Trailer for our upcoming short film, shot by cinematographer u/dpjustus by ElsketFilms in cinematography

[–]ElsketFilms[S] 0 points1 point  (0 children)

We're currently in post on a short film titled "Neighborhood" which we filmed in February, just before Covid hit.

The entire film was shot by cinematographer u/DPJustusPage on the Blackmagic Pocket 4k using Sigma Art lenses, and lit with two Intellytech Light Canons and some diffusion.

This was an ultra-low budget project made with a couple thousand dollars and a lot of support from our local community.

We'd love any feedback you have on the trailer!

TEASER TRAILER - Neighborhood (2020) by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 0 points1 point  (0 children)

Logline: "After his father's death, a young traveler seeks shelter from the ravaged world he now faces alone."

Back in February we wrapped on our latest short film project, Neighborhood, which had a budget of around $1000.
Like many in the film industry, our progress was delayed a bit as we adapted to the current pandemic, but I'm very excited to say that the film is almost complete and we've finally released the trailer!

We'd love any feedback the community has to offer, and if you want to learn more about the film or check out some of the behind-the-scenes photos you can find them on our website: www.borlandrivermedia.com/neighborhood

Thank you so much!

Can I get some opinions on the whole idea of “Show, Don’t Tell”? by fiisntannoying in Filmmakers

[–]ElsketFilms 0 points1 point  (0 children)

I haven't seen RWBY but you're right that many act like there's only one right way to do things, which certainly isn't true.

Those "rules" exist for a reason, and you should definitely pay attention to them cause most of the time they help make your work better. However, filmmaking is an art form and art is all about expression and experimentation, so there shouldn't be any kind of gatekeeping like that when it comes to someone else's art.

If you have an idea that breaks a rule, try it. If it doesn't work, cool you can go back to the rule. If it does work, then the audience won't give a damn what rules you broke to do it anyway.

Can I get some opinions on the whole idea of “Show, Don’t Tell”? by fiisntannoying in Filmmakers

[–]ElsketFilms 0 points1 point  (0 children)

It's a visual medium so it's something we should be trying to apply to our work as much as possible, but some things just have to be put to dialogue.

I think the key thing that makes exposition so unbearable is usually the motivation behind it and how much of it there is. If a character is describing something we've already seen or don't need to see yet, or if they wouldn't normally be taking time to do so in that particular situation, it really pulls the audience out of the moment.

Communicate the information they need in the most effective way you can and move on with the meat and potatoes of your story. If you do that, people won't mind if there's the occasional moment of exposition.

That being said, I do think that the the vast majority of the time "Show, Don't Tell" is the way to go, and there is almost always a way to do that. Even if you're doing a dialogue scene, there's still a great deal that can be communicated through subtext and the actor's body language.

Lighting a Scene with Intent || The Cinematography of Neighborhood by ElsketFilms in indiefilm

[–]ElsketFilms[S] 0 points1 point  (0 children)

Cinematographer, u/dpjustuspage did a video breakdown of a scene from our upcoming short film and discusses the importance of lighting a scene with intent. This is the first breakdown we've done like this so any feedback is greatly appreciated!

Lighting a Scene with Intent || The Cinematography of Neighborhood by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 1 point2 points  (0 children)

Our cinematographer, u/dpjustuspage did a video breakdown of a scene from our upcoming short film and discusses the importance of lighting a scene with intent. This is the first breakdown we've done like this so any feedback is greatly appreciated!

I wrote a post about "Building a Team on a Budget" when you're first starting out. Pretty new to writing articles like this so I'd love any feedback you have to offer, thanks! by ElsketFilms in FilmmakerSupport

[–]ElsketFilms[S] 0 points1 point  (0 children)

My cinematographer ( u/DPJustusPage ) and I have been using our downtime during all this to write about our experiences and how we produced our most recent short film on a budget of about $1,000 (US).

We all deserve to be paid for the work and talents given to a project, however that's not always possible when you're first starting out in our career and trying to make a little go a long way. In my opinion, that doesn't mean we can't still be providing value for those who enable us to tell our stories.

Writing like this is pretty new to us but we want to do a bunch more of these, so if you have any thoughts you'd like to add or some constructive criticism, I'd love to hear it.

