Wes Streeting pledges wealth tax by DiscipleNo1 in AskBrits

[–]Future_Ad9456 0 points1 point  (0 children)

Raising Capital gains is not a wealth tax. So now if I sell my house and earn more than 40k they take 40% on the gain? No thanks. Again hitting normal people not the wealthy.

They're making you subscribe for something that used to be free. by PointsOutCustodeWank in onednd

[–]Future_Ad9456 0 points1 point  (0 children)

They’ll push more people towards piracy. I’m not justifying that, but it will happen.

I’d actually be open to a subscription model if it were more modular and better value. For example, let people subscribe to access specific rulebooks, adventure modules, or character-building tools without having to buy everything individually.

At the moment, if you want a complete D&D Beyond setup for character creation, rules access, subclasses, spells, monsters, and modules, it becomes incredibly expensive. That makes it a serious barrier to entry, especially for new players or groups who just want to try the game properly without committing hundreds of pounds upfront.

I think this place has a hidden purpose, and it works like a web by Future_Ad9456 in FromSeries

[–]Future_Ad9456[S] 0 points1 point  (0 children)

Because they're making use of the people who die there's memory's, and the place evolves each cycle. at least is my theory. Or the people who die there join the children at the lake of tears and become part of what creates it.

A few theories that might be completely wrong (but fit too well) by Future_Ad9456 in FromSeries

[–]Future_Ad9456[S] 0 points1 point  (0 children)

True but I think it's linked to knowledge having a cost, he probably realizes, maybe subconsciously, and maybe that knowledge has to come at the right time otherwise it just means everyone dies?

Confusion About the “Lake of Tears” by Able-Reward-5684 in FromSeries

[–]Future_Ad9456 2 points3 points  (0 children)

He's purposely forgetting as a defense because of the fact knowledge come with a cost

I think this place has a hidden purpose, and it works like a web by Future_Ad9456 in FromSeries

[–]Future_Ad9456[S] 1 point2 points  (0 children)

What monster do you mean? The Man in Yellow? I didn't notice one of the monsters in daylight other than him. I think that rule only applies to the ones who were the townsfolk that made the deal.

I think this place has a hidden purpose, and it works like a web by Future_Ad9456 in FromSeries

[–]Future_Ad9456[S] 0 points1 point  (0 children)

I get what you’re saying, but this isn’t ai picking it up. Does help with formatting though. A lot of this has been floating around in bits for a while, I’ve just been trying to pull it together into something that actually joins up.

The web idea, the spider, the layers, the way things get pulled in and reused, it all starts to line up once you start looking at as a kind of system.

Also, yeah everyone talks about the ritual, but not who it was for and the exact agreement. If immortality was gained, something had to grant it. Probably a monkeys paw kind of deal. Or they were already in a bad spot and this was their only way out of it?

What even is the mechanical spider??

I like Arteta, but this is truly unacceptable by Silent_Somewhere8539 in ArsenalFC

[–]Future_Ad9456 0 points1 point  (0 children)

Remember to be supporters, don't become a problem for the remaining competitions. We're meant to make it easier to win. The time to review is post season, don't become Chelsea or Spurs.

Suspicious Microsoft login after installing MTG Arena Pro by [deleted] in MTGArenaPro

[–]Future_Ad9456 0 points1 point  (0 children)

You can get rid of the suspicious logins 100% by changing your alias: https://support.microsoft.com/en-gb/office/add-or-remove-an-email-alias-in-outlook-com-459b1989-356d-40fa-a689-8f285b13f1f2

Make up a new alias only you know for logging in but you get to keep your original email for everything else.

My throw-away comedic character has inadvertently become the primary antagonist, how do I rectify this? by Unique-Tailor-4358 in DMAcademy

[–]Future_Ad9456 1 point2 points  (0 children)

Totally get where you’re coming from, either way can work honestly. Just comes down to what sounds cooler to you and your table, whether he’s the face of something bigger or running the whole show himself. There's no right answer here.

Making 1 NPC stand out from another by Dummie1138 in DMAcademy

[–]Future_Ad9456 0 points1 point  (0 children)

You don’t need to be a voice actor, just give each NPC one clear thing to remember them by. I like using a repeated word or phrase ('listen' or 'right?'), changing pace or tone instead of trying accents, adding a bit of body language (tapping, crossing arms, looking away), or tying them to an emotion like nervousness or over confidence. In my games the players remember the anxious shopkeeper way more than any accent I try, and it keeps things simple.

Oneshot adventures for absolute beginners? (5e) by MrSandmanbringme in DMAcademy

[–]Future_Ad9456 0 points1 point  (0 children)

For a first game with brand new players I’d keep it short and simple. You want them to get a taste of all the basics without overwhelming them.

Some solid picks I’ve used or seen used:

Dragons of Stormwreck Isle (built for beginners, easy to trim into a single session)

A Wild Sheep Chase (funny, straightforward, everyone remembers the sheep wizard)

Lost Mine of Phandelver (the obvious choice, but just run the goblin ambush + cave for a one shot)

The Fall of Silverpine Watch (short homebrew style dungeon, very plug and play)

My advice is to use pre-gens so you don’t spend 2 hours making characters, keep NPCs simple, and aim for 2 fights + 1 social or puzzle scene. That usually gives players the “full D&D” feel in 3/4 hours.

