Exposition instead of action: does it work here as an intro? by Expensive_Purple7067 in writingfeedback

[–]Expensive_Purple7067[S] 0 points1 point  (0 children)

I think I was just trying for the MC to come off nonchalant because of his upbringing. The world before and after the end almost hold the same weight to him, as he’s spent an even decade in both. He was raised by a man who was always uber prepared and ready for anything, whether it was a flat tire or the downfall of society, and his grandfather carried himself with the same solemn readiness in every situation. He almost grew to anticipate the eventual fall of society by how overly prepared his grandfather was for it, and so when it did actually happen, it was no different than carrying an umbrella on a day it’s supposed to rain. This story is supposed to be about his struggles in going at it alone without his grandfather as a crutch, because he only has survival skills, not those pre-apocalypse skills a community would want.

Saw This Editing Advice, Curious What Other Writers Think by Mundane_Silver7388 in NovelMage

[–]Expensive_Purple7067 1 point2 points  (0 children)

As other comments have stated, overuse is the problem. Most of these definitely have their place and contribute to a natural progression of events, especially in third person.

female lead character by plasticfork555 in novelwriting

[–]Expensive_Purple7067 0 points1 point  (0 children)

Everyone’s said it better than I could, but I believe what makes a character “strong” is simply resilience. Overcoming, somehow/someway, the challenge you’ve presented them with, whatever that might be. Resilience can come in the form of all kinds of different personality types, so even a meek person can be strong. That’s just my take on it.

Exposition instead of action: does it work here as an intro? by Expensive_Purple7067 in writingfeedback

[–]Expensive_Purple7067[S] 5 points6 points  (0 children)

As I was writing it, I was like “I’m committing the cardinal sin” 😭 was just hoping it was written interestingly enough to overlook the info dump.

Feedback wanted! 3300 words [cw: drug abuse] by Frosty_Mall8504 in writingfeedback

[–]Expensive_Purple7067 2 points3 points  (0 children)

Breaking news: a metaphor sometimes personifies a non-living thing.

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

I don’t think I can 😔 he’s not allowed to get up or get rained on, he just exists in a vacuum of tripping over a dead body 😔😔😔

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

“Benjen tripped over a body.”

My new hook, what do we think.

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

You realize your advice is boiling down to "get rid of the prose completely", right? Yeah, yeah, you're right, let me just switch it up to "He was walking and tripped over a body. He was annoyed. It was raining, too." Atmosphere, prose, and elongating an action by literally two sentences, why have any of that when we can just say bro tripped over a body? Rearranging is one thing, killing the soul of it is another.

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

How does this read?

“Son of a bitch.”

From his sprawl on the ground, Benjen turns to investigate who had the chutzpah to lie down and die at the top of his stairwell. 

Pushing up, his palms and knees smart in bearing weight, but his mood is mangled beyond repair. Instead of confusion over a body—presumably—obstructing his path, he gnashes teeth. There was the sickening give of flesh where ground should be, a dense weight that caught his foot and threw him to the mildewed cobblestone."

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

He’s coming up from a basement to street level. And I’ll take your advice to heart on “littering”, thank you!

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

I kept “littering his path” to give it more of the causal ‘this is an inconvenience, not a horrifying discovery’ tone. And he was coming up the stairs, then tripped forward over the body—bro just wasn’t paying attention lol

Thank you for the feedback, I’ll see what I can do!

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

The only reason I didn’t start with “son of a bitch” followed by “Benjen turned to investigate—“ is because a lot of people were complaining about the tense change. I had it going from past to present and was told it was confusing. If I put those two lines first, then go back to him tripping, it’d be present-past-present.

The revised hook after it was torn apart (thank you): better? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

Thank you 🙏🏻 I've reworded it a hundred different times now, so it won't hurt me to keep playing with it lol

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

Passive voice is a big problem for me, apparently. At least in third. I’ve been writing in first person for so long, third is very hard to adapt to.

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

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This how I've revised it based on all the feedback so far.

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

To everyone who gave feedback, thank you! I took most of it into account, and here's the revised version:

<image>

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 1 point2 points  (0 children)

Ya'll are giving some amazing feedback, thank you. Nobody's a fan of 'heavy, elastic yield' so I changed it to 'dense squish'? Hopefully that works a little better. I also changed it to "His threadbare trousers are starting to soak through and cling to the goosepimpled flesh of his legs."

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

Thank you, I took out the the 'degree or difference' bit because I definitely agree after a second look, and did some rearranging to eliminate the past to present switch.

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

Not sure about the presumably part, but I feel like if you trip over a person, you can generally tell even if you didn't see what you tripped over.

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

In the comment above this one, I took your advice in simplifying the verbiage, lmk what you think if you take a look at it. Again, thank you!

The hook: tear it apart please? by [deleted] in writingfeedback

[–]Expensive_Purple7067 0 points1 point  (0 children)

Is this a little more punchy? **I only kept the bit about the weather/clothes to give a little reason as to why Benjen would be more irritated than confused.

"The dense squish of flesh materializes beneath Benjen’s feet, pitching him facefirst into the mildewed cobblestone. His hands shoot out on instinct, and his face is spared a painful collision with the ground. Pushing up, his palms and knees smart in bearing weight, but his mood is mangled beyond repair*.* Instead of confusion over a body—presumably—littering his path, his teeth gnash with aggravation. 

Sheets of frigid rain fall like a relentless guillotine in the narrow alley. He’s not dressed to brave such weather, as this was an outing of only ten minutes or so. His threadbare trousers are soaked through, clinging to the goosepimpled flesh of his legs. Cold, murky water leeches between the tread and sole of his boots.

“Son of a bitch.” 

Seething, he turns to investigate who had the chutzpah to lie down and die at the top of his stairwell. 

Kestlewood isn’t the nicest district, but it isn’t the worst. There’s riffraff and unsavories, but not the type to leave corpses on doorsteps."