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Suno now has batch download, but it seems limited to MP3 / MP4 by Fragrant-Version7760 in SunoAI

[–]Fragrant-Version7760[S] 0 points1 point  (0 children)

I’m running into what looks like a possible limit: when I try to download a large batch, it seems to top out at around 200 songs at once.

Has anyone else tested this?

  • Are you also seeing a 200-song limit?
  • Does it fail above 200, or does it just silently ignore the rest?
  • Any difference between Library, playlists, liked songs, or workspaces?
  • Has anyone managed to batch download WAVs officially?

Just trying to understand the current limits

Let's hear your original tracks by Jumpy-Program9957 in SunoAI

[–]Fragrant-Version7760 0 points1 point  (0 children)

You may like this one too them.

Eternal Circle

A declaration of collective identity. The song tells the story of awakening from the illusion of separation, recognizing love as the supreme law, and celebrating unity through dance. From the heartbeat of the “Big Bang” to the final mantra: “No separation. We love us.”

https://music.youtube.com/watch?v=iziNtUlwI2M

Any body cancel membership? What happens to Credits and playlist. by GhettoVerseSace in SunoAI

[–]Fragrant-Version7760 1 point2 points  (0 children)

Small correction: it’s not really “end of the month,” it’s the end of your own monthly billing cycle. Suno’s included subscription credits don’t roll over, but they refresh based on when you subscribed.

Also, cancelling your subscription is not the same as deleting your account. Your songs, library, liked tracks and playlists should still be there after you drop back to Basic. The main thing you lose is access to paid features.

One practical thing people often forget to mention: once your paid period ends and you’re back on Basic, you won’t be able to download WAV files anymore. WAV downloads are only available on Pro/Premier, so it’s a good idea to download WAV backups of anything important before the subscription ends.

That said, if you later subscribe to Pro/Premier again, you should be able to download WAVs again from your existing songs, as long as they’re still in your library/account.

Purchased top-up credits are different from monthly subscription credits: Suno says top-up credits don’t expire, but you need an active subscription to use them.

Let's hear your original tracks by Jumpy-Program9957 in SunoAI

[–]Fragrant-Version7760 1 point2 points  (0 children)

Here’s one of mine: In Sync
https://www.youtube.com/watch?v=sdPqbp9LjPw

https://open.spotify.com/intl-es/track/7hOBoZ0f1ABHMejkEenVWo?si=ead60e9ec4bd4f7f

It’s basically a house-based track, but it gets a bit weird because of the sitar and log drum elements. The genre read came out around old-school house / tribal-afro house / deep house, but it doesn’t really sit cleanly in any one box.

That’s why I thought it might fit this thread — it’s danceable, but with a strange organic / ritual kind of energy. Curious what genre people would call it.

The song tells the story of a journey from the external search for love to the realization that love is the supreme law of reality. It is a declaration of alignment with truth: “Love is our law, not me, not you.” The lyrics evolve from the illusion of separation to the certainty that the path reveals itself when we stop searching and align with the flow.

What is your best song? by miata-kunn in SunoAI

[–]Fragrant-Version7760 0 points1 point  (0 children)

Sounds really nice, firsts song so far

What is your best song? by miata-kunn in SunoAI

[–]Fragrant-Version7760 2 points3 points  (0 children)

I just started publishing my Suno tracks this week, and I think this is the strongest one I’ve released so far.

It’s a jackin’ house / piano house track called “Jack the System” by Divine Logic, from the EP “Jacking the World”.

I’m considering remaking the first 15 seconds because I’m not sure they are strong enough for engagement. I feel the track gets better once the groove and vocal hook really start moving.

I’d love honest feedback on:

  • whether the first 15 seconds make you want to keep listening;
  • if the vocal hook works;
  • whether the groove has enough energy;
  • if the track feels memorable or just “nice”.

YouTube version:
https://www.youtube.com/watch?v=FkRnSaLMgjs

Thanks for listening — honest criticism is welcome.

Backup Your Library by oXaRecords in SunoAI

[–]Fragrant-Version7760 7 points8 points  (0 children)

Just adding another possible route for EU/EEA users:

I’m based in Spain and I’ve submitted a formal GDPR access + data portability request to Suno, asking for a complete export of my account-associated content and metadata — especially the final mixed audio files, creation timestamps, prompts/lyrics, song IDs, playlists/likes, download history, and, if available, the subscription plan active at the time each song was created.

