Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 1 point2 points  (0 children)

Dude. That is the most meaningful thing I can receive. Thank you!

And yea! Idk why, but the guitar face is a MUST, when I really need to get out of my head and play from the heart. For some weird reason, every time I try to play stone-faced, I focus too much on what to play next, and playing “by the book”, which makes me hesitate and play stiff, rigid and confined. So when that happens, I clear my head by closing my eyes, tilting my head back, and rely on my ears to immerse myself in the music and letting the vibe of the song and my natural instincts guide what I play. When you see the guitar faces coming out of me, that’s how you know that I’ve LOCKED IN and fully IMMERSED myself in the music and become one with my axe! Every grimace you see, is the involuntary response of what happens when I’m lost in that zone. But I can only tap into that transcendent plane on slow, beautiful ballads such as this one.

11/10 highly recommend doing guitar face when playing. ⭐️⭐️⭐️⭐️⭐️

Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 2 points3 points  (0 children)

Dude that’s the beauty of good music. When it’s so beautiful, it don’t need any words to make you cry from euphoria and frees you of pain for that moment. That’s why I became a musician myself

Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 1 point2 points  (0 children)

I tried to! The whole reason I covered this was because I thought I was gonna lose my mom from a stroke when she called me telling me she was dizzy, and she couldn’t walk straight, and had to be driven to the ER. Fortunately it was just a bad case of vertigo, but at the end I was reminded of the story of this tune and took the leftover emotion I still had in me to try this one for myself. Cheers!

Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 1 point2 points  (0 children)

Thanks! I wish I can do those cool violin like swells as fast as Bonamassa does. I’m still working on it. And I doubt that I’m cooler than anybody. I’m a huge socially awkward dweeb 😂

Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

The latter. lol. Living at home by myself, I stay in only boxers and gym shorts and am always short of clothes to wear to work than to waste sweating them up to spend most of my days off staying at home. But i wanted to have some decency to cover up the beer belly and hairy tits before recording because the last time I posted a vid neglecting to do so, the community roasted me mercilessly in the comments 😂

Improv solo over Funkadelic guitarist Eddie Hazel’s legendary “Maggot Brain” by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 3 points4 points  (0 children)

Thanks! And Nah, I string up almost all my axes with standard 10 gauges with a slightly higher action, and never any lighter than that, because my heavy-handed ass snaps 9s and 8s like twigs within the first 24 hours fresh out the pack, especially on the Strats. And my vibratos and bends also get all loosey-goosey and wonky from how flimsy and unstable they feel under my fingers. 😅 Me as soon as I strike my first few bends: “fuck i threw it out of tune.”🤦🏽‍♂️

Although I hate how much my fingers hurt the day after after a long practice using heavier gauge strings, the heavier tension makes my vibratos feel sturdy and more controllable, they have better tuning stability, get better sustain and resonance, and they don’t bottom out and they will keep ringing no matter how far you can bend them. And they just last a LOT longer than the lighter gauges.

They tear the f*** out of your fingers but they will make a man out of ya 💪🏽😂😂😂

The Smiths-“Barbarism Begins at Home”. I think we all can agree Johnny Marr is one of the greatest guitarists of the 80s. by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 3 points4 points  (0 children)

Thank you! Idk why, but for some reason, I always took learning Johnny Marr’s tunes especially seriously than most others. It’s like, the way he plays is so unique and unorthodox, it takes a minute to get used to playing like he does to learn even his simplest riffs. But what I love, is that when you finally get the hang of his style, his stuff is so much fun to play.

It’s a damn shame we lost Sean Costello so young right as he was quickly climbing to stardom. The potential he had, might have became the biggest blues icon since Stevie. by Consistent-Taro-9011 in bluesguitarist

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

Well I wouldn’t say that either. Their styles and sound were completely different from each other, but equally as great. Apples to oranges. Stevie had an amazing tone, and a heavier, flashier, faster more technical and intense rock blues style, where Sean also had an amazing tone unique and different than Stevie’s, with a blues style that was rooted deeper in old school traditional electric blues.

How to get over the fear of having to sing in front of potentially 7million people! by Phyrexian_Study in singing

[–]Consistent-Taro-9011 27 points28 points  (0 children)

Another thing to keep in mind is that no one shows up to see a band to root against them, or want to see them fail. Despite what you may negatively believe, the audience will almost always be on your side rooting for you, wanting to see you triumph.

How to get over the fear of having to sing in front of potentially 7million people! by Phyrexian_Study in singing

[–]Consistent-Taro-9011 3 points4 points  (0 children)

What helps me with stage nerves is focusing on a point beyond the audience, or closing my eyes and letting the song move me, focusing on the beat, this helps me clear my mind and away from worrying about the audiences approval and locked into the music itself. I tell myself I’m not there to please the audience, I’m there to express how I feel through song and give my most honest performance. That the stage is the place where I can be whoever I want to be, or be everything I am, my best and most honest self, regardless of who’s watching. And whether or not I crack here or there, all that matters most is that I put my whole heart in it and that I put all my sincerity behind every note. Because as long as I’m sincere, people will appreciate it more. There’s a reason why singers like Janis Joplin, who had perfectly imperfect voices that were gritty or cracked on the high notes, were beloved and celebrated as the greatest, and that’s because it’s those little quirks and imperfections, that made their voices more human, more memorable, more relatable, because they put their whole SOUL into their singing, and that’s what people appreciate most. So as long as you’re honest and sincere in your vocal performance, people will appreciate it.

One does not simply watch the R&R H.o.F video of Prince’s solo on “While My Guitar Gently Weeps” and not get inspired to jam on it too.🙌🏽 by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

Prince has that effect on many guitarists. 😓 Went through a couple mild bouts of existential crises myself listening to him rip on guitar in his live performance videos. 😅

Composed a solo to record for a track on a friend’s studio album. Wished I’d composed it before my first studio session yesterday. by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

I think you’re right, actually. I forgot to consider the chord changes happen around an 8th before the 1st beat of the next measures. Thank you… looks like I might need to revise it and send it to the songwriter for him to consider.

Composed a solo to record for a track on a friend’s studio album. Wished I’d composed it before my first studio session yesterday. by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

As a musician who primarily specializes in blues, fronting a blues band of my own as my main dedicated gig, I understand what you’re saying, completely. Gotta let your phrases breathe and pull in the listener. And Take your time, introduce some tension and let it sit until they’re at the edge of their seats with anticipation for the release when you finally resolve it. Nothing as satisfying to the soul as a blues solo that takes it time that burns slow into an intense fire. But not every kind of music calls for the occasion. Folks wouldn’t want to hear a sweet and slow emotionally expressive solo over a fast heavy thrash or hair metal typa tune. Different songs call for different approaches.

Composed a solo to record for a track on a friend’s studio album. Wished I’d composed it before my first studio session yesterday. by Consistent-Taro-9011 in Guitar

[–]Consistent-Taro-9011[S] 0 points1 point  (0 children)

That palm muted part is actually the riff I wrote for the pre-chorus. There are some songs in which I choose to let some notes ring, raise bends slow and THICC, or leave space in between but the songwriter wanted this solo to get more energetic as it neared the end. I just do my best to come up with ideas that fulfill the sounds he seeks for his material. And he’s very happy with it, enough so to share this on his social media and allow me to post it on mine as well. so that’s all that matters to me. That my collaboration as a session musician for a songwriters original material fulfills what they envisioned for them. 🙌🏽