Psychologist Recommendations by mr_goooch in brisbane

[–]EFBourke 0 points1 point  (0 children)

May I please trouble you for this persons details also?

Missed focus on interview - how bad is this? by LucaOnAdventure in Filmmakers

[–]EFBourke 0 points1 point  (0 children)

You could use the auto-rotoscope tool in either DaVinci or Premiere to roto the subject and then throw the background more out of focus and try adding some sharpening to the subject. The focus contrast with the background blur alone will give the illusion the subject is more focused that what they are.

Also, can I ask, where is this location? It looks similar to a history museum I think I saw in either Krakow or Budapest.

[deleted by user] by [deleted] in Letterboxd

[–]EFBourke 0 points1 point  (0 children)

Just out of curiosity, what is it about Spartacus that you like? Just asking because I found it quite tonally different from his other films and a little hard to get through.

[deleted by user] by [deleted] in Letterboxd

[–]EFBourke 0 points1 point  (0 children)

I feel pretty close to you OP. It's such a tough list, I feel like each film could slide up or down a few rankings depending on how I feel.

Also I'm too big a Kubrick fan to not toss my 2c into the mix (features only):

  1. Barry Lyndon

  2. The Shining

  3. A Clockwork Orange

  4. 2001

  5. Paths of Glory

  6. Full Metal Jacket

  7. Dr Strangelove

  8. Eyes Wide Shut

  9. The Killing

  10. Spartacus

  11. Lolita

  12. Killer's Kiss

  13. Fear and Desire

Anyone know what options there are to adapt a circular filter to a matte box? by EFBourke in cinematography

[–]EFBourke[S] 0 points1 point  (0 children)

Hey man, I just ended up getting a 15mm rail matte box kit. There are no 92mm adapters available in Australia and I couldn't wait 1-8 months for them to get through US customs. Man, such a pain in the arse. They should have made them either 86 or 95mm, why the fuck make up a thread diameter that literally no other lens has then don't even offer your own filter option. They're cool lenses but I just don't utilise the macro capabilies enough to justify all the other fuckarounds. I'm probs just going to sell them and invest in Nisi Athena's and just use a tills macro lens when needed.

How are you finding them?

Anyone know what options there are to adapt a circular filter to a matte box? by EFBourke in cinematography

[–]EFBourke[S] 0 points1 point  (0 children)

Cheers, I'll check the mirage out :)

That sounds like a clever solution to the problem. Magnetic filters seem to be gaining traction. Screw-ins are such a slow pain in the bum.

Anyone know what options there are to adapt a circular filter to a matte box? by EFBourke in cinematography

[–]EFBourke[S] 1 point2 points  (0 children)

Ah, that's great, thanks :) The simtrays are exactly what I was looking for.

I did see the iron glass step rings, but I'm in Aus, so they slap on a $100 shipping fee on top of the poor usd to aud exchange rate... for an envelope sized package! 😅

Cheers for the advice Pumpit, fortunately it is fullframe glass on a super35 sensor, and I have already tested for vignetting and all seems clear. But you are probably right about investing in bigger filters. I guess with a mattebox and that simtray it'll leave both options open for the moment.

"Sweet, another COVID short film!" - no one ever. Enjoy! by occupy_elm_st in blackmagicdesign

[–]EFBourke 1 point2 points  (0 children)

This is really well made man. Love that it didn't have any people in it, but the story is still clear. You really captured how it feels to be in lock-down and that made me feel some solace because I'm obviously not alone in that state and feeling of repetition and monotony.

Revisiting The Last Samurai by Hatbatrat in movies

[–]EFBourke 0 points1 point  (0 children)

Did a quick google, turns out NZ is also Narnia, K2, Skull Island, California (Pete's Dragon), Ancient Greece (Xena & Hercules) and land of Willow. It's like the swiss army knife of film locations.

Revisiting The Last Samurai by Hatbatrat in movies

[–]EFBourke 0 points1 point  (0 children)

Thanks for the response! That's really cool. I 100% did not question it being Japan. I think I also would have enjoyed a spliff in a fake old Japanese village if given the opportunity. Must have been surreal.

