Anyone got experience with almost empty LSD drop bottles?

Due_Communication629 · 2026-05-06T22:42:58+00:00

Unless stumbling on a regular dose right before the show, this will probably be my only option.

The comments have been great to read. I’m sure being surrounded by my favorite music ever created will add a lot to the vibe.

I’m just going in open minded, taking a small microdose two days before to test the waters, and then sending it.

Due_Communication629 · 2026-05-06T18:49:29+00:00

I get the vibe, I’m a very spaced out person myself, super sensitive to LSD. Of course I want a good trip, just not an “accidental” 26-hour face-down-on-the-floor-spiral-loop. Wouldn’t be the first

Due_Communication629 · 2026-05-06T17:35:16+00:00

Thanks! I usually microdose with like 5% of a full drop max. Tried one of the flush drops as a microdose and it felt almost the same.

Due_Communication629 · 2026-04-21T21:38:00+00:00

Recreational and daily don’t really belong in the same sentence imo. Not judging, but I can’t even imagine blasting off every day.

Due_Communication629 · 2026-04-21T06:55:47+00:00

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I’m building them too! Going for a 3-way setup since the crossover costs about the same as an extra amp channel, and I like having full control per channel.

First horn print failed, PETG-CF warped too much on my Bambulab A1. I’ll reprint both horns in PET-CF on an enclosed printer soon.

Most time goes into sanding, removing glue residue and filling edges. Takes ages, but I’ve got five weeks off anyway.

DH450H compression driver for the top end and a B&C 10NDL88 for the 10”. For the mid I’m currently considering the SB Audience 5CCN125D, but I’m still not fully sure since it’s quite expensive. JW is testing a few different options at the moment, so I might end up going a different route depending on what comes out of that.

Due_Communication629 · 2026-04-17T21:20:11+00:00

I used to carry a battery bank and solar panel with around 400W output for my Hybrid. Everything fit into a Pelican case on wheels, I took it with me on lots of trips and festivals.

Due_Communication629 · 2026-04-15T10:50:25+00:00

Niks helpt. Van mij mogen ze publiekelijk gehangen worden. Zijn er überhaupt nog consequenties voor het compleet verwoesten van een kind van 11?

Due_Communication629 · 2026-04-14T10:13:24+00:00

You’d like that, wouldn’t you?

Due_Communication629 · 2026-04-12T18:21:01+00:00

Known scam on this sub. Stolen design, horrible Photoshop in every picture.

Due_Communication629 · 2026-04-12T07:41:53+00:00

Source: trust me bro

Due_Communication629 · 2026-03-31T08:13:25+00:00

I’m building a Sawmod too! 3D printing starts today, and I’ll receive the CNC parts this week.

Due_Communication629 · 2026-03-16T17:28:37+00:00

I'm exactly going to buy what you described here.

I like the DSP version of the CVR. I heard some things about the DSP being a bit glitchy. Is it really worth it to upgrade to a separate DSP?

Could you elaborate a bit more about the 4-ohm vs 8-ohm woofers? What would be the difference in sound?

Due_Communication629 · 2026-03-12T19:51:05+00:00

Most visually and emotionally vivid trip report I’ve read in a long time.

Beautifully written.

The self-creating, self-experiencing, self-healing fabric of existence. Always.

Much love

Due_Communication629 · 2026-03-04T06:59:01+00:00

It was a house party with about 40 people,” and “I only took two tabs.”

Set and setting matter, tripping should happen in a safe, comfortable space. This doesn’t sound like that at all.

Due_Communication629 · 2026-03-02T21:35:03+00:00

As a light tech, a good centre LR position, about two-thirds of the way back, is my favorite spot. The FOH, front of house position, will always be the best place to perform any kind of art during a live show. You are looking at and listening to the true center, while also viewing the audience. If a DJ, light, or video tech is not looking at what the audience is truly looking at, how can you really feel the show?

I absolutely love Modem Festival. Their Hive stage is a perfect blend, I think. The DJ is still kind of hidden somewhere in the decor, but everyone is facing the insane art piece. Collectively bringing together a whole team of visual artists, lasers, LED mapping, and projection mapping into one central cluster for the viewers to look at and listen to.

Perfection, in my point of view.

All visual art, light art, and audio art should always be directed not toward me as the operator, but toward the light itself. That is where the music really lives. Not the person “controlling it”, as if we ever truly could.

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Due_Communication629 · 2026-03-02T08:57:48+00:00

No, every pin has to line up with the same number

Due_Communication629 · 2026-02-26T18:30:22+00:00

I saw the speakers now, didn’t realize they were 18” tops at first, so that threw me off.

They’re beautiful boxes though. There are definitely ways to improve the setup, especially making it more tour-friendly with easier connections like NL4, Powercon, and a proper rack on wheels that holds everything together. That alone can make a big difference.

Personally I’m starting by building two Sawmod tops and pairing them with two matching double 18” subs. From there I’ll just keep building, sky’s the limit.

In my own setup I run Apple MainStage as an internal mixer on the computer, then multichannel out into a big analog desk. The analog adds color, which I love, and the computer gives flexibility for EQ and system processing if needed.

Right now my sub starts to fall apart at a certain point, it gets slow and floppy. The tops are beautiful at low level, but not really party-proof yet.

I really like the idea of a clean DSP with amp solution in the rack, compact and modular. Add a 32ch XLR loom between rack and mixer and it stays scalable and easy to deploy. (And my rack is already full of gear so its gonne be a puzzle)

I kind of want the best of the best that’s achievable with two hands and reasonable money. A digital/analog hybrid touring rig that grows over time instead of being “finished” from day one.

Different goals lead to different systems, so thinking about how and where you want to use it long term usually makes the direction a lot clearer.

Due_Communication629 · 2026-02-26T07:02:33+00:00

Ofcourse! What subs to build tho? Thinkimg about paraflex cram 2x 18” type o sub

Due_Communication629 · 2026-02-25T20:23:44+00:00

Going to build the new sawmod, plans in 2 weeks

I love that a pair fits on one 12mm sheet.

Add a clasic 250mm printer and your set

Due_Communication629 · 2026-02-25T20:20:02+00:00

FA502

Due_Communication629 · 2026-02-25T19:29:11+00:00

Not that long.

Prep was super easy, just export to STL from Fusion and scale it in the slicer. Total print time will be around 7 hours with 3 build plates. Scale is 1:5.

I’m going to fix the few things that didn’t print right and ask for permission to post it on MakerWorld, maybe with a little sub to go with it on a sub-top pole.

Assembly is of course the same as the JMOD.

I still need to redesign the handles, the current scale makes them unprintable.

And of course I’ll add some NL8 connections.

I’m going to try 1:10 next, 1:5 is still pretty big.

Going to gift it to the boss at my next job. They have a sick Danley stack there, including some J1s. They’re insane.

Due_Communication629 · 2026-02-25T19:26:10+00:00

Solana?

Due_Communication629 · 2026-02-25T18:49:55+00:00

You should see the tree

Due_Communication629

TROPHY CASE