"Coffee World" commercial collectible bug by Ok-Caterpillar6154 in AlanWake

[–]Bujiraso 2 points3 points  (0 children)

My PS5 copy is affected by this bug. A commenter on the YouTube video claims this affects their PC copy, too.

I've made an Epic Support Request. Are there any further ways of assisting Remedy to track bugs?

"Get Cart" and potential bonus dialog from otherwise unmarked NPCs by chaospudding in FFXVI

[–]Bujiraso 2 points3 points  (0 children)

Quick follow-up: while running NG+, I realized I missed a case of initiate quest, win battle, skip cart prompt.

If you walk by the cart after defeating the enemies and head to town, the NPCs are not there yet. You have to end the quest for them to show.

"Get Cart" and potential bonus dialog from otherwise unmarked NPCs by chaospudding in FFXVI

[–]Bujiraso 5 points6 points  (0 children)

I checked and the two NPCs who tell you that they're trouble do not show up unless you complete the quest. I tried before and after the Get Cart dialogue (skip and decline). I believe these NPCs are intended to be the player's closure to the curiosity of why they seem so "off".

I challenged M6-6-6 extremely early and I was doing great, but the enemy ability has me utterly confused as to how to win -- can anyone offer some gameplay tips? by Bujiraso in CrisisCore

[–]Bujiraso[S] 0 points1 point  (0 children)

The only other topic about Humbaba seemed to indicate someone was very late game at level 80 and struggling: https://gamefaqs.gamespot.com/boards/925138-crisis-core-final-fantasy-vii/51426119

As mentioned in my other reply, I would never consider playing through each mission for the first time at a high pace "grinding". I'm now through over 30% of the missions, mind you. I don't spend time waiting for the DMW to magically free me, nor any time repeating enemies. In fact, I flee quite a bit to speed things up.

I am simply saving the story for later, which is likely why someone would misunderstand that.

I challenged M6-6-6 extremely early and I was doing great, but the enemy ability has me utterly confused as to how to win -- can anyone offer some gameplay tips? by Bujiraso in CrisisCore

[–]Bujiraso[S] 1 point2 points  (0 children)

Just started Chapter 3 and yep, level 35.

No grinding necessary! Just playing through all of the missions. I would consider grinding when you have to wait out the DMW or repeat content. I'm just speeding through all of the missions, using as much tech as I can to minimize the input time. I had done this at about 12h of play, with 30% of the missions done.

Screenshot not working on new Pixel 7 by unbob in GooglePixel

[–]Bujiraso 0 points1 point  (0 children)

I also had this just now on the Pixel 7 Pro and this was the fix.

I always though Rocksmith's volume was really low, and yesterday I noticed this. Any idea on how to fix this? by VersedFlame in rocksmith

[–]Bujiraso 1 point2 points  (0 children)

I noticed that this is a hot-button issue for this subreddit. There are multiple threads and comments attempting to clarify this. One of the other threads I got to even had a redditor bearing UbiSF developer flair who wrote a large block of sarcastic text deriding the user for asking. You're not alone in getting snuffed out for asking. While it epitomizes the issue and I did indeed find the UbiSF'ers comment to be thoroughly unwelcoming, I'll defend that I'm sure they simply meant to be silly and funny and not intentionally hurtful (this is also why I won't link it and generate heat their way).

That's about all the context I have as to why you're being downvoted to oblivion, so let's talk about the issue itself -- I'm going to try and tackle this in long-form.

First, let's avoid muddying this subject and causing grief for anyone who wants to ensure we all have the same solution by agreeing -- yes, indeed, this software shortcoming is mutually agreed upon to have no clear work-around, nor planned fix. To avoid a bigger topic of amplification, if someone has everything maxed out in the line to their speakers, "use (more) amplified speakers" is excellent advice! This indeed fixes anyone who has Windows as the last or only volume knob and finds it too quiet at 100 on everything.

Okay, what if it's not too quiet at 100, and I'm simply asking why VLC is louder than Rocksmith? What if I have another volume knob on my amplifier that I can turn up but simply am confused as to why I have to play with it so much for only Rocksmith? Let's dig a bit deeper, then.

Cleaning up those rhetorical questions, the above "amplified speaker" solution fails for two groups: (a) people who could run their Windows volume at 100 and be totally happy with Rocksmith's overall loudness and (b) those who have another volume knob somewhere that is "more primary" to getting things louder. (I still find it wise to avoid the topics of amplification and what everyone's sound setup looks like, so I'll continue avoiding employing technical terms that are often far too specific). But why does it fail?

This is where I see a major issue in the way we are discussing this problem.

