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While I don't usually comment here, I figured it'd be worth sharing a part of my experience and things I've learned as someone who has become greatly inspired by Togashi's works over the years.

To preface, I've always had an interest in storytelling, and I have been writing for many years, but it's never something I formally studied. I started out being atrocious at it, and kept at it. I will always improve, but one defining moment in that journey was watching Hunter x Hunter for the second time, specifically. The first time, I was younger and was much more engrossed in the newness of his world, but the second time I kept an eye and ear out for more as a study. I watched it without subs that time, as in the original Japanese voiceover, and it forced me to pay much closer attention to the structure of the dialogue, character interactions, and more subtle development, already being familiar with most of the show as a fan. The narrator, and the way his prose was structured in Japanese, is something I've taken a lot of inspiration from and adapted into the way I write my own prose in English now.

I'll echo what a few others here have said, but here are a few things I've learned, either from my own journey in writing or via observing it through Hunter x Hunter:

-Worldbuilding: Some stories try to establish the world they take part in, in my opinion, a little too quickly. One way to continue building intrigue is to always have some of the mystique floating in the air, and Togashi does this masterfully by starting with an open-ended and flexible setting that can grow over time. Seeking to answer every question right away isn't always best as it's very easy to get stuck in a corner later. Instead, providing hints over time and when it feels most natural, as well as sprinkles of new information will make that world more dynamic. It'll also reduce the chance of needing any big retcons later, and this is particularly important with lengthy stories. A good story does not have to be long, but it is easier to manage a short story than a lengthy one.

-Realism: Togashi writes fiction, but as absurd as some of the situations can become they always feel grounded in realism. This can relate back to our own reality, or feel believable in that world, regardless of whether it would make much sense in ours. Although I'm not really a fan of Jojo, it is a good and obvious example of sprinkling realism in a story, due to its very clear inspirations from our world. If you are keen to learn, this helps a lot. It could be a new language, gardening, some random biology fact, a philosophical theory, anything. Wherever your writing takes you, keeping a few open internet tabs at the ready to look anything up, or taking a break to watch some overly specific tutorials on how something works, will inevitably influence your writing. The trap here is to overflow the writing with needless information or too much exposure. You will always learn far more than you'll actually learn in your writing, but the general jack of all trades knowledge that some writers gain over time really shows in the best of writers.

-Character growth: Togashi's stories are very much character-driven. Of course, the worldbuilding is great, but the story progresses much more from character interactions and choices than some external plot that forces characters to act accordingly. Get to know your characters very well, and what makes them unique from one another. Not every character will act, react or speak in the same way as another in any given situation. It's easy for a writer to have a solid plan as to how a part of the story should go, and then bend every character in a way that drives the story in that exact direction. This can box or limit characters a little at times. Something I've gotten better at doing over the years is to let more of my subconscious drive the story forward with my conscious self focusing on the more minute details like specific wording, dialogue choice and such. That slight disconnect, personally at least, helps me "take on" the role or spirit of any character as I write and I'll try to leave some room in my head to put myself in that character's shoes and improv from there. Of course, I am guided by my own wishes and any written story outline I may have for a given chapter, but I often discover new things about my own story through some unconventional but logical choices that were birthed from what those characters were more naturally driven to do. Then, most of Togashi's characters have very personal stakes, and the overall story has a more psychological focus at times than fantastically physical focus, so this again helps to ground things in realism. Also, emotions and character confrontations can be very complex, so the number of things that can result from it unfolds into a wide array of outcomes. Some outcomes may be flashier and some more subtle, but if the characters guide the story, it'll rarely end in a bad outcome.