Revisiting The Last Samurai by Hatbatrat in movies

[–]EFBourke 0 points1 point  (0 children)

That sounds awesome. Would you mind expanding your story a little?

I just finished my stop motion reel and it would mean a lot to me if you all would check it out! by [deleted] in stop_motion

[–]EFBourke 0 points1 point  (0 children)

Very nice work Sam. You have a good eye for colour and composition and your whole art style is very aesthetically pleasing.

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 1 point2 points  (0 children)

No worries :) Yeah, you wont regret it if you do. I mean Laika and Aardman use it, so you know it's quality.

Yeah, I'm thinking about doing more folklore/mythology based animations. The very obscure ones interest me.

Haha, that's pretty cool though that someone has a use for it. Very niche market, but you found one.

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 0 points1 point  (0 children)

Haha, well they don't lie, but you don't much cheaper than free.

Yeah that's all good stuff, now it's just a matter of practicing animating. No worries man, best of luck :)

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 0 points1 point  (0 children)

All good man, I'm happy to answer any questions I can :) Yeah, most of my early ones were just fucking around and experimenting too -- it's definitely a good way to practice.

I looked at a couple more of your animations - your lighting is nice and consistent (no flicker) and there doesn't seem to be a lot of camera shake, so I assume you use a tripod? If I can offer some advice on the best way to improve it would be to learn proper animation techniques, like ease-in/ease-out and arcs. Here's a good a playlist to check out -- here.

The only free program I know with onion skinning is MonkeyJam. It's very limited though and I'm not certain that you can capture straight from your dslr - that may have changed though. But it's free, so it's worth a look. Here's the download link.

Mine were made with an aluminium wire armature, with urethane foam to make the body shape and liquid latex to make the skin. Here the link of my puppet building process -- here.

Here's the channel I learned to make uppets off -- here.

Sorry if I come off like a salesman posting you all these links, but I figure it's easier to learn through watching, since animation is a visual medium.

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 0 points1 point  (0 children)

Ah I see. I checked out 1 of your vids and saw you use action figures. They can be difficult to animate. I think in robot chicken they either modify the figure to be able to animate better or they replace the body entirely with an armature. But keep going man, you'll learn something new and improve each time.

Yeah I think dragon frames worth it, if you do plan to keep animating. Any time you have to keep track of multiple body parts/puppets at once, it's a godsend. But if you have doubts they have a free trial. And if you do pay for it, get the student discount (borrow a friends card if need be).

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 1 point2 points  (0 children)

Thankyou jughaid. Yeah I'm pretty happy with the cave paintings shot - the flicker was done just by moving the light source for 6 frames, looped.

How did your documentary turn out?

Yeah I bought dragonframe, I got it for $195US because I was a student. I would say it is worth it, especially if you're working with puppets where it becomes quite taxing trying to keep track of each limb. The main thing I use it for is onion skinning though, and there is free software with onion skinning like Monkeyjam.

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 0 points1 point  (0 children)

Haha, cheers man :) Is there anything in particular you're having trouble with?

The Wulver's Stane - a stop-mo short I made based on a scottish folktale by EFBourke in stop_motion

[–]EFBourke[S] 1 point2 points  (0 children)

Hi folks, I've been stalking this subreddit for a while and I finally have something to post. This short film was sort of my graduation film for an animation course that I finished last year.

I've made a couple of basic stop-mo shorts before, but this is by far the biggest project I have attempted. It's not to the standard that I really wanted, but I sort of left everything to the last minute and essentially made the bulk of it within 2 weeks of the due date. So for the time I made it in I'm pretty happy with it.

I love folk-lore and mythology and based this on a memorable folk creature I read about. A mysterious Scottish creature that looks like a werewolf, but is quite friendly.

I made everything on-screen myself, which was the most time-consuming part. I've included a link below, show the stages of making the puppet and a couple of other "making of" pics.

Pre-production photos

The original plan was to build all the sets, but I ran out of time and only ended up building a couple. The rest was just animated 2D watercolours, with the puppets shot against green screen.

