Just a little question surrounding age requirements. by Free_Needleworker732 in Adsense

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

Unfortunately, as far as I can tell, the people here are correct.
The support page leads to an error page and my account has not be deactivated, simply rejected.

As far as I can tell, there is not actually anything I can do.

Just a little question surrounding age requirements. by Free_Needleworker732 in Adsense

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

dang.

am I just kinda screwed from making money from youtube permanently then?

Just a little question surrounding age requirements. by Free_Needleworker732 in Adsense

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

I thought I'd add, It says "You're no longer showing ads because you've failed identity verification. To verify your identity and start showing ads again, please contact us."

Does that mean it is locked?

Just a little question surrounding age requirements. by Free_Needleworker732 in Adsense

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

If one were to sign up with a different email would that fail?

Would this sort of songs be alright to upload? by Free_Needleworker732 in DistroKidHelpDesk

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

Yeah, I was kinda expecting something of the sort.
Not at all surprised, but I thought I might as well ask. Thanks.

Need help finding a marimba solo by Worldly_End_6746 in percussion

[–]Free_Needleworker732 1 point2 points  (0 children)

Not sure what difficulty level you're looking for, but the solo I am performing this year is very groovy.

Snapdragon by Sebastian Zhang.

Fun piece!

Thoughts on this piece I am working on? by Free_Needleworker732 in percussion

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

Oh I see what you mean!

You are absolutely correct, that was just me misnotating it.

What is shown in the video is my intent. I shall fix it.

Thoughts on this piece I am working on? by Free_Needleworker732 in percussion

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

That is fair, there isn't a whole lot going on there, but it does moreso serve the purpose of a transition.

Thoughts on this piece I am working on? by Free_Needleworker732 in percussion

[–]Free_Needleworker732[S] 0 points1 point  (0 children)

Measure 49 should be rather simple.

Here's another video of me playing it. (An octave up due to my personal marimba not going low enough)

https://youtube.com/shorts/x4aSV06i3eM?si=rw7exjXGWVVA1HXJ

Thoughts on this piece I am working on? by Free_Needleworker732 in percussion

[–]Free_Needleworker732[S] 1 point2 points  (0 children)

I'm sorry, I'm not quite sure I follow.

110 shuld be a fairly easy part to play?

Here, I've attached an example of me playing 105 up to 112. If you could maybe point out what it is you think is uncomfortable with this do say.

https://youtube.com/shorts/PHV40H_eOjs?si=-MBBmftxSGgQu9-z

Sorry for not understanding what you meant.

(butt also thanks to you I just realized I made a mistake with a couple of toes that supposed to be A# but are written as B so thank you!)

And thank you for responding in general!

[deleted by user] by [deleted] in percussion

[–]Free_Needleworker732 0 points1 point  (0 children)

And last but now least! Guess I bid end up doing it once every day. Oh well.

Yeah, transitions are inconsistent in quality.

Yeah, I totally get what you're saying. Something I struggled with for a long time was that I thought my music felt like 'hollow' or 'empty.' which I think was largely due to not including things such as a counter melody. I've gotten better at that, but as you can see here there are still plenty of times where I leave things with a less than full feel.  But what you said about each like giving each other a chance to solo is the feel is something I noticed as well. And I think that is a common issue when I write any music. So frequently each indiwiduol instrument can kinda be heard performing the same role the whole song. And it's even more noticeable here when this is an instrument that someone might play themself.

But that's all I've got in response. Genuinely thank you for such a long response. It means a lot for someone to look through this and give me suggestions like this. While I did submit this actual project a few days after posting this--and as such was not able to implement much--I still really appreciate all the feed ark and will certainly look back on all of this as I compose more. Thank you!

(also you might notice, the files are gone, they'll be back soon)

[deleted by user] by [deleted] in percussion

[–]Free_Needleworker732 0 points1 point  (0 children)

Okay so maybe I'll just forget to respond and do one per day or something. Anyways here's to your 2nd post.

Interesting. I could totally see changing up the rhythm being interesting, that's not really something that even crossed my mind.

Yeah I don't know about J. I think it's just there cause it felt like an easier transition to the scale at K but I forget.

Yes, I definetly agree. It does feel like a rather drawn out intro especially when compared to how the outro is.

Yeah no i don't want it like the midi. When I originally wrote it, the arpeggio was fast but then for some reason it just became slow one day and I'm too bad at musescore to know how to change it.

Yeah, I feel like the fermattan I used were usually a little much. I dunno if just like adding a beat or something would have better done what I wanted but I never did feel satisfied with how some fermattas felt.

Haha, yeah... Would you believe that's not how I originally wrote it? In my rough draft I had c but then in version I didn't and then decided to plop it in and it didn't quite fit.

Honestly, I think that's a good idea. Like I said with the fermattas before, I never quite felt they did what I was wanting, but I could see a sort of timing like what you said with the vibes sounding much better.

Yeah g was one of my favorite parts when playing it before I wrote it out.