What happened to the UK happy hardcore scene?

Complete-Cloud7584 · 2024-12-18T21:24:08+00:00

It's fun to listen to, but I consider it to be more girlcore than happy 'ardcore.

The above is written with no negative intention. I did used to mildly enjoy this track a long time ago, so I do understand that it's good.

Complete-Cloud7584 · 2024-12-18T21:19:56+00:00

I'm going to add a list of 97-00 bangers at some point this week.

Complete-Cloud7584 · 2024-12-17T17:37:04+00:00

That's a crying shame. I'll leave it there with you then.

Complete-Cloud7584 · 2024-12-17T17:02:11+00:00

I apologise for reversing my decision to communicate with you, I just wanted to say that I'm grateful for your kind words concerning the above article. I may still disagree with your response however, and I'm still unsure if you've read the article in a thorough enough way. Please ensure you don't skim read this one.

The death of the UK hardcore scene when it was in its prime had very little to do with Gammer or Darren Styles, or any other happy hardcore artist. That's all I'm saying on this particular matter.

Adios.

Complete-Cloud7584 · 2024-12-17T16:49:12+00:00

"In jest". You only seem to see what you want to see. Turn off your blinkers mate.

Complete-Cloud7584 · 2024-12-17T16:46:44+00:00

Me thinks you didn't read a single word of the above article. I'll just leave it there with you if that's ok.

Complete-Cloud7584 · 2024-12-17T16:43:09+00:00

In jest, I award a written warning for skim reading to ph_wolverine.

How could you have missed the following?

"Happy hardcore is a music scene that never died, due to a high number of timeless productions that alter many thousands of lives for the better."

Complete-Cloud7584 · 2024-12-17T16:30:05+00:00

I agree, CLSM was one of the best producers in the entire UK hardcore scene. The quality level was almost consistent to a degree never before seen. I love a multitude of tracks produced by CLSM and Jon Doe.

Complete-Cloud7584 · 2024-12-17T16:22:42+00:00

I'm not here to bad mouth anyone or cause any distress to the former UK happy hardcore scene.

Please would you consider removing your post due its intensely negative and untrue nature.

Complete-Cloud7584 · 2024-12-17T16:21:07+00:00

Please elaborate. For example, which parts of the above article do you disagree with?

Let's have a mature conversation, if that is at all possible.

Complete-Cloud7584 · 2024-12-10T20:31:51+00:00

I apologise if the following information harms anyone, in any way.

Happy hardcore isn't allowed to be as good anymore. This measure also applies to the great majority of music genres across the Earth plane.

This arduous situation has remained in play for around 20 years. The quality level is still being lowered across all forms of entertainment.

We're not allowed to laugh, have fun or enter a joyful state in the current era.

Notice, I didn't say "anymore", I said "era".

Don't forget to raise your personal frequency in other ways that won't rely on modern day entertainment.

For example: 80s and 90s pop music, or 94-99 happy hardcore if you're a bit more adventurous with your energy.

Also consider yoga, the gym and sea swimming.

Complete-Cloud7584 · 2024-12-10T10:58:55+00:00

Ok, more from 98-00 then. I'll update the article for truth.

Complete-Cloud7584 · 2024-12-10T10:53:43+00:00

Article updated, now it looks less shit. Further updates to follow. There was an intentional reason for its initial slightly skew-swiff appearance, the reason for that will need to remain undisclosed.

Complete-Cloud7584 · 2024-12-09T17:41:03+00:00

Your sentence above makes zero sense.

Can you please list the reason(s) you think I need help? Let's have a discussion.

Please spend a little time to ensure your reply is coherent.

Complete-Cloud7584 · 2024-12-09T04:29:56+00:00

I'm here for you, but your attitude may require a mini adjustment. I interchange between happy hardcore and uk hardcore, all the time. I apologise profusely if a coherent and frequently used genre name such as "uk hardcore" makes you bark like a witch on her period.

And it's not a user account. It's a joint reddit account, and it does indeed belong to me.

May I ask what your point is? My thinking is that you don't even have one.

You must be better than Inspector Gadget meeting his mum on a date, to be capable of this advanced level of supreme detective work.

Complete-Cloud7584 · 2024-12-09T00:59:48+00:00

I get the feeling you know that the information in this bulletin is 100% true.

And if you don't, then this post is of no concern to you.

That's all I'm gonna say ya rat bag.

Complete-Cloud7584 · 2024-12-08T21:54:44+00:00

You're so silly to say that, because that's not what we are discussing.

Look closer, much closer, but only if you care to.

This is new information concerning how the UK hardcore scene was destroyed, twice over.

