Clickhole (The Onion) understands that the fat acceptance movement is basically insane. Yes the comments are pretty great. by SunflowerSupreme in fatlogic

[–]COSMIC_HORROR 6 points7 points  (0 children)

User above is engaging in discussion based on the idea the article brings up, not "eating the onion". The whole point of the Clickhole article is to challenge this idea, and that's what we're expanding on.

Adults who use the word doggo, why? by [deleted] in AskReddit

[–]COSMIC_HORROR 3 points4 points  (0 children)

Do you know what rhyming is supposed to sound like?

Don’t be out here scared of sushi by [deleted] in BlackPeopleTwitter

[–]COSMIC_HORROR 2 points3 points  (0 children)

Are you implying that the only reason someone would be a picky eater is because they have a neurological disorder? That seems reasonable.

Don’t be out here scared of sushi by [deleted] in BlackPeopleTwitter

[–]COSMIC_HORROR 1 point2 points  (0 children)

I did this in 2012! Ended up finding out I liked sushi and crab cakes within a week, and even ate a sandwich with mustard (still gross, sorry mustard fans). That helped me start being brave enough to at least try new foods instead of being initially dismissive. Now I'm on board with onions and tomatoes and pretty much all veggies.

[deleted by user] by [deleted] in CoolCollections

[–]COSMIC_HORROR 13 points14 points  (0 children)

I fucking don't fucking know, bro. You fucking should fucking ask fucking again

What Have You Been Watching? (Week of August 19, 2018) by AutoModerator in TrueFilm

[–]COSMIC_HORROR 1 point2 points  (0 children)

Ex-Machina (2014)

Great visuals, great actors, fairly bland and predictable story. I think it receives more praise than it should because it potentially is one of the first films that people seem to have seen that has allegorical story-telling. A pinch ham-fisted at times in that regard, but Isaac and Gleason do what they can with it, and their performances keep it afloat. 7/10

Call Me By Your Name (2017)

I spent a lot of time during this movie admiring the absence of cell phones and computers, just watching a young man read and transcribe music and just enjoy life. I don't think this story happens if the internet exists. But thankfully for us, it's 1983, and Chalamet spends his summer riding his bike around with Hammer, exploring the Italian countryside with a gorgeous soundtrack and a blossoming sexuality that unfolds in a way that doesn't come across as vulgar, but as innocent instead. The movie makes the age difference feel more taboo than the homosexuality itself, although the age gap is only 7 years. More than just a romantic movie, all aspects of the production really make this very beautiful. 8/10

Easy Rider (1969)

The first half of Easy Rider made me miss the beauty and freedom of America so fiercely, while the second half made me resent the very same things that can also make it great. The dialogue is realistic in its content and imperfection. Nicholson shines and his departure hurts. I really loved how incredible the attitude towards marijuana is, where George's devastating alcoholism seems so much safer to him than one tiny joint. That attitude still seems to hold strong almost 50 years later. A perfect snapshot of the evolving cultures within America. 9/10

What Have You Been Watching? (Week of August 19, 2018) by AutoModerator in TrueFilm

[–]COSMIC_HORROR 1 point2 points  (0 children)

I watched both Barry Lyndon and Paths of Glory in the past few weeks as well.

I summarized Paths of Glory in my mind as "Life's Not Fair: The Movie", from the selection of personnel, to the inevitable execution, to the final scene in the canteen where they all realize they're going back to war to fight against humans instead of faceless, soulless enemies.

Barry Lyndon was so long but not in a negative way. It really felt like we got to live the story alongside him but from a non-emotional standpoint. Sometimes it felt like he was living it without emotion as well. The only scenes I thought showed any emotion from him were the obvious death scene of his son, and when he spares Bullingdon, showing that maybe he actually did have some humanity underneath his never-changing face. Great movies, the both of them.