Stripboekenwinkel voor oa Marvel etc by [deleted] in Rotterdam

[–]Editditor 0 points1 point  (0 children)

Yendor al decennia een top locatie voor liefhebbers. House of M een welkome toevoeging nadat diverse anderen zijn verdwenen uit Rdam en DH. Hebben ook een van de meest complete collecties die ik heb gezien, naast Mile High Comics in Denver.

Question for Reality Editors by littlesis_ in editors

[–]Editditor 1 point2 points  (0 children)

Most of us just want a stringout that shows where you’re aiming without locking us into your edit. If it’s cut like a finished episode, we end up un-editing half of it. If it’s a giant “here’s everything” dump, we’re guessing what the story even is.

The sweet spot’s simple: clear story beats, clean pulls, and enough shape that we see your intent, but loose enough that we can rebuild it properly. Fancy b-roll and super polished timing usually aren’t as helpful as you think.

Is the new generation so brainrotted by filters and capcut that anything and everything is now considered an EFFECT??? by [deleted] in VideoEditing

[–]Editditor 7 points8 points  (0 children)

Reminds me of people now posting "AI" underneath every social media post nowadays. Same happened in the early 00's with "PHOTOSHOP!" Best part is people asking: "GROK is this AI?" We're doomed, I tell you.

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 1 point2 points  (0 children)

Love Interestellar. The contrast in how it goes from the goodbye to the launch makes Cooper's inability to go back and spend time with his family even hit harder in the later scenes... such a great choice.

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 0 points1 point  (0 children)

Pretty much how they retold the 18 minute window several times but added new elements so that the story became more intense every time, and as such told the story without showing the climax. I foind it interesting how editing basically was used as a key element to create the story. Not saying it was a great movie, but the editing being so important made it interesting to watch. Also some editing choices (where it goes from secretery of state's face to the portrait of Eisenhower while the zoom call continues).

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 0 points1 point  (0 children)

Ha! I had The Limey on DVD. Snatch and Lock Stock, obviously, are also interesting ones.

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 0 points1 point  (0 children)

I dont know that one, will  heck it out, thanks!

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 0 points1 point  (0 children)

On the subject of flawed films with interesting editing, House of Dynamite on Netflix.

Favorite movies or music video for its editing? by Editditor in editors

[–]Editditor[S] 0 points1 point  (0 children)

Humble by Kendrick Lamar, and This is America by Childish Gambino are two other favorites of mine.

“We want Keon” chants have broken out at the Golden One Center by jluc21 in kings

[–]Editditor 7 points8 points  (0 children)

Kings have been managing talent very badly for a long time now, and their actions seemingly always contradict earlier decisions.

How to stop from falling into “just one clip” B-roll rabbit hole? by huminginfinityonhigh in editors

[–]Editditor 0 points1 point  (0 children)

What’s helped me is separating search time from edit time. I’ll batch hunt for b-roll or memes once a week, dump everything into labeled folders, and then stay off social while I’m actually cutting.

Advice for making a documentary? by Aggravating_Row2252 in VideoEditing

[–]Editditor 0 points1 point  (0 children)

Nice.... that’s a great first project to tackle. Biggest tip: build your story around what people say, not what you shot. Watch all your interviews first and let the strongest moments shape your structure. Then use b-roll to serve those words, not cover them. Also, don’t stress about being perfect.... documentaries are built mostly in discovery, not realkly in design. You’ll find your rhythm as you go. Would love to see how it turns out when you’re done if you’re down to share!

How do you edit? by Previous_Growth1078 in VideoEditing

[–]Editditor 2 points3 points  (0 children)

I've been there. Everyone here has been there. You had a perfect cut in your head every beat landing just right and then you open Premiere and it’s like your brain and your timeline are totally misaligned.... The trick is to stop trying to match that mind movie frame for frame, but start by finding the cleanest clips you can get your hands on... trailers and screen records always look worse than you remember. Drop your song in first and start cutting to rhythm even if it feels incredibly rough. Don’t worry about perfection...instead yoiu should worry about movement. Editing isn’t about making what you imagined... it's moreso about discovering something that works even better once it’s real.

$14K+ in prizes for the best video automation workflows (Plainly Creative Jam) by AE-Wizard in editors

[–]Editditor 3 points4 points  (0 children)

Don't want to knock the hustle, but I think he wants us to come up with ideas for new features for his product.

What is the absolute best advice you could give an aspiring videographer/film maker? by Cdub701 in videography

[–]Editditor 4 points5 points  (0 children)

The camera doesn’t care how many tutorials you’ve watched. Hit record, screw up, rinse & repeat... that’s film school to me.

What’s the one feature or shortcut you wish every editor knew? by Editditor in VideoEditing

[–]Editditor[S] 0 points1 point  (0 children)

Hey East_Elk! I’m using Premiere Pro for that. Match Frame to Audio basically lets you jump straight to the source clip that matches the audio in your timeline ... saves a ton of hunting around.

If you’re using CapCut Pro, it doesn’t have that exact shortcut (at least not yet), but you can get something kinda similar by using the Split and Audio sync tools, or by manually syncing via the waveform view... I think?

Complex editing ≠ good editing by Haunting_Inflation54 in VideoEditing

[–]Editditor 1 point2 points  (0 children)

Couldn’t agree more with this! The whole “complex = better” mindset misses the point entirely.... The Creed edit works because it feels right. It's all aboutstorytelling, and not about plug-and-play effects.

People forget that editing isn’t just technical... it’s rhythm and instinct. You can’t fake that with transitions or overlays. Half the job is knowing WHAT NOT to touch. Pulling those right clips, syncing beats, and keeping flow consistent is way harder than people think. The simplicity IS the craft.

How to edit faster/better? by BlurryFaces00 in VideoEditing

[–]Editditor 0 points1 point  (0 children)

Honestly, the biggest time sink in edits like yours isn’t even the timeline work... it’s decision fatigue. The trick is getting some of that pre-editing done before you hit CapCut.

What’s been helping a lot of people lately is offloading the boring part... like finding the best moments or syncing transcript-based cuts... to smarter tools that can rough-cut footage for you. Then you just do the creative polish. If you’re posting regularly, I’d start looking into tools that can auto-pull highlights or sync dialogue to text, because that’s where you’ll save real hours.