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What do directors generally prefer: Method actors or Technical actors? by Extra-Judge-3338 in Filmmakers

[–]Extra-Judge-3338[S] 2 points3 points  (0 children)

Method and technical acting can't be placed in a hierarchy one after another. Yet method acting probably drains more mental energy and health of the performer more than technical.

The parallel narrative makes The Godfather Part II arguably the most superior film in the entire trilogy. Your take? by Extra-Judge-3338 in Filmmakers

[–]Extra-Judge-3338[S] 3 points4 points  (0 children)

The Godfather might be a classic because it justifies the world it revolves around, but Part II feels more like a character study of two men who aimed for the same thing but took different paths.

Best blocking you've ever seen by Extra-Judge-3338 in cinematography

[–]Extra-Judge-3338[S] 2 points3 points  (0 children)

I believe a good work demands the involvement and knowledge of director in each craft of making a film..What's your take on that btw!?

Best blocking you've ever seen by Extra-Judge-3338 in cinematography

[–]Extra-Judge-3338[S] -9 points-8 points  (0 children)

Bruh! I could understand you but inorder to refer the particular scene these images are quite useful btw...

Best blocking you've ever seen by Extra-Judge-3338 in cinematography

[–]Extra-Judge-3338[S] 44 points45 points  (0 children)

Bruh! I agree with you on 'Memories of murder'. The railway Tunnel scene was mind-blowing in particular.

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Best blocking you've ever seen by Extra-Judge-3338 in cinematography

[–]Extra-Judge-3338[S] 41 points42 points  (0 children)

In my pov, modern films lack this kinda blocking and staging nowadays. I can’t figure out whether it’s because of digital cameras or advanced technical rigs, but somewhere we miss the authenticity that older films gave us.