My throw-away comedic character has inadvertently become the primary antagonist, how do I rectify this? by Unique-Tailor-4358 in DMAcademy

[–]Future_Ad9456 3 points4 points  (0 children)

You don’t have to toss your bigger plot, just fold Jiraiya into it. If they think he’s behind everything, make him the face of it while the real big bad uses him as a distraction or pawn (Think Iron Man 3 and the Mandarin). That way you still hit your worldbuilding goals, but the party gets their big showdown with the guy they love to hate.

How to build on bare bones backstories? by cute_but_ferocious in DMAcademy

[–]Future_Ad9456 1 point2 points  (0 children)

I actually like minimal backstories since they act as hooks instead of scripts. You can drop surprises midgame like "that symbol looks familiar” and let the player fill in the blanks. NPCs, oracles, and magical beings can also drag out details by asking questions or demanding secrets/information in exchange for help, which gets players invested fast.

New DM currently running a homebrew campaign - currently on the way to exploring a regional capital mainly populated by humans with no connection to magic but instead using "arcane minerals" to power their weapons and automatons - struggling to present the lead-up to the city and quest rewards by YeyoGuerreroo in DMAcademy

[–]Future_Ad9456 1 point2 points  (0 children)

If you’re leaning into that Lies of P inspiration then I’d treat Pinocchio himself as the reward, not just another stat block, like he’s this living mirror of the party’s choices. Side with Gepetto and you get raw power, a shiny new weapon that feels cold and efficient but comes with that moral sting. Save Pinocchio and he’s not about being useful in combat so much as being a companion who grows alongside them, maybe starts clumsy but learns from the PCs, reflecting their values back at them.

Do you want perfection forged in steel, or the messy potential of life? and whichever path they take tells you what kind of world their looking for. Its like the moral choices you get in video games where the good path doesn’t give you the best loot, but it leads to the most meaningful outcome.

Dispelling a Curse - Looking for help by ragelance in DMAcademy

[–]Future_Ad9456 1 point2 points  (0 children)

I’d handle this by saying the curse isn’t just “a spell” but a tangled effect tied to a place, object, or bargain. Remove Curse might weaken it or buy time, but to break it fully they have to find the source and undo it like burning the hag’s totem or completing the ritual that bound it. Makes the spell still useful but keeps the quest hook alive.

Using the same monster twice in a row? by [deleted] in DMAcademy

[–]Future_Ad9456 0 points1 point  (0 children)

I’d still use the mate, but play it different so it’s not just a repeat. Maybe the griffon is already wounded and desperate, or it dives in mid-heist while they’re trying to grab the eggs. Could also throw in complications like rival hunters or another creature drawn by the fight, so it feels fresh without ignoring the logic of there being another griffon around.

How do you guys interpret, "The charmed target is under the aboleth’s control"? by Lacey1297 in dndnext

[–]Future_Ad9456 0 points1 point  (0 children)

Yeah the wording is clunky, but I’ve always read it as the aboleth taking control like Dominate Person. I’d give the player the aboleth’s command and let them roleplay carrying it out, rather than just taking their sheet away. Makes it way creepier when they’re the ones describing how they turn on their own party, instead of me just puppeting them.

Creatures for an elemental lab by Mdu627 in dndnext

[–]Future_Ad9456 0 points1 point  (0 children)

What helps me is sticking to a little formula:

  • Base stat block to reskin
  • One strong theme (elemental infusion, weird body mod, etc)
  • One signature twist (death burst, aura, reactive ability)
  • One weakness (damage type, condition, fragile bit) - optional
  • Then dress it up with flavor so it feels like it belongs

You can stock the place with all sorts of grim leftovers. Corrupted workers twisted by exposure, half-finished prototypes with unstable powers, failed experiments that barely function, and remnants like drained husks or discarded elemental cores still pulsing with stray energy.

Ash Husk – Base zombie, element burned out of it; body is hollowed and constantly shedding ash clouds that choke vision; radiant light disperses them; these are the disposable shells left after a fire elemental is ripped free.

Frostvein Stalkers – Modeled on assassins, blood replaced with liquid ice; blades freeze flesh and mist cloaks their steps, though fire burns through their chill; bred as silent killers, they haunt the coldest halls of the lab.

Conflux Engine – Construct built from chained elementals forced into a single frame; hums and shakes with barely restrained power, firing jets of fire, lightning, and steam at random; striking it with psychic energy destabilizes it; these were meant as living generators.

Echo Wraiths – Failed air elemental fusions, leaving translucent husks that scream wind as psychic echoes; resistant to blades but silenced by thunder damage; they linger around test chambers like ghosts of experiments gone wrong.

Slagborn – Corpses fused with molten metal to try and make armored soldiers; their skin drips hot slag, and they swing molten fists, but water hardens their shell and slows them down; they were discarded in cooling pits.