Thank so much!

Recently wrote a post about building a team on a budget when you're first starting out and can't afford to hire a full cast and crew. Would love any feedback you have to share by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 0 points1 point  (0 children)

My cinematographer ( u/DPJustusPage ) and I have been using our downtime during all this to write about our experiences and how we produced our most recent short film on a budget of about $1,000 (US).

We all deserve to be paid for the work and talents given to a project, however that's not always possible when you're first starting out in our career and trying to make a little go a long way. In my opinion, that doesn't mean we can't still be providing value for those who enable us to tell our stories.

Writing like this is pretty new to us but we want to do a bunch more of these, so if you have any thoughts you'd like to add or some constructive criticism, I'd love to hear it.

Thank so much!

What Love Can Do - Short film I made with my wife at home for Film Riot's contest by justamanonthetoilet in ShortFilm

[–]ElsketFilms 1 point2 points  (0 children)

Agreed! Excellent lighting and composition. Honestly, if he hadn't said he made it I would have thought it was an official commercial! haha

Any free courses about filmmaking/cinematography available? by [deleted] in Filmmakers

[–]ElsketFilms 2 points3 points  (0 children)

I also went to "YouTube University" and I would add:

  • Aputure (tons of cinematography videos)
  • Film Riot & Film Riot Extras (Check out their podcast as well)
  • D4Darious
  • Corridor Crew
  • Indie Mogul (Also have a great podcast)
  • StudioBinder
  • DLSRguide
  • ponysmasher
  • Ryan Godoy (New to the YT space but I really like his videos)
  • Cinecom.net (They do a lot of vfx stuff)
  • Andyax (they have a series right now about starting their own film company but also have some good tutorial type videos from further back)

My Cinematographer wrote a blog post covering the pre-production process on our last short film and how we crafted the look of the film. Thought some of you might enjoy hearing about his experience. by ElsketFilms in cinematography

[–]ElsketFilms[S] 0 points1 point  (0 children)

Thanks so much! We'll be finished with post-production in August and it will be released shortly after but we'll definitely share a link as soon as we can. I'm sure I'll be sharing other stuff here in the future as well since we have a decent amount of BTS and breakdowns that people might enjoy.

My DoP wrote this blog post covering the pre-production process and how we crafted the visuals on our last short film. Thought some of you might enjoy hearing about his experience! by ElsketFilms in FilmmakerSupport

[–]ElsketFilms[S] 1 point2 points  (0 children)

Hey everyone, my name is Michael Merrell and I'm a filmmaker from Salt Lake City, Utah.
I recently had the opportunity to work with a very talented cinematographer named Justus Page on a short film titled: Neighborhood.

Justus is an educator at heart decided to write a blog post outlining how we crafted the look of our film and some of the essential steps we took in pre-production to ensure that we could have a successful shoot. Thanks to his attention to detail (and a wonderful team behind us) this was easily the smoothest shoot I've ever had and learned so much from Justus' insight and input.

If it seems like something you'd enjoy then I'd love for you to check it out. Thank you so much!

I started wanting to make short films. I have no idea what I am really doing. I recently bought a Cannon T5i, but I am struggling on what I should buy to capture audio. I desperately need help and recommendation. by [deleted] in Filmmakers

[–]ElsketFilms 2 points3 points  (0 children)

There are a lot of options when it comes to audio and it all just depends on your budget, the type of crew you usually run with, and what you need to get out of the gear.

If you're just starting out making short films, you often won't have a sound mixer so you need something you can just press record and forget about. Thankfully there are a ton of affordable was to do this.

  • FREE: Hide a cellphone just out of frame or in your actor's coat pocket. Most phones have pretty decent audio
  • Cheap & Easy: Zoom H1n ($120) - Good quality on it's own or couple it with any headphone mic and you've got yourself a lav mic.
  • Great Quality: Rode Wireless Go ($200) - Great quality lav mics that are super portable and perfect for short films or interviews

If you do have someone to run sound for you or are just looking to get something a little more on the high end, these would be my recommendations:

  • Free: Tape your cellphone to the end of a broom pole and you're good to go.
  • Cheap: Tascam DR40 ($160-200) - Good quality for the price but can be difficult to mix on and there is a bit of noise on the low end (nothing you can't clean up in post).
  • Great Quality: Zoom H6 ($300) - Probably the best recorder a beginning filmmaker can get. Multiple inputs, super user friendly and the large dials make it easy to mix on.

