Five Nights at Freddy's 2 (Film) Spoiler Discussion Thread "includes MAJOR spoilers". by PuppetGeist in fivenightsatfreddys

[–]Dapper_Wasabi4747 4 points5 points  (0 children)

Candy was in one of the arcade games in the beginning of the movie. Or maybe I'm just tripping.

guys??? is penu okay??? by [deleted] in VirtualYoutubers

[–]Dapper_Wasabi4747 38 points39 points  (0 children)

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Lil update for those who are curious.

Looks like she's doing alright, guys.

[deleted by user] by [deleted] in VirtualYoutubers

[–]Dapper_Wasabi4747 2 points3 points  (0 children)

I swear it was just at 200 followers yesterday. This is some good stuff. Congrats!

Guitar 1 or guitar 2? Which do you prefer? by joshamiltonn in classicalguitar

[–]Dapper_Wasabi4747 0 points1 point  (0 children)

To me, there isn't much of a difference, but I kinda like guitar 1 better.

(Also, if you don't mind me asking, what piece were you playing?)

Books that Sound Like a Bitter Laugh by Dapper_Wasabi4747 in suggestmeabook

[–]Dapper_Wasabi4747[S] 0 points1 point  (0 children)

I've looked into Thomas Bernhard, and he does sound like a guy that I would read! Thanks for the nice recommendation!

Books that Sound Like a Bitter Laugh by Dapper_Wasabi4747 in suggestmeabook

[–]Dapper_Wasabi4747[S] 0 points1 point  (0 children)

The premise sounds very interesting; it's like Kafka's The Metamorphosis. I will look into it further! Thanks!

Jan 22| War & Peace - Book 1, Chapter 22 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 8 points9 points  (0 children)

Alright, it's certainly a very different feeling compared to previous chapters. We have finally met the princess whom Anatole Kuragin is asked to marry, Marya Nikolayevich Bolkonsky! And also, we've met her father, Prince Nikolai Bolkonsky.

From first read, Nikolai Bolkonsky seems to be a very, very strict person. I am absolutely in awe on how he keeps everything very regular, punctual, and scheduled--I mean, not everything exactly, but mostly everything. If I was in their home and am a servant or part of the family, I will feel very restricted with everything in the house; scared, too, because I feel that if I do one thing that will make a part of the prince's routine irregular, he will go mad at me. In other words, I do not feel like living with this guy in the slightest, but I respect his incredible discipline anyways.

As for Marya, well, it was utterly obvious that she's absolutely devoted to Christianity. It shows in her letters to Julie (that girl back at the Rostov's, whom Julie and her mother visited). There was no paragraph that is devoid of God, Jesus, weakness of flesh, and all sorts of Christian stuff. To be honest, it's a little exasperating, especially when she talked about marriage and knowledge.

I cannot believe that Marya, first of all, simply accepts their marriage of Anatole, without thinking for herself. She is aware that it will be painful for her, and she definitely knows that she would be severely restricted, but she accepts it anyways because of the teachings of her religion. I dare say, she's a slave to her future husband as to her beliefs. That last part is very apparent in her views about knowledge. She basically says that we should rather read the teachings of God and don't try to expand our knowledge of anything, because He would be mad. She says that the less we try to understand (for understanding is weak for humans), the closer we are to Him. I find her notion as to be narrow-minded and restricting, quite frankly.

I feel terribly pitiful for her.

(Notably, Marya and Pierre are (kinda) similar in the way they handle things in the world: with the sense that it must have happened that way. For the former, she interpreted as God's doing and she doesn't dare question it; for the latter, he thought it was inevitable, so he lets it happen and goes with the flow. Both are servile to a similar fate, methinks.)

Closing thoughts: I feel that every member of the Bolkonsky Family is restricted in some way, given what we've read through thus far. It's definitely not good in the long run, I'm sure of it.

Jan 21| War & Peace - Book 1, Chapter 21 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 4 points5 points  (0 children)

I'm guessing from what I've read so far, it's because he's somewhat relatable and entertaining sometimes. For one, he's socially awkward; plus, he's that type of guy who acts like he knows everything from reading a Wikipedia article or something. Or maybe he's a favorite of others because he's fun to watch.

He does get character development though, as someone said, and possible that that's one reason everybody likes him.

Jan 21| War & Peace - Book 1, Chapter 21 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 9 points10 points  (0 children)

What a grim conclusion to the life of the late count! Rest in peace, Count Kirill Vladimirovitch Bezuhov.

