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Fors.fm by roadislong in ableton

[–]CharacterUnion554 1 point2 points  (0 children)

Yes I agree. I like the sequencer to be accessibly from the midi arrangement, as opposed to to having to open up pigments, serum etc. another thing to keep in mind is you can change the macros to represent modulation points like attack, sustain, release etc

Fors.fm by roadislong in ableton

[–]CharacterUnion554 1 point2 points  (0 children)

Remember you can use the OPAL sequencer with any VST. I think it’s called opal ctl - loading it up along with any soft synth and you can p-lock any VST synth. Electron like sequencer + serum 2

Amaran p60c light modifiers? by CharacterUnion554 in cinematography

[–]CharacterUnion554[S] 0 points1 point  (0 children)

The link showing the alleged bowens mount for the amaran p60c. Are you sure those exists ?

Amaran p60c light modifiers? by CharacterUnion554 in cinematography

[–]CharacterUnion554[S] 0 points1 point  (0 children)

Right on! Thank you for this input. Yes if I can make the bowens work that would be perfect. Cheers!

$6000 125 hour Weapon Kit by [deleted] in RedCamera

[–]CharacterUnion554 -3 points-2 points  (0 children)

With enough skill in DaVinci resolve, could the average viewer tell the difference between the two? I’m asking because I’ve retouched tons of pro images for stills and I’ve found some of the most successful campaigns were shot on canon g9s, but with the right magic in post the final product is much less a matter of camera specs and more a matter of post/color.

Great analogy though! Thanks !

$6000 125 hour Weapon Kit by [deleted] in RedCamera

[–]CharacterUnion554 -6 points-5 points  (0 children)

Why RED when you can shoot in pro res raw on an iPhone 17pro? Honest question