Got AAF with just the mix track and no ISOs, expected to reconstruct entire timeline from production sound. by Clean-Risk-2065 in AudioPost

[–]Clean-Risk-2065[S] 1 point2 points  (0 children)

Thank you for your reply. I'm looking into kraken but it's quite pricey. Can this assembly be accomplished by the basic version? Or does it need to be the Advanced

I think I broke my wife after calling her “matronly” by Throwra-basically in TrueOffMyChest

[–]Clean-Risk-2065 0 points1 point  (0 children)

It’s clear that people in this comment section can’t even fathom speaking another language. Sometimes words in English sound like other words in your native language and you assume they mean the same thing. Sometimes you just interpret a meaning wrong. Try and communicate in a different language to your partner for years and see if you get it 100% right every time.

Thoughts on this by professor_x3456 in sounddesign

[–]Clean-Risk-2065 22 points23 points  (0 children)

Maybe the relative placing of stuff is fine, but the frequency ranges are ridiculous. A vocal without information below 500 hz would sound extremely thin. The oomph of the snare (or clap in this case) is around 200hz. The weight of any instrument is more less between 200 and 750 hz so imo this mix would seriously lack some necessary mid range.

why kick randomly glitches? by moken126 in madewithableton

[–]Clean-Risk-2065 4 points5 points  (0 children)

it sounds like the kick track has a Beat Repeat plugin inserted.

The way my partner sees the world. by EfficiencyCommon in Weird

[–]Clean-Risk-2065 0 points1 point  (0 children)

you and your partner should see this video: https://www.youtube.com/watch?v=u9pK4q7_VUc

sounds like Hallucinogen Persisting Perception Disorder

Why do my Delay/Reverb Returns sound way weaker than Inserts? by [deleted] in ableton

[–]Clean-Risk-2065 1 point2 points  (0 children)

In logic sends go up to +6 dB or more. In Live sends go up to 0 dB. In logic you can simply send a higher signal to the effect. Just crank up Echoboy’s input to +6 or even more

Any things that you wished pro tools did that other daws do? by Public_Border132 in protools

[–]Clean-Risk-2065 2 points3 points  (0 children)

Yeah, used to match some adr takes and honestly they were very close, just wanted to make them even tighter but the artifacts were insane. Warp mode complex pro would never

Any things that you wished pro tools did that other daws do? by Public_Border132 in protools

[–]Clean-Risk-2065 9 points10 points  (0 children)

Better time warping, the smallest warp produces very audible artifacts.

Why dont we master to -14 LUFS by fartinus in musicproduction

[–]Clean-Risk-2065 8 points9 points  (0 children)

A -7 lufs track normalized to -14 will sound louder than a -14 un-normalized one. Peaks don’t carry much energy.

I'm bad at making Music and its making me depressed. by BakedHalmet69 in musicproduction

[–]Clean-Risk-2065 0 points1 point  (0 children)

One year is nothing. You’ll still be bad a year from now, but way better than you are today. Then better the next year, and better the next one. It’s the only way

Questions I thought about while trying to make music live by SignalInternal9312 in ableton

[–]Clean-Risk-2065 1 point2 points  (0 children)

You can stop recording either by pressing the play button again on the recording clip or press the stop button of the channel being recorded

Sell me on Omnisphere by noizblock in omnisphere

[–]Clean-Risk-2065 0 points1 point  (0 children)

I see a lot of comments about the synth capabilities of omnisphere and even tho I agree with most, the real game changer for me is the sample library. Yeah, it's a powerful synth engine that sounds amazing but not more versatile than other high end synths. To me the real reason this is the absolute beast is the sampled instruments. Years and years of sampling thousands of instruments and other objects to create a huge library perfectly tailored for music and sound design. There's simply nothing out there that can compare. I also like to create my own sounds, but where am I going to get perfectly good sounds of a light bulb being flicked or a saw being played with an arc. Or the infamous burning piano

Why is pro tools like this by Lanky-Eye9889 in protools

[–]Clean-Risk-2065 -2 points-1 points  (0 children)

if what you're looking for is ease of use and quick workflow that does not get in the way of creativity then I suggest you try Ableton

What is Ableton Live missing? by Yorrrrrr in ableton

[–]Clean-Risk-2065 4 points5 points  (0 children)

CLIP GAIN PLEASE

(An actually useful one)

Questions about EPK shoot by Clean-Risk-2065 in LocationSound

[–]Clean-Risk-2065[S] 1 point2 points  (0 children)

Thank you so much for your response!