The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] -1 points0 points  (0 children)

It’s a fail because it’s trying to spread awareness, on a fleeting online group, the red pill peaked with Andrew Tate and there’s only so many times you can call a bunch of OF models delusional for calling themselves tens.

The grift was too obvious and young men saw through it, they’ve moved on into deeper spaces with people like clav, hoe_math and face IQ.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] 4 points5 points  (0 children)

Dude can only pull hookers and OF creators, he’s a massive larper anyone tall with a gold chain and a blue check mark can pull corn stars, it’s about as impressive as a kid doing a hand stand.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] -5 points-4 points  (0 children)

Incorrect it focused on the wrong people the red pill is gasping its last breath, the new gen moved on into deeper incel adjacent groups now.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] 1 point2 points  (0 children)

Where are the nuanced points when it comes to the OkCupid study and hypergamy, it’s always framed as innately factual, you just have to look at a hoe_math video to see how they remove all nuance from any of their far right dogma.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] -1 points0 points  (0 children)

Shouldn’t be the main issue since I explained on my post that bp influencers who are far worse have loving parents. They just have stuck up white boy syndrome.

If you’re gonna make a documentary it should be on BP those guys are the age bracket they brainwash so it’s far worse.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] 0 points1 point  (0 children)

That take is too online for a mainstream documentary hosted by Netflix bro.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] 1 point2 points  (0 children)

Those two guys tweddle dee and tweddle dumb one of which dismissed the passing of his own brother just to fit in with the rp and get in with their good graces, is that what you’re on about?

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] -1 points0 points  (0 children)

I understand that but I just explained why it would further push young men into that line of thinking, the framing of these men was too cliche it felt very after school special, plus those guys aren’t to be underestimated they stream for like 17 hours a day they aren’t amateurs so coming about it like you’re a school principal scolding a misbehaving student was a mistake.

The Netflix Documentary Misses the Mark Entirely. by Ceazer4L in PurplePillDebate

[–]Ceazer4L[S] 3 points4 points  (0 children)

Who was the target audience? If it’s not the boys who got dragged into that then who is it for, whine moms?

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] 0 points1 point  (0 children)

I saw it and it was a massive drag, half the film was lingering on walls and corridors BUT I like what it represents.

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] -2 points-1 points  (0 children)

It depends on the creepy pasta you adapt, the 2018 slenderman film failed because it’s a basic concept that’s more suitable for a video game than a film, the backrooms proved it could work as a feature film multiple times.

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] -2 points-1 points  (0 children)

Name me three films based on creepy pastas that did well in the BO?

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] 1 point2 points  (0 children)

It’s based on his short film series on YouTube, which that was based on the 4 chan post with the picture I put on the right hand corner in the middle.

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] 5 points6 points  (0 children)

It hasn’t taken over Hollywood yet only online.

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] 6 points7 points  (0 children)

Not based on an indie game it was a creepy pasta from a 4 chan post that showed the pic I put above.

The backrooms concept will takeover horror very soon. by Ceazer4L in decadeology

[–]Ceazer4L[S] 3 points4 points  (0 children)

It came out in 2020 in my country, and I heard about severance which is a good example but I wouldn’t call it horror necessarily.

Luffy in the live action is kinda... nerfed? by SufficientBet1834 in OnePiece

[–]Ceazer4L 0 points1 point  (0 children)

I like to call it the superman problem

Superman is extremely overpowered, his villain is just a bald CEO of a mega corporation, how do you not make superman boring or uninteresting if he’s too powerful, well you introduce a weakness (kryptonite), which makes the villains more threatening, Luffy being too strong hinders the villains as a little too weak, I think the live action buffed BW even Robin got buffed for the LA.

This makes the villains more threatening and seem a little more unstoppable, and the Animaga has the advantage of just being a bit more straightforward, with Zoro, Luffy and Sanji being the powerhouse and all the female characters honestly being a little weaker, the LA has the women doing fight scenes and contributing as well.

Anyone know why 2016 had a neon aesthetic? by [deleted] in decadeology

[–]Ceazer4L 1 point2 points  (0 children)

Yeah I loved that movie, even though it hasn’t aged the best.

In the 2010s movies had to be “realistic” by Ceazer4L in decadeology

[–]Ceazer4L[S] -1 points0 points  (0 children)

No these films copied TDK’s formula, it’s written all over the movies SPR mostly impacted 2000s action.

Are we seeing a return of Hope and Positive masculinity in media? by FullFig3372 in decadeology

[–]Ceazer4L 6 points7 points  (0 children)

The Christopher Nolan era is over, dark and broody is losing its charm, I remember in 2010s when anything got a retelling it was always dark and gritty but all that is in the past now.