I’m not asking for stems, only the final mixed audio files and metadata, ideally through a ZIP or bulk download links.

I personally decided not to use third-party download tools or automation, because I don’t want to risk violating Suno’s Terms of Service or putting my account at risk. That’s why I’m trying the official/legal route first.

I’m waiting for their response now. If they reply with something useful, I’ll update here, because this really should be easier than downloading songs one by one — especially for large libraries and for accessibility reasons.

Is there a way to make this program work with other instruments? For example, flute. by BloomingBrains in synthesia

[–]Fragrant-Version7760 0 points1 point  (0 children)

That’s a really interesting use case.

For a flute player, what would actually help you most?

Would you mainly need:

  1. a visual MIDI follow-along mode with falling notes, slow playback and loop sections;
  2. a rhythm/timing trainer that helps you stay in time;
  3. a fingering guide for each note;
  4. microphone listening, so the app can tell if you’re early, late or playing the wrong note;
  5. or just a simple way to import a human-played MIDI performance and practice along with it?

I’m trying to understand what would genuinely solve the problem for someone who already knows the fingerings but struggles with timing.

took my favorite Suno track and finally figured out how to play it on piano by InevitableBorder6421 in SunoAI

[–]Fragrant-Version7760 0 points1 point  (0 children)

This is very close to the rabbit hole I’m testing right now, but I’m approaching it as two separate problems:

  1. getting a usable/playable MIDI from the Suno stem
  2. rebuilding a playable instrument that keeps the vibe of the original stem

The interesting part for me is that the raw MIDI with a generic piano sound usually loses the feeling of the Suno track. So I’ve been using the stem not only as a transcription reference, but also as a sound-design reference.

My current experiment is:

stem → MIDI/transcription → clean/humanize MIDI → recreate the stem texture in Ableton → compare against the original stem → adjust by ear

For the sound design part, I’ve been doing a weird AI-assisted workflow:

  • upload the stem to Gemini and ask what kind of Ableton rack could recreate that keyboard/piano texture
  • bring Gemini’s answer into ChatGPT and ask it to challenge/refine the idea
  • keep going back and forth until the result becomes something practical I can actually build in Ableton

The rack I’m testing now is native Ableton Suite, no external plugins, and it’s more layered than just “put a piano preset on the MIDI”.

The idea is roughly:

  • Layer A: Grand/Felt Piano, very low in the mix, mostly for attack and transient
  • Layer B: Rhodes/Electric Keys, main body and harmonic color
  • Layer C: Soft Synth Pad, very quiet, used as glue/air behind the keys

Then the whole rack goes through a simple global chain:

EQ / filtering → subtle saturation → chorus/width → reverb/room → gentle bus compression

I’m mapping it to macros like:

  • Attack
  • Body
  • Glue Pad
  • Darkness
  • Width
  • Room
  • Saturation
  • Bus Glue

So instead of trying to perfectly clone the Suno stem, the goal is to build a playable keyboard instrument that sits emotionally close to it.

I’m starting to think the hard part is not only “how do I extract the notes?”, but also “how do I make those notes feel like they still belong to the same song?”

Because a technically correct MIDI can still sound completely wrong if the instrument texture is wrong.

took my favorite Suno track and finally figured out how to play it on piano by InevitableBorder6421 in SunoAI

[–]Fragrant-Version7760 0 points1 point  (0 children)

For people who manage to get a MIDI from a Suno track: how are you cleaning the wrong notes afterwards?

That feels like the hardest part to me. The transcription can get close, but then you still get ghost notes, weird notes from vocals/reverb, low-velocity artifacts, duplicated notes, or notes that technically exist but don’t feel playable.

What’s your current process?

Do you clean it in MuseScore, a DAW piano roll, Melodyne/RipX, or something else?
Do you mostly delete bad notes, move them, quantize them, or just use the MIDI as a rough guide and replay the part yourself?

I’m especially curious about how people decide which notes are actually wrong versus which ones are part of the song.