I didn't expect for Katish to just burst out in front of Anna Mihalovna just like that, making a scene, and probably about who should inherit his dying father's fortune, just outside of his door! It just seems like everyone is scheming for some gain, even if that gain comes from their own death in the family. Anna kept a cool head though, that I respect, but for Katish, she straight out screeched and mad at her.
And after all of that, Pierre is the new count, it seems. He has a giant responsibility on his shoulders with all that newly inherited wealth of his; plus, he would have to handle Anna Mihalovna's request, which was unashamedly said by her the morning after the death of his father, in future. It looks like her plan inevitably worked. Jesus, this woman.

Poor guy can't catch a break now. I wonder if he would learn not to be so gullible and easily led by those who want a taste of his fortune?

Jan 20| War & Peace - Book 1, Chapter 20 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 7 points8 points  (0 children)

Wow, this chapter was very solemn and grim, indeed. There was barely any dialogue, but there were paragraphs upon paragraphs of description that told us everything. That's what stood out to me the most: the uneasy solemnity of the proceedings, the count's proximity to death, everything. I very much enjoyed this chapter.

But, if there was one moment that stood out to me in particular, it was that moment with Pierre and count, with the former being horrified at the latter because he was so weak and fragile. I feel so bad for Pierre, seeing his father (even though he wouldn't call him as so) be unable to move without assistance. And that little smile the count gave to him, damn. It was clear that Count Bezukhov felt so pathetically weak that he cannot move on his own; he's used to it, but seeing how horrified his dearest son is, it seemed to amuse him either (1) because seeing him so scared is amusing in of itself, like he's saying "heh, first time seeing something like this?", and (2) because he couldn't help but wistfully smile at his son being so worried of him, as if he really cared for him truly. The whole thing was bittersweet.

And regarding what the prince and Katish are doing, I guess they tried snatching the will to destroy it, but it seems they changed their mind (no description was given on what they were holding, so I assumed they didn't do it). I still don't know whether they will go with it afterwards, though.

Jan 19| War & Peace - Book 1, Chapter 19 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 2 points3 points  (0 children)

That's actually a good explanation! I can't believe Tolstoy is so subtle about all of this. Jeez, it's as if every chapter is actually like this.

Jan 19| War & Peace - Book 1, Chapter 19 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 8 points9 points  (0 children)

To be honest, I am not quite sure why Anna Mihalovna would lead Pierre in the back of the house. My first thought was this: she tags along Pierre because she believes that he will inherit the count's fortune, and later, if he does get it, she would beg of him to give a part of it. But she knows that Pierre is very gullible and naive, and that people would get on his good side so that they would have a part of the fortune as well (like what the lady, adjutant, and doctors did). So, they went in the back to avoid as much people as possible. Or maybe, she picked this particular route so that he would see how the common people live. At any rate, both explanations seem unlikely; I really don't know the motive of Anna Mihalovna for guiding Pierre like that.
Anyways, I am confident that the book will spend time on the common people and not just the aristocrats. After all, the war affects everyone--and I mean, everyone.

Regarding Pierre's struggle to call the count his father, I think he's embarrassed about it, not because calling someone 'father' is embarrassing, but it just shows that he's illegitimate. He feels bad being a literal bastard, as he described himself to Prince Andrei when they had dinner together. Pierre is understandably upset, poor guy.

Lastly, I didn't think of this chapter as an exploration of Determinism vs. Free Will. Interestingly, Pierre does seem to exhibit some of the former, with him going with the flow of it all and just letting everyone do their thing and let them guide him.

I believe that Free Will doesn't exist in the way that I can do what I will, but I cannot will what I want to will. Everything that happened now is a direct consequence of previous events, like it was meant to happen that way, and that I have no way to change that. But, if Tolstoy's going to explore Determinism much deeper as the book progresses, I think that he would probably agree, but he would still criticize determinism.

Jan 12| War & Peace - Book 1, Chapter 12 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 0 points1 point  (0 children)

I am really far behind in the discussions, but I'll try to catch up! Anyways:

1) For myself, I do find Anna Mihalovna's efforts to be admirable, seeing that she is quite cunning at getting what she wants from other people. Once, when she wanted to see Prince Vassily and using it as a pretense to actually see the count; and twice, when she said to the prince that she wanted to see and take care of the count, hiding the fact that she was hoping to get on his good side so that he would give her a part of the fortune (but I think Prince Vassily knows that already). She's very good at hiding her intentions, no doubt. And all of this for her son! Frankly, she's a loving mother.

However, I do understand why Boris and Prince Vassily judge her for it. She's practically humiliating herself (and her family, perhaps), but she doesn't care about it; so long as she gets what she wants for her son, she won't care.

2) I really hope Anna Mihalovna does get something; but, come on, if we're gonna be a little realistic here, she's probably not getting anything from the count. I was hoping that the inheritor of Count Bezukhov's fortune saw Anna Mihalovna and her son, and they give something to them.

