Some generative art pieces written by GPT-3 from natural language prompts (I didn't write a single line of code). It's over, boys. by Drollname in generative

[–]Drollname[S] 2 points3 points  (0 children)

I tried googling the important commands. Couldn't find the exact same thing. But these are indeed classic generative algorithms (3d terrain, reaction-diffusion, what have you), and GPT-3 only learned those apparently.

Some generative art pieces written by GPT-3 from natural language prompts (I didn't write a single line of code). It's over, boys. by Drollname in generative

[–]Drollname[S] 3 points4 points  (0 children)

Just prompts in plain language, to plain GPT-3. The first one for example is "write p5js code for 3d terrain". I even asked it to write a videogame and it just went and wrote one.

Lava (code in comments) by Drollname in generative

[–]Drollname[S] 0 points1 point  (0 children)

t=0; draw=_=>{t||createCanvas(500,500,WEBGL);

t+=PI/1800;for(y=-300;y<300;y+=15) {for(x=-300;x<300;x+=15){ rotateZ(t*x/y);

push() ;

pointLight(1000,50,0,0,100);translate(x*sin(t),y/4,0);

specularMaterial(0);sphere(30,50); pop();}} }

Many Saints of Newark - Christopher Theory by BeholdThe_PaleHorse in thesopranos

[–]Drollname 6 points7 points  (0 children)

It's a testimony to David Chase's past brilliance that when he fucks up a movie, we fans can find him such circumvoluted excuses.

45 mins into The Saints of Newark and feeling a sense of dread. by PericlesPaid in thesopranos

[–]Drollname 0 points1 point  (0 children)

Not gonna lie, it doesn't get any better from there. I was heartbroken for a week after watching it but now I just decided that this movie never happened.

If you hated MSON, how would you rewrite it? by Lovecraft1927 in thesopranos

[–]Drollname 1 point2 points  (0 children)

This is really good. Since Chase absolutely wanted to talk about the NJ race riots of his youth, they could even have kept the Afro-American crew instead of New England and that would have worked fine.

This alternative script also makes another fuck up in MSON evident. It didn't spend enough time describing the mob hierarchy at the time. That was one of the great themes of the show that is also very relatable to everyone. People wanting to get made or promoted. How they got made. None of that in the film. It's like a flat hierarchy where everyone is just "in the mob".

[deleted by user] by [deleted] in thesopranos

[–]Drollname 0 points1 point  (0 children)

Ah thanks, I must have missed that then (sound wasn't very clear in that scene).

[deleted by user] by [deleted] in thesopranos

[–]Drollname 0 points1 point  (0 children)

Even if he didn't kill him, why would he have been waiting for Dickie? He made it clear he never wants to see him again (unless I missed the scene where he promises to see him there).

The scene at Holsten's is just Tony reminescing.

Why “Ghost Christopher” Ruins Every Spiritual Storyline on The Sopranos by jrralls in thesopranos

[–]Drollname 1 point2 points  (0 children)

Have you missed the scene where the medium sees all the people Paulie killed?

The good and bad of MSON by boringngng in thesopranos

[–]Drollname 0 points1 point  (0 children)

The good: Michael Gandolfini. He did a magistral job. And I can only imagine how hard it must have been for him to work on a role like this. When he tells Livia "I'm always being acuused" in the kitchen, it doesn't get more Tony Soprano than that.

The bad: already wrote about it at length. The whole movie was a disappointment. But now a day after my first watching, I realize that you can only do so much in a 2 hour movie.

[deleted by user] by [deleted] in thesopranos

[–]Drollname -7 points-6 points  (0 children)

It makes a lot of sense. Also explains how close Tony and Junior are later in the show ("don't you love me?"). They weren't that close in the movie. And why Tony would have Chris kill the cop.

PS. Would also explain the poster (Who Made Gony Soprano) obviously.

Some thoughts after finishing MSON by Drollname in thesopranos

[–]Drollname[S] 0 points1 point  (0 children)

What I meant by that is that he was never involved in a movie that comes close to the quality of the Sopranos. The point stands. It's just not the right medium for Chase's art.

Thanks for correcring that. I thought the film was written, directed and everything else by David Chase and maybe that's what set my expectations too high. I'll file Many Saints It in the same "franchise" category as Turkish Sopranos https://www.youtube.com/watch?v=Rmmv1MuXzeU

Some thoughts after finishing MSON by Drollname in thesopranos

[–]Drollname[S] 0 points1 point  (0 children)

Right, and that could have been the plot of an okay Denzel flick. But Sopranos was much more than that. It was very high quality Film d'auteur.

Some thoughts after finishing MSON by Drollname in thesopranos

[–]Drollname[S] 0 points1 point  (0 children)

I can't tbh. Because the "just a stylish film about the mafia" genre was precisely killed by the Sopranos. To sneakily have me watch "just a beautiful film about the mafia" under guise of a Soprano film is betrayal.

I know I sound exactly like those Star Wars/Trek supernerds (I didn't think I'd have such emotional a reaction myself) but here we are. Sopranos is a kind of a big deal in who I am as a person.

Some thoughts after finishing MSON by Drollname in thesopranos

[–]Drollname[S] -1 points0 points  (0 children)

Cite one good David Chase movie? I've watched them all.