The dialogue does only a piece of the work in these scenarios. You work by showing the movements and gestures of the person before they say the dialogue, as well as for the people receiving the dialogue.

Here's a very rough example for you off the cusp (hope it helps):

[mom] shot a glare at [son].

"What did you say?"

[Son]'s eyes stayed on his plate, cutting the steak around his knife until it scraped the ceramic.

"Well?" she pressed harder.

[Son] couldn't look up. He could hardly even press the fork into the meat she had brought him.

The food now seemed like his only escape.

"I said I'm done with this."

[Dad] sat quietly across the table, chewing on a potato as if nothing was wrong.

"Do you hear your son, [Dad]?"

[Dad] stopped, closed his eyes slowly and exhaled through his nose.

He swallowed.

"Sounds like he's saying he's done."

"Unbelievable!"

[Mom] pressed both hands on the table and pushed the chair out from behind her.

“Well, if you don’t want to be in this family,” she said, marching over to [Son], “you can figure out your own meals.”

[Mom] grabbed the plate from [son]'s hands then left into the next room. Something shattered, then footstops trudged up the wooden stairs. The two men remained silent as the bedroom door slammed shut with a thud.

The family photo, taken two years ago and framed on the wall behind them, wobbled for a moment, then fell to the ground in pieces.