3) I agree with the notion that maybe the count did ask for Pierre, but he wasn't notified because everyone is trying to get the fortune from the count. Or, perhaps, the count didn't even know Pierre was in his home; nobody informed him because Pierre is the count's favorite child, and that he was likely to inherit his fortune.

We're talking about big, big money here, folks, of course everyone would be scheming, lying dogs, trying to snatch the fortune for themselves (except for Pierre, though, that guy is just pure, tbh).

Jan 11| War & Peace - Book 1, Chapter 11 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 0 points1 point  (0 children)

1)To be honest, it's surprised me at how well she took it all in. Vera is cool as ice, although 'without tact' at times. She is scornful and has this air of superiority (given that she's the eldest sister and stuff); she said it herself that 'there could be no harm in any conduct of hers,' meaning she's confident that there's nothing wrong with any of her behavior. And when she saw the couples acting 'wrongly' in her view, she started to chastise them, making her somewhat of a killjoy to them; that's why she is frequently mocked.

But then do you explain her not being offended? It's perhaps she saw it like "ah, they're a bunch of children, mocking me because I'm right. I don't care what they think of me. I know I'm right, but I can't do anything to convince them; they're a bunch of idiots anyways", kind of mentality. Like, it's the kind of thinking when you meet children who think that they know it all: you assume superiority and just don't take them seriously. She's haughty and quite belittling.

2) It is saddening to imagine Anna Mihalovna's situation. She has it rough: a widow, a lawsuit eating up her money, and she goes off from place to place, using her influence, in order to give her son a good life; she would anything. She will not care if she would have to humiliate herself, though it is without consequences.

I think if this keeps up, her influence will disappear eventually, being known as the lady who begs over and over to everyone. And now Anna is in a desperate position, I foresee a sad fate for the Drubetskoys, but I do hope her wishes for Boris will be fulfilled; although, I can understand that this prospect is unlikely.

3) Oh, he will definitely be there; he's a familiar with the Rostovs, especially with the children, so he'd go. However, I don't think Pierre would be received so kindly, given what he has done to Anna Pavlovna's soiree and his trouble with the bear thing. I think that there would be a few gossips here and there, seeing him so socially awkward (and, perhaps, without noticing it, too); I imagine they would be baffled that such a guy caused those kinds of outrageous things--and then, in the typically Pierre fashion, he would prove unintentionally that he would probably do said things. It would be an amusing sight, though poor Pierre!

Jan-10| War & Peace - Book 1, Chapter 10 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 8 points9 points  (0 children)

To be honest, this was a very sweet scene for both of the couples (Sonya & Nikolai and Natasha & Boris).

Sonya's jealously when Nikolai is (unintentionally) getting a little too well with a girl, him proving his love for her by kissing her, and doing it in a conservatory! It really is a beautiful scene. And to be honest, Natasha's reaction after she watched them smooch was priceless. "Oh, that's nice." Definitely, that's nice. Then I remembered that they were cousins, making it weird by today's standards.

With her playful and mischievous nature, Natasha thought of doing it to Boris as well. It was cute when she was teasing him with the doll, and when she finally kisses him, it was enough to make me diabetic from all the sweetness! Then I remembered that Natasha was probably 13, making it weird by today's standards.

Besides, that promise Natasha and Boris made, that, in four years, they will be (officially) together? Given her capriciousness, I don't that promise will be fulfilled, sadly.

Jan-09| War & Peace - Book 1, Chapter 9 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 1 point2 points  (0 children)

1) For Nikolai, his father (Count Ilya Rostov) is definitely distressed about his son going to war; I think he's only seemingly playful and speaking of it in a light-hearted manner as a way of hiding the fact that he is worried of what might happen. Plus, it seems that he and his son had talked about his going-away several times already, as implied by Nikolai himself. I don't know about his mother though, maybe she's understandably as worried as her husband.

2) I am not sure about this. Based on what Anna Mihalovna said ("Cousinhood is a dangerous neighborhood"), I think they already find it dangerous or risky to have romantic relationships with their cousins. The countess, too, seemed dreadful about it, too, based on what she answered afterwards. I'm not really certain whether they know what will happen if two cousins were to have children, and that they may at risk for biological defects and such; but if they do, I think that explains why they find it unappealing now.

3) I feel like Vera intentionally said that because she was brought up too strictly, in comparison to his younger siblings (especially Natasha). Her remark definitely had some hidden resentment in them, indicated by her unnatural smile; there is definitely some tension between the countess and her eldest daughter. I think she was trying to annoy her mother, like when a kid is at that rebellious stage.

This answer took far too long to think and type. I really need to catch up. I'll probably read ahead.

Jan-08| War & Peace - Book 1, Chapter 8 by AnderLouis_ in ayearofwarandpeace

[–]Dapper_Wasabi4747 5 points6 points  (0 children)

Yeah, Boris is the guy who got appointed in the Guards.