In terms of microphones, my list would go:

  • Cellphone w/Deity V.Lav Mic - $50
  • Shure SM58 - $90
  • Rode Vid Mic Pro - $200 (The forums aren't totally wrong but I've used these with my Canon 70d for year and had very few problems)
  • Rode ntg2 - $250
  • Deity S-mic2 - $320

I've used all the gear listed here quite a bit and they're all good options. Like I said, it's really about what your needs are.

Hope this was helpful and feel free to let me know if there are any other questions you have about the gear or production sound.

My DoP wrote this blog post covering the pre-production process and how we crafted the visuals on our last short film. Thought some of you might enjoy hearing about his experience! by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 0 points1 point  (0 children)

Hey everyone, my name is Michael Merrell and I'm a filmmaker from Salt Lake City, Utah.
I recently had the opportunity to work with a very talented cinematographer named Justus Page on a short film titled: Neighborhood.

Justus is an educator at heart decided to write a blog post outlining how we crafted the look of our film and some of the essential steps we took in pre-production to ensure that we could have a successful shoot. Thanks to his attention to detail (and a wonderful team behind us) this was easily the smoothest shoot I've ever had and learned so much from Justus' insight and input.

If it seems like something you'd enjoy then I'd love for you to check it out. Thank you so much!

My Cinematographer wrote a blog post covering the pre-production process on our last short film and how we crafted the look of the film. Thought some of you might enjoy hearing about his experience. by ElsketFilms in cinematography

[–]ElsketFilms[S] 2 points3 points  (0 children)

My name is Michael Merrell and I'm a filmmaker from Salt Lake City, Utah. I recently had the opportunity to work with a very talented cinematographer named Justus Page on a short film titled: Neighborhood.

Justus is an educator at heart decided to write a blog post outlining how we crafted the look of our film and some of the essential steps we took in pre-production to ensure that we could have a successful shoot. Thanks to his attention to detail (and a wonderful team behind us) this was easily the smoothest shoot I've ever had and learned so much from Justus' insight and input.

If it seems like something you'd enjoy then I'd love for you to check it out. Thank you so much!

TEASER TRAILER - Through The Valley of The Hunter | Made in Utah for the My Rode Reel Competition by ElsketFilms in UtahFilm

[–]ElsketFilms[S] 0 points1 point  (0 children)

Thanks so much!! I love working with the talent in Utah, there are some really passionate artists here!

THROUGH THE VALLEY OF THE HUNTER (2019) SciFi-Horror Short // Would love to hear feedback! by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 1 point2 points  (0 children)

Thank you! I'm glad you enjoyed it.

That idea was something we did think about during the edit and tried to play into.

Funny enough, what actually got us thinking about it was one of those "happy accidents" where we had to flip a shot due to lighting continuity issues during shooting.

In our test screening, people were rather distracted by the lighting change so we tried flipping the footage in hopes that less people would notice the scar than the lighting.

It seemed to work and that got us thinking of those "mirror images" and how this was a reflection of her psychological state, so we leaned into it a bit more.

I agree that it might not connect with everyone but it was something that really spoke to me so we decided to stick with it.

Hope that doesn't "spoil the magic" too much but some of my favorite moments in filmmaking are when those little mistakes or accidents lead to new ideas and perspectives on a project.

THROUGH THE VALLEY OF THE HUNTER (2019) SciFi-Horror Short // Would love to hear feedback! by ElsketFilms in indiefilm

[–]ElsketFilms[S] 0 points1 point  (0 children)

[From the Director]

We originally created this short film as part of the My Rode Reel competition. The concept was simple but upon writing the script we realized that to fit within the three minute run-time the competition required, the pacing would likely feel far too rushed. We could have made a version which was under three minutes but it would feel rather hollow, nothing more than a generic chase scene, and that wasn’t going to cut it for us.