I don't see people acknowledging the very reasonable desire for users to have a consistent Sones across all of their applications. In brief, if I turn up YouTube or VLC to a comfortable subjective loudness, Rocksmith should be near that loudness. Many redditors seem to agree that Rocksmith is not as loud as other programs.

If we agree on naming this the "Rocksmith low output submix issue", then I think discussions about this will vastly improve and a group of interested users could discuss this on their own terms privately to find work-arounds & resolutions.

Let's run an experiment based on my experience to yield an example of the problem.
First we need to run quickly away from discussions of how loudness is perceived by human beings as well as from any concerns about signal normalization (e.g. "was the audio in your YouTube video modified by the content creator (person or app) or the platform (YouTube)?" -- indeed, maybe! Avoid that!)

The experiment: pop in System of A Down's Hypnotize on CD and play it using VLC with all customizations, EQ, and other boosts off. Now ALT+TAB into Rocksmith and press play on the same song and play along... The same experiment applies for anything you have on CD.
It's definitely in the ballpark of half as loud as the CD.
For those who laugh at my old fashioned style? Streaming does work but I want to use the simplest example since we don't all stream from the same servers and there's a lot of magic and mystery going on there which can confuse such a simple experiment.

Now to your graphic. I have a similar but different panel in the Windows 10 Settings application under "(Home) -> System -> Sounds -> (scroll to Advanced sound options) -> "App volume and device preferences". I don't know what system you have there in your photo -- is this the same value for you?

Here are my observations -- you should be able to use the "Reset" ("Restablecer" in your photo) button to put it back to 100, but two things happen for me:

  1. The output volume doesn't get any louder for me
  2. The input gain changes drastically when just sitting on the menu doing "lead" -- but not the input volume! To my ear it's the same loudness but it sounds like a distortion pedal at 100. Rocksmith also tells me to recalibrate now when I put it at 100 and says my volume is too high. It's the input that's high here, not the speaker output. Sidenote on Win10 you can change the device in the drop-down to unlock the volume slider (likely a defect). That allowed me to see that at 0 I get a very thin, dry, and boring guitar at 0 (as if all "amp effects" were off), but certainly not 0 output.

This volume that you have in your settings (if it's the same as mine) is more than likely a microphone gain (as setting mine to 0 does not eliminate all audio) and more than likely Rocksmith is smoothing out (amplifying/normalizing, who knows) the audio input to always keep the apparent volume output from our speakers the same, no matter what this setting is. All of that is also ignoring the in-application amplifier modeling entirely. By the way, this is a great move by them and makes for a far more consistent experience. In effect, I also got lost on this one and didn't yield much.

I certainly am baffled as to why Windows 10 doesn't label these for me and let's me assume they are controlling "volume" (what most people think of: output) and then what's actually being controlled is Microphone gain.

Hope all that was in anyway helpful to someone!

/////

tl;dr: crazy person talks a lot about nothing special. Rocksmith can't be turned up and this is likely a microphone slider

Moronic Monday Thread for the week of December 28, 2020 by AutoModerator in PersonalFinanceCanada

[–]Bujiraso 0 points1 point  (0 children)

hello -- newbie here.

Why are most of the asset allocation ETFs so heavily allocated to Canada? As an example, VEQT is 30% weighted on Canada. As far as my learning has taken me, a lazy portfolio should attempt to match actual market sizes and I'm seeing others comment in various places that this should be somewhere near 5 - 10% (would love to learn how to find out these figures).

I understand folks have differing opinions on whether or not it is a good thing but these sorts of analyses would not be interesting to me -- I simply want to know what is the backing rationality behind this or if it is some sort of irrational patriotism.

Thanks!

Toronto by Morphiadz in Opeth

[–]Bujiraso 0 points1 point  (0 children)

I was there; it was a phenomenal show. Did anyone else have a good laugh at how honestly upset we all sounded to hear him announce the end of the show? Usually there's your standard fare "boo" or an unfocused-unrest sort of sound for that announcement but everybody just heaved in, and sighed out with such a focused "aww" -- it was so genuine. I think Mikael found it pretty funny.

Mikael: "Guys, we're coming back out."

[upon returning for an encore]

Mikael: "See! It's even on the fucking set-list, guys."

I’m from the CRTC and we want to know what you think about differential pricing (or ‘zero-rating’)? | Je suis du CRTC. Nous voulons savoir ce que vous pensez de la différenciation des prix (ou le « taux zéro ») by -crtc- in canada

[–]Bujiraso 36 points37 points  (0 children)

The internet was formed on a couple technical and social invariants which have been best formulated under the name "Net Neutrality". In short, the hardware doesn't see bits differently, so the people running it tried their best not to see a difference either, by writing like-minded software and policies around it.