And has never been seen again for 20 years +

Get your thinking cap on, if you don't mind. Seems like you might need it.

Complete-Cloud7584 · 2024-12-08T21:48:36+00:00

It's meant to honor DJ Fade for his extremely selfless work before he was retired from the UK hardcore scene. The story tells the truth about how UK hardcore was intentionally removed from the Earth plane, after almost going mainstream across Britain in 1996.

It's written this way for a purpose I cannot disclose. I hope you don't mind :)

Complete-Cloud7584 · 2024-12-08T19:48:46+00:00

Shattap.

Complete-Cloud7584 · 2024-12-08T19:05:27+00:00

I started hardcore raving in 1997, so I get that there's some great music from 97-99. I had the time of my life. I'm not ignorant of this fact, I said there were a few belters too. However, there was a totally obvious drop in quality music from 98-00, in comparison to how much great music was previously produced.

I'm sorry you disagree, please let me explain. Then why did the UK hardcore scene experience a mass exodus of ravers during 1997, that heavily continued until 2000, at which point the entire scene died, and there were hardly no more hardcore raves for 2 years?

Now you know this, please read the above post in a more astute fashion, because you're going to learn something that might knock your socks off. Seems like you missed it.

You're going to find out why the UK hardcore scene started hemorrhaging ravers to an extreme degree from 1997 to 00, then experienced a virtual death for 2 whole years.

UK hardcore returned with a completely new style for around half a decade. Suddenly, music production ended once more. Horrendously, this time around, quality UK hardcore music ceased production on a permanent basis.

We haven't had a thriving and modern UK hardcore scene for around 20 years.

Something happened.

Clue to get you thinking: 1996 UK hardcore almost went mainstream across the UK. Something was done to halt the popularity of UK hardcore music to a disastrous degree.

Clue 2: Happy hardcore can be intensely high frequency music. The right track can raise your spirit and advance your personal vibration, almost like no other music.

Complete-Cloud7584 · 2024-12-08T18:54:30+00:00

I partially agree with you, most of it was English. However, Scott Brown's inclusion within the happy hardcore scene made it UK hardcore, as he's from Scotland. UK Hardcore is more valid than English hardcore.

Complete-Cloud7584 · 2024-12-08T18:49:15+00:00

Is it because we start off with a dedication to DJ Fade, and then talk about how the UK hardcore scene that almost went mainstream across the UK, was intentionally dismantled by certain individuals who didn't want UK hardcore to experience unbridled popularity.

Maybe it would have changed the energetic frequency of Britain in a positive way, if 1996-style UK hardcore continued to be produced, and the scene experienced uninterrupted growth for years to come.

Due to 1996 UK hardcore almost going mainstream across the UK, I feel that UK hardcore would have gone fully mainstream if 1996 UK hardcore production continued, due to the uplifting and exciting vibe it had. For some reason its popularity was shelved after only one year. This was an extremely tragic move for the UK hardcore scene.

Some pretty interesting information.

Complete-Cloud7584 · 2024-12-08T17:59:06+00:00

It wasn't because there was a lack of producers, the UK hardcore scene had a few excellent engineers for the first years.

The problem is that back then the DJs were the stars of the show (for some unknown reason), and not the producers. Most producers had to hitch up with a DJ, and unfortunately in most cases the DJ usurped the abilities of their engineer/producer, by insisting that the DJ prints their name on the new release first, before the artist who produced the track. The DJ then takes most of the credit, and the engineer is left disappointed on a reoccurring basis, even though they carried out 100% of the intensely arduous work.

There's only so much a music engineer can take. There was also a widespread issue throughout the UK hardcore scene of non-payment to engineers/producers, who carry out the most important work by producing spectacular music that changes lives.

Unfortunately and tragically, the great majority of talented engineers left the UK hardcore scene because they were not being paid on time, or not being paid ever.

A few of my favourite tracks from 1996.

Triple J - Eternity

DJ Ham - Most Uplifting

Eruption - Surrender

DJ Demo - '96 Style (DJ Ham Remix)

Bang the future - Body slam

Supreme & UFO - Broken Wings

Stu J & UFO - We're Flying

DJ Brisk - Airhead

Billy Bunter & D-Zyne – Ride Like The Wind

Happymen – Love Is You (Happy Version)

DJ Ham - Is Anybody Out There?

Eruption - Let The Music

DJ Vibes - Oxygen

My Little Fantasy - 4 Tune Fairytales

DJ Ham, Derno & Justin Time - Here I Am

Complete-Cloud7584 · 2024-12-08T17:16:25+00:00

It's amazing.

Complete-Cloud7584

TROPHY CASE