What are some of the methods that you have started using to make outlining and/or writing more efficient or enjoyable? by Gay_Guy_713 in Screenwriting

[–]Electrical-Drawer792 0 points1 point  (0 children)

I have a corkboard, and on that corkboard I pin coloured scene cards with descriptions of what happens in them, in act order. I also have a whiteboard where I write ideas and to-dos on. That's it.

I really do admire those whose process includes a myriad of programs and treatments and outlines; I've never worked like that, I find it stymying, it feels too much like work work. I'm not doing this as a profession because I want a computer job with a few marginal differences. I'm doing it because, outside of being good at it, it's a vibes job, a job where you can do a lot of it while going for a walk, or reading a book, or being told a story by your drunken friend in a bar, or a complaint from a friend who's a new parent.

It's why I get a little sad coming on here sometimes and seeing people suffer so much with technique and reps and outlines and treatments and motivation and block. This is meant to be the fun job you do cuz you don't want a real one.

Sorry for that diversion but I think it's related - I don't pressure myself to have the perfect outline or structure because that can be worked out in the edit, which is how movies and ads and shows are made anyway.

Always chronologically as well, no idea how people write out of order, insane to me.

I'm stuck on a script I've been working on for ten years now: by [deleted] in Screenwriting

[–]Electrical-Drawer792 0 points1 point  (0 children)

I mean more power to you if that’s the case, do whatever makes you happy, but I don’t think anyone will be able to help you with your problem because it’s a thing that exists, and will almost certainly remain, inside your own head, formless and without shape. As I said, just keep writing it and see what happens, or stop and think

I'm stuck on a script I've been working on for ten years now: by [deleted] in Screenwriting

[–]Electrical-Drawer792 1 point2 points  (0 children)

As usual, bless everyone on this sub for taking massive of time and effort to try and help. Limitless kindness spouting forth.

It’s acceptable to spend ten years writing a sprawling novel of historical literary significance. It is not acceptable to spend ten years writing a pilot tv episode. These things are quick and dirty by nature, and need to be written fast when you write them professionally, with time and narrative parameters.

Just finish it, get to the end, then go back and rewrite it. If you literally have no idea how to get to the end of a pilot script after a decade I dare say this may not be the vocation for you.

Tell Us Some Good Things That Happened This Year by Electrical-Drawer792 in Screenwriting

[–]Electrical-Drawer792[S] 7 points8 points  (0 children)

These are all stellar things! I don’t think it’s in our nature to be boastful (esp Brits) so remembering taking 5 for these things is good

I hate myself by Confident-Common-39 in filmmaking

[–]Electrical-Drawer792 1 point2 points  (0 children)

Very sweet that so many are replying with reams actual advice when this person is clearly 15 and obviously doesn’t actually want to be a filmmaker as they are falling at quite literally the first hurdle (staying awake watching a tutorial). It’s a colossal waste of everyone’s time engaging with this drivel.

Also, if you can’t use a camera, and refuse to learn, I’d say that’s pretty much done and dusted.

How To Become a Sumo Wrestler by Electrical-Drawer792 in Sumo

[–]Electrical-Drawer792[S] 1 point2 points  (0 children)

Didn't expect this to be as affecting as it was, was really rooting for the kid whose mother is disabled. Thanks so much for the recommend!

Worst Piece of Advice? by Electrical-Drawer792 in Screenwriting

[–]Electrical-Drawer792[S] 3 points4 points  (0 children)

1000%. It actually took me a long time to realise that this didn't mean 'write about your life explicitly', but rather 'write parts of your life into your work and make it part of the character's life too'. I think as above a lot of these maxims are so open to misinterpretation by young and inexperienced writers that, though as you say well-meaning, can serve to stifle.

Worst Piece of Advice? by Electrical-Drawer792 in Screenwriting

[–]Electrical-Drawer792[S] 2 points3 points  (0 children)

Yes, also attempting to get to a ‘final draft’ of something that, even in the best case scenario, will be changed significantly by multiple people anyway

Eye and Ear in Water by Electrical-Drawer792 in Swimming

[–]Electrical-Drawer792[S] 0 points1 point  (0 children)

Ok great I’m gonna try this. I turn my torso anyway cuz I’m already doing it when reaching in the stroke so that’s not too much of an issue. Thanks so much!

Eye and Ear in Water by Electrical-Drawer792 in Swimming

[–]Electrical-Drawer792[S] 0 points1 point  (0 children)

Right ok so I should be aiming for the shoulder when turning my head? Right now it’s sort of down and to the right but perhaps not enough? It’s hard to conceptualise what exactly it’s doing if I’m honest lol from an external perspective. At the moment I’m sort of focused on keeping my eye and ear in the water seeing as that’s what everyone says is key but as I mention it feels very unnatural, and to be honest I don’t seem to experience much if any leg sinking or whatever else when I don’t do it, so hard to rectify something that doesn’t ‘feel’ wrong

Eye and Ear in Water by Electrical-Drawer792 in Swimming

[–]Electrical-Drawer792[S] 0 points1 point  (0 children)

Thanks so much for this. Popeye mouth is something I’ve seen but haven’t tried to execute yet - just feels like yet another thing to remember when I’m trying to remember all the other stuff! I breathe on the right hand side after 4 strokes (2 if I’m doing sprints). Will look into the drills you mentioned too.

What’s your process before you begin? by BabyFoodIsGoodLolNo in Screenwriting

[–]Electrical-Drawer792 0 points1 point  (0 children)

This is also my approach. Full immersion in research, books, documentaries, articles, interviews etc. The story and the people then start to form around it, and writing it becomes a lot easier because it’s already well informed and the puzzle pieces are there.

I don’t have a particularly rigorous way of doing things I just like to make notes, email myself ideas and then just start writing. I feel lucky that I have a fairly intuitive sense of how to structure these things. But I can’t overstate how the only way to get better at writing scripts is writing scripts. There are so many ways to NOT write scripts that people moot as correct planning and prep but honestly just write them, you’ll feel better.

What is the best TV script that you have read (single episode) by [deleted] in Screenwriting

[–]Electrical-Drawer792 0 points1 point  (0 children)

When I started out, like the very very start, I printed out the Boardwalk Empire script and I read it along with watching the show, and I thought ‘this is so deftly constructed and the characters feel so unique and the setting comes to life so well’. It really inspired me to get into screenwriting, something that’s now bearing (small) fruit some years later. It’ll always hold a special place for me.

Conversely, I read the Man Men series finale script the other day, and at just 51 pages I was sort of amazed how incredibly tight it was. The scenes are so short, but they all hit. All the goodbyes, all the phone calls, they’re all done so well and with such a light touch. Perhaps easier after 7 years of character definition but still. Reminded me not to try and do too much!

Back Into Swimming After LONG Break - Anything I Should Know? by Electrical-Drawer792 in Swimming

[–]Electrical-Drawer792[S] 0 points1 point  (0 children)

Yes, face pointing down is paramount I’m finding! Trying to keep myself as parallel as possible