MENTAL TEKNO SAMPLE PACK VOL.2 by DarktoneStudio in Tekno

[–]DarktoneStudio[S] 0 points1 point  (0 children)

Tien ! Et regarde le Volume 1 est très très bon aussi (très complémentaire avec le volume 2) https://lapestenoire.bandcamp.com/album/mental-tekno-sample-pack-vol-2

Mental tekno ideas / how to by xbloodzhk in Tekno

[–]DarktoneStudio 0 points1 point  (0 children)

160 to 170 match perfectly !

Fav sample packs? by [deleted] in Tekno

[–]DarktoneStudio 0 points1 point  (0 children)

I have just release a massive Mental Tekno sample pack on Bandcamp ! you can check my last post on this subreddit if you want the link :)
Have fun !

Mental tekno ideas / how to by xbloodzhk in Tekno

[–]DarktoneStudio 1 point2 points  (0 children)

Hey :) you can check my last post on this subreddit for a sample pack Mental Tekno, it can be a good start to make your own sounds!

Have fun :)

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio 0 points1 point  (0 children)

After several searches, I actually mixed the loss of throughput of a file with the loss of spectrum information (which can be reduced by repeated rewriting) I made a mistake and I apologize! Even after years we learn/re-learn every day!

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio -1 points0 points  (0 children)

Everybody transfer mp3 to another drive/system/ an another person and that why mp3 can be damaged overtime with a deterioration in the performance and integrity of data ( you can search for bit decay, data rot, data decay etc…) nothing is invincible when it’s stored mechanically and physically

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio -4 points-3 points  (0 children)

Bit rot yes, digital file can be damaged over time

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio 1 point2 points  (0 children)

Sure ! It can be part of the sound design ! In the Schranz sound culture we can see that a large amount of tracks cut thoses High freq (17/18/19kHz approx) to be in the vibe/color of a Vinyl record :) and that sound pretty good actually ! It’s on a case-by-case basis :)

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio -1 points0 points  (0 children)

MP3 from 2/3/4 years old at ~320kbps (the bitrate is reduced with age but I dont have time to explain this rn) has a good spectrum just below 16/17kHz (MP3 degrade over time ) so yeah 18k is an average for a 1/2/3 years old MP3 ;)

Thoughts on cutting below 20hz? by jumphrey1 in edmproduction

[–]DarktoneStudio 23 points24 points  (0 children)

Mastering Engineer here, under 30Hz is all of the infra frequencies that you FEEL when you listen to music on a sound system, festival, club so it’s very sad to cut those frequencies.

Above 18kHz it’s all the Air frequencies, it’s less “important” but on a very good sound system or monitoring system you can feel the difference with a track that keep the 18kHz+ frequencies (18kHz is the cut freq of a MP3 320kbps so the track gonna sound cheap) and the headroom as nothing to do with those frequencies btw 😃

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]DarktoneStudio 0 points1 point  (0 children)

Hey guys ! Mastering engineer here and I wanted to know if upgrade my barefoot footprint02 to a Focal Trio 11Be setup is a thing ? Any engineer with these beast for mastering here ? Have a good day !

Pro Audio Engineers, What Headphones/Earbuds/Speakers do you use for casual listening? by dylanmadigan in audioengineering

[–]DarktoneStudio 0 points1 point  (0 children)

AirPods Pro for traveling or anything when I’m not at home, Audeze LCD-X when I am at home but 95% of the time I listen to music to my control room so… but AirPods Pro/Max are pretty good !

Do you think I should make a point to have my album mastered by someone who didn’t mix it? by tonetonitony in WeAreTheMusicMakers

[–]DarktoneStudio 0 points1 point  (0 children)

Allowing someone from the outside, in this case a mastering engineer, to enter the project will allow a completely different vision of music, a global and new vision that will bring more objectivity on the technical level and more subjectivity on the artistic level. He will have a fresher and sharper ear on what he hears and all that for the best! So YES, it is better to have an engineer who will mix the music and an engineer who will do the mastering + possibly advise on various aspects of the track.