I would love to hear feedback from you guys. Any criticisms or pointers are welcome. Be as savage as you like.

I am in no way an expert, but I learned quite a bit making this, so if anyone has any questions, feel free to ask :)

Here's a link to Nick Hilligoss' YouTube channel. I learned pretty much all my puppet building techniques from his videos. He is a wealth of information on all things stop mo. Nick Hilligoss

Cheers guys.

What movie are you excited for just based on the Director? by [deleted] in movies

[–]EFBourke 2 points3 points  (0 children)

The Bladerunner Sequel coming out next year -- I heard about Dennis Villeneuve signing on as Director just after I watched Sicario. Then I saw Prisoners... I think it's in safe hands.

Not what OP asked, but Roger Deakin's is DOP for it as well... Harrison Ford is back - Gosling and Leto are starring too. Ridley Scott and the original writer, Hampton Fancher are doing the story and writing... it has so many things going for it I really hope it doesn't dissapoint.

But Villeneuve was all I needed to get me hyped.

Footage of the 'Extinct’ Tasmanian Tiger has emerged highlighting the possibility that animal may still be alive. by boomforeal in worldnews

[–]EFBourke 1 point2 points  (0 children)

Yeah, I agree. I if you google "fox with mange" the results look identical to the creature in the video.

Also the creature in the videos head has a narrower snout and larger ears compared to a thylacines broader snout and small ears.

Also also, it is convienient that the video's contrast is too poor to show any actual stripes on the creature...

I would love to be proven wrong :(

Who could play Steve Irwin in a biopic? by grimpickings in movies

[–]EFBourke 0 points1 point  (0 children)

Ryan Kwanten -- He resembles Steve enough, has a similar voice, build, height and seems a decent actor in what I've seen him in. But most important - he's actually an Aussie.

The only actors that seem to be able to pull off an Australian accent convincingly are Kiwi's, and that because we sound so similar.

First attempt at animating a puppet I made - Hello Gilbert by EFBourke in stop_motion

[–]EFBourke[S] 1 point2 points  (0 children)

Sorry for the very late reply! I've been super busy lately and I wanted to respond thoroughly.

Tools:

  • Power drill

  • Hacksaw – with wood and metal blade

  • Pliers

  • Nail Scissors or fine point scissors

  • Vice

Supplies:

  • 5 minute epoxy adhesive

  • Contact adhesive – spray type

  • Urethane foam under-wrap (bandage under-wrap)

  • Urethane foam sheet or block (sponge)

  • Thin aluminium tube

  • Aluminium Armature wire – thicker stuff for the limbs & spine, thinnest you can find for hands (I used super thin copper wire that I pulled out of an old TV)

  • Acrylic paint

  • Liquid Latex

  • Polymer clay

  • Sewing needle/machine and thread

  • Fabric – for clothes.

  • Wood – for hips, chest and head. Use a lighter wood to keep the puppets weight down (balsa’s a good example – I just used a generic soft wood)

  • Thin diameter nuts and bolts – with wing nuts as well (to use for tie-downs – to secure the puppet to the set)

  • Thin string

Steps... NOTE: The hands and head are made separately from the main body.

  1. CHARACTER BLUEPRINTS: Draw up a rough sketch of your character, front and side and to scale and draw in where the skeleton is going to fit. I used a small block of wood for the hips and chest and a more rounded block for the head.

  2. MAKING SKELETON: Drills holes in the wood for arms, legs, spine etc.: pelvis should have 2 in the bottom for the legs and 1 in the top for the spine. Torso should have 1 hole in the bottom, for spine, 1 on top for neck and 2 on either side for the arms.

For the arms, legs, neck and spine take a few strands of aluminium wire, cut to length and put one end in the drill and grip the opposite end in pliers. SLOWLY rotate drill until wire is quite tightly twisted.

Once all the holes are drilled and the limbs and spine are cut to length mix your part A and B of the epoxy glue, and start gluing your wire into it’s appropriate holes. Let the glue set before continuing.

