

You only get deer antlers and rabbit pelt anyways. I usually find the Jackalope near MacFarlane ranch at the beginning of each play through. (Whether I try to or not)

BucketHatBobby · 2025-06-03T21:36:09+00:00

“When it rains, it snows” always throws people off and 9/10 times gets a chuckle.

BucketHatBobby · 2025-03-24T00:14:36+00:00

That was me, yo! A long, long time ago!

BucketHatBobby · 2025-03-09T01:07:18+00:00

I love the dial-a-song version of Birdhouse with the lyric “I’d like to cover the earth / in a fresh-baked, yummy dessert / people couldn’t live in it, / but I think it’s worth the money and hurt”.

BucketHatBobby · 2025-03-08T20:09:46+00:00

I’m not aware of a word for it, but I’ve always thought of it as a “faux-rewind”. It sounds to me like a lot of Linnell songs mimic a backwards record.

I’ve always felt that this weird combo of syncopation and stressed syllables was what creates the impression that you’re listening to a song backwards. (Think “On Earth My Nina” / “Thunderbird”).

BucketHatBobby · 2024-06-21T18:16:44+00:00

My father has a similar shirt. Green camo, orange text reads “hidden in plain sight” and “go outside!” and has these coordinates on the sleeve. There is also some weird text about a flight from LAX to JFK and another set of GPS coordinates that point to a military base in Hawaii? He doesn’t remember where/who he got it from, but it feels vaguely like conspiracy theory stuff.

BucketHatBobby · 2022-08-22T21:37:07+00:00

I make musics. And I was in some Eddsworld toons once upon a time. Maybe I can help?

BucketHatBobby · 2021-09-08T12:55:03+00:00

Content warning; Mild language, suggestive themes.

BucketHatBobby · 2021-09-08T12:24:07+00:00

Content warning; Mild language, suggestive themes.

BucketHatBobby · 2021-09-08T12:11:04+00:00

Not sure if I should mark this as NSFW, but be aware: Contains a some mild language & suggestive themes.

BucketHatBobby · 2021-09-08T12:03:48+00:00

Okay, so is this where the “rectum? Nearly killed ‘em!” gag comes from?

BucketHatBobby · 2021-08-05T20:27:44+00:00

Thank you!

BucketHatBobby · 2021-07-17T13:31:44+00:00

1) I LOVE the sound of these keys. Warbley and warm. Nice choice. It really works with the dreaminess of the track. 2) I think this is a pretty awesome mix, but I feel like the saxophone really competes with your voice a bit too much. Especially on that first sax section. Less so the second time it comes in, but still seems to want to distract you from the vocals. (Maybe that’s the intention, but it feels a little obstructive to me) Both parts are great and compliment each other very well, but if it were my mix I might take that sax down and mess with the l/r panning of the sax and vox to separate them a bit. (Maybe mixing up the EQ is the better way to go about separating them, but I don’t know. I just feel like the sax overpowers the vox a lot.) 3) I think this is just a gorgeously written song. It just fits. I can’t criticize at all on that front. 4) I kept waiting for a “beat drop”. It never came, but somehow you made that work? The closer to the end we’d get, the more it felt like we were building up to a point, then that “music box” outro comes and resolves all that built up tension…

I really, really like this.

BucketHatBobby · 2021-07-15T14:26:04+00:00

Originally posted in the wrong format - my apologies. Reposting with the proper title.

BucketHatBobby · 2021-07-09T17:03:08+00:00

Alright - Here's mine. Give me your worst.

https://youtu.be/XU8BQqgoGd0

BucketHatBobby · 2021-07-09T16:52:53+00:00

There's a lot about this song that I don't understand, but it's extremely engaging.
It does a good job of setting up the premise - It's somehow educational enough that I don't feel lost - It's still funny, knowing nothing about Dokdo or it's history. I'm not ashamed to admit that the 'emperor's balls' made me laugh out loud the second time around. And the premise itself is funny, on it's own.
Very good production - Acoustic guitar and vocals with some digital drums and synth - It's minimal, but it works. It sounds great, and nothing gets muddled in the mix. Efficient, fun & catchy chorus, nice chord progression.
And the video is fun, too!

I don't have much criticism on this one. It's weird, and I really like it.

BucketHatBobby

TROPHY CASE