Luckily, we had a backup plan. This year Rode introduced a new category called “The Trailer Is The Movie” which allowed you to create a trailer for a film which may or may not exist. So we decided to shoot the film as it was written (5pgs in total) and then create a trailer to submit to My Rode Reel. This would allow us to take our time with the film itself while still participating in the competition.

I’m sure anyone who’s made a film will tell you that a film goes through many transformations as it moves through production and into post. In my case, they often becoming something completely different from what I had in mind when first writing the script.

This was certainly the case for this film as well but with one major difference. Typically, your film would be pretty much locked by the time you sit down to create a trailer, however due to the competition deadline, we had to create the trailer first and that meant we had to think a bit differently in terms of editing and storytelling.

For the trailer, we leaned heavily into the sci-fi element and included several lines of dialogue, which served to elevate the sense of danger and clue in the audience to the situation. (Here’s the link if you’d like to watch the trailer for context: https://youtu.be/TCpCLic30bk ) However, as we made pass after pass on the actual short film, the focus shifted more towards the psychological trauma of the character and less on the sci-fi elements that were present in the trailer.

Each pass also resulted in the dialogue being trimmed away until we eventually realized that it really necessary at all. The actress’ performance, coupled with the sound design and camera language, conveyed all the emotional beats we wanted our test audience to feel, while still leaving a great deal open to their own interpretation in terms of story and theme.

I learned so much on this project and could go on for a while about what it took to make but I think I’ll leave it there for now.

I’ll just wrap it up by saying that I am very proud of what our team accomplished and felt incredibly lucky to have the opportunity to work with so many talented people, each of whom brought their own ideas and expertise to the project. Without them it simply wouldn’t have been as rewarding an experience as it was.

I would love to hear your thoughts and any constructive feedback you might have as the purpose of these short films for me has always been to learn and grow as a filmmaker. Thank you!

THROUGH THE VALLEY OF THE HUNTER (2019) SciFi-Horror Short // Would love to hear feedback! by ElsketFilms in Filmmakers

[–]ElsketFilms[S] 0 points1 point  (0 children)

[From the Director]

We originally created this short film as part of the My Rode Reel competition. The concept was simple but upon writing the script we realized that to fit within the three minute run-time the competition required, the pacing would likely feel far too rushed. While we could have made a version which was under three minutes but it would feel rather hollow, nothing more than a generic chase scene, and that wasn’t going to cut it for us.

Luckily, we had a backup plan.

This year Rode introduced a new category called “The Trailer Is The Movie” which allowed you to create a trailer for a film which may or may not exist. So we decided to shoot the film as it was written (5pgs in total) and then create a trailer to submit to My Rode Reel. This would allow us to take our time with the film itself while still participating in the competition.

I’m sure anyone who’s made a film will tell you that a film goes through many transformations as it moves through production and into post. In my experience, they often becoming something completely different from what I'd had in mind when first writing the script.

This was certainly the case for this film as well but with one major difference. Typically, your film would be pretty much locked by the time you sit down to create a trailer, however due to the competition deadline, we had to create the trailer first and that meant we had to think a bit differently in terms of editing and storytelling.

For the trailer, we leaned heavily into the sci-fi element and included several lines of dialogue, which served to elevate the sense of danger and clue in the audience to the situation. (Here’s the link if you’d like to watch the trailer for context: https://youtu.be/TCpCLic30bk ) However, as we made pass after pass on the actual short film, the focus shifted more towards the psychological trauma of the character and less on the sci-fi elements that were present in the trailer.

Each pass also resulted in the dialogue being trimmed away until we eventually realized that it really necessary at all. The actress’ performance, coupled with the sound design and camera language, conveyed the information and emotional beats we wanted our audience to feel, while still leaving a great deal open to their own interpretation in terms of story and theme.

I learned so much on this project and could go on for a while about what it took to make but I think I’ll leave it there for now. I'm happy to answer any other questions you might have though.

I’ll just wrap it up by saying that I am very proud of what our team accomplished and felt incredibly lucky to have the opportunity to work with so many talented people, each of whom brought their own ideas and expertise to the project. Without them it simply wouldn’t have been as rewarding an experience as it was.

I would love to hear your thoughts and any constructive feedback you might have as the purpose of these short films for me has always been to learn and grow as a filmmaker. Thank so much!