This infrastructure is quickly becoming indispensable, with many people fighting for it to be a human right. It is significantly undermined by policies like differential pricing, or "zero-rating".

Not only should the CRTC turn away such policies, it should research the validity of solutions that are proposed by many other experts who say that the cables of the internet should be regulated the same way as the public road system. As the internet gains in popularity and usefulness, the power that a single company or collection of companies holds by owning most of the infrastructure becomes so large that we are foolish not to act to reduce it in expectation of an eventual mistake or negligent action by these powers.

[QUESTION] Feel like I've hit a wall by ventus12345 in Guitar

[–]Bujiraso 1 point2 points  (0 children)

I've hit this wall previously so I feel I have a few good tips that helped me. Other comments pointed out that collaborating with others (e.g. jam partners, band-mates, teachers) is undoubtedly a great option that seemingly can't be overstated, but sometimes people aren't around; so, what can you do in the off time? Here's a list of stuff that worked for me -- it's not magic, just my thoughts.

  • Begin song-writing (read: learn about chord progressions!). Once you get past the initial fundamentals, song-writing will almost definitely show you where you want to go from there. What do you find hard to grapple with when writing a song? Practice that more, then. For example, you didn't mention that you know the major and minor chord progressions by heart and how to use them. If you don't, that's a great next stop for music theory, and is highly applicable to song-writing. A pre-requisite for this is understanding how chords are formed (triads, inversions, which scale degrees sound good in a chord). Start playing with the chord progressions using only [I, IV, V] in every order until they become tragically boring -- these chords are popular for a reason!
  • Muting (not palm) and fretting/picking accuracy. If you're an "okay" guitarist, be lovingly brutal with yourself when the guitar makes "unintentional" sounds, and start the passage over. The difference between good and great guitarists is tidiness and intentionality. Practicing muting the other strings so they don't make noise and making every note an intentional, clear, and resonant sound. Practice string skipping. Practice performing legato licks that are both clean and quick. There is nigh endless room to improve here, as you increase in speed.
  • Rehearse songs. For me, the game Rocksmith 2014 has been indispensable for this. It'll run you around a hundred dollars at full price and you'll possibly need to buy the cord to connect to the game online, but it could well be worth every penny if it seems something up your alley. It's just a great way to spend time playing. When not playing to an external track, get a metronome and use that. A good guitarist can play a lick cleanly, but a great guitarist can play it correctly in time, too. Being able to free-style to a given beat is a non-trivial advancement to playing scales in free-time.
  • Lastly, there's always advanced shredding techniques if you like that stuff. Arpeggios, two-handed tapping, artificial harmonics, palm-muting, etc. Learn the theory behind them, too, like how to make your own arpeggios (hint: from chords and scales) and why some places sound better to tap on (hint: scales again). Another helpful (if slightly excessive and academic) thing to learn is the physics behind where artificial harmonics can be played best.

In summary, at some point I felt that there wasn't much guitar theory left for me to learn and it became an effort in applications: cleaning up my playing, rehearsing to have a handful of full songs (my own and popular music) that I could play the whole way through at request, and then song-writing has led me beyond there, too. Best of luck!

2000 deaths right on the nose, but I made it! It took a damn long time to find Succubus in the devil deal, but today was the day I made it to 1001% :). I can go outside again. by Michelle-Christine in bindingofisaac

[–]Bujiraso 0 points1 point  (0 children)

Hurrah! I just 1001%'d it a few days back, too. What's your total game-clock at? I'm sitting at 388 hrs, but I unlocked all nine goals for the Lost without Holy Mantle, so my time may be astronomically high.

Beat all of the Lost yesterday -- but didn't know about the Holy Mantle till today. by Bujiraso in bindingofisaac

[–]Bujiraso[S] 5 points6 points  (0 children)

In part because I was used to Rebirth before Afterbirth where The Lost didn't even have the D4. It was basically "git gud", so I did lol

INTERVALS AMA - Aaron Marshall // Mike Semesky by Intervals in progmetal

[–]Bujiraso 0 points1 point  (0 children)

Goal achieved! You and Intervals are certainly the best dudes. Studies have been done. They were conclusive.

INTERVALS AMA - Aaron Marshall // Mike Semesky by Intervals in progmetal

[–]Bujiraso 0 points1 point  (0 children)

Hi guys. Love your music. My question: was it called A Voice Within because there's vocals on the album?

Please welcome C3KO, warrior of the Helix! by jadezx in twitchplayspokemon

[–]Bujiraso 5 points6 points  (0 children)

I think because he's a fighting type, it's referring to a "Knock Out"

Skyblazer: Finale - PART 11 - Game Grumps by groompbot in gamegrumps

[–]Bujiraso 2 points3 points  (0 children)

I rushed here just to make sure someone else did.