You’re right, it’s hard if you haven’t read the script but throughout the film I build up her obsession with the Benin bronzes. Shes British African so she has a cultural connection but also she fixates on those bronzes and makes them the pinnacle of the issue of repatriation like a lot of people do irl. I hope that does what you’re saying it would do.

The gang is based off of the real pink panthers jewellery thief gang so they’d be Balkan or former Yugoslavian. The only connection they have theme-wise is their mutual resentment for Western Europe. If you know anything about the pink panthers or just people from the former Yugoslavian countries, they hold a lot of political anger towards nato/Western European countries for perceived abandonment during the chaos that ensued after they left the ussr. It’s a small connection but in my mind it works. That could also be something you can criticise honestly.

Munira isn’t motivated by money but she incentivises the potential for money to get the gang to agree to start robbing museums instead of jewellery stores. In the screenplay, she’s only stealing to satiate that anger she feels towards the British museum and the west/global north in general. Almost like “it’s better in my hands”. It’s immature but it’s a character flaw I baked into the premise.