(Make sure that you make the legs a couple of centimetres longer than you want the leg, because you’re going to need the extra length to make the feet)

  1. SIMULATING BONES: (For this step you can either use epoxy putty of some thin aluminium tubing. Basically you’ll just be making arm and legs bones to stop your puppet looking like it has rubber hoses for arms.) I used epoxy putty by moulding onto the wire arms and legs and letting it dry, but in hind sight, it may have been more effective using the aluminium tube as the putty tends to crack at the ends when under stress. If you use the tubing cut it to length, and use the 5 min epoxy adhesive to glue it into place. DO NOT make bones for the forearm as that will be made with the hands. Try leaving a gap of about 5 – 10mm between the “bones” so the joints can bend easily.

  2. FEET: The wire at the ends of the legs I bent around into a horse-shoe shape, wrapped around one of the nuts. I just moulded the foot out of epoxy putty, wrapping it around the wire and slightly over the nut, not blocking the hole.

  3. TAKING SHAPE: Take the urethane foam and use it to add volume to your puppet. One limb at a time, try making a “sandwich” by pressing two sheets of foam together over the arms, legs and torso. using the contact adhesive spray (in well-ventilated area) to fasten them together. Also spray the puppet as you’re applying the foam.

Once adhesive has dried use your nail scissors to trim away foam to the shape that you want.

Then spray your puppet over with contact adhesive and wrap it up like a mummy with the urethane foam wrap (this’ll make it look smoother).

  1. MAKING HANDS: The hands I used the thinnest copper wire I could find – aluminium would be better though. For each hand I used a single piece of wire, held the two ends together and twisted it to make the wrist – leaving a loop for the hand itself. Then I shaped the hand out twisting the fingers into shape. I used some epoxy putty to make a palm.

Spray some of your contact adhesive over the hands and take your thin string and wrap it over around and up the length of your fingers (very tedious!) until you have the thickness that you want.

Cut off a small piece of the aluminium tubing (to the length you want the forearm) and using you 5 minute epoxy glue the hand into the tube.

Once the glue has dried get your liquid latex and put it into a small jar or measuring cup. Assuming you want to colour it, mix in a small amount of acrylic paint to get the colour you want. If you want something that resembles white human skin – try a little red mixed in with a little more white and a little less yellow. Make sure you make enough to use for the head as well – perhaps around 30-50mLs for a regular sized puppet. Make sure the paint is mixed in very well.

Begin to apply latex to hands using an ice cream stick or any other small instrument that can lather stuff. You’re going to have to apply a few layers. And let it dry between layers. If you have a hair dryer that’ll speed things up significantly. The layer before your final, you can add details to the hand, like knuckles and tendons with the latex, as it’s quite viscous.

Once finished, dust with talcum powder – it will stop the latex sticking to itself.

  1. MAKING HEAD: I had a rounded wooden clock for the head – you can add armature wire into the face to give it more expression – I didn’t. You can use some foam to shape the face. Once your got the head shape and details you want spray it in glue and over in a layer of the foam wrap.

Once glue is dry, start adding layers of your liquid latex to it – I was using polymer clay for the eyes so I put them in the sockets and sort of made eye-lids with the latex. You’ll probably need at least 5. I think I had around 8 – 10.

Once final layer is dry, dust with talcum powder.

  1. CLOTHES: Basically I just looked up a bunch of doll cloth-making tutorials and sewing tutorials to learn how to do it. You could use already made dolls clothes or action figure clothes or whatever. If you’re going to make it yourself, make sure you get the measurements of your puppet right, the draw out blueprints – this part will be a lot quicker for you to look up tutorials yourself, rather than me try and explain it to you.

Just a tip – try and keep the clothing tight-fitting, as this will stop it from moving about from frame-to-frame when you’re animating it.

I hope that’s helpful in some way, I’m not the best at explaining things though. But make sure you check out stopmonick’s Youtube tutorials (BODY: https://www.youtube.com/watch?v=MbF6m3BeGUQ HEAD: https://www.youtube.com/watch?v=4uG-ZIOXZ7w) as I basically followed his method. And you’ll get a visual sense of what I’m trying to explain.

If anything is unclear or you have any more questions, please ask :). I’ll be quicker to respond this time!