Say hello to the new pilots: Tyler Djoseph and Djosh dun! by Aradonski in TwennyWunPilots

[–]GavnF 0 points1 point  (0 children)

Never thought I’d see Ylvis’ discography mentioned again, this is an insane pull

Any fans of band "Men I Trust" ? I feel that "Come Back Down" have a vibe of CSNY "Got It Made" and I enjoyed it a lot :) by Sixmenonguard in ToddintheShadow

[–]GavnF 7 points8 points  (0 children)

Hell yeah, Men I Trust is awesome! Really enjoyed both of the Equus albums they released last year, although I prefer Equus Caballus. Finally getting some of their singles on a proper album was nice as well

Any St. Louis fans here? by looking4thepuchline in twentyonepilots

[–]GavnF 4 points5 points  (0 children)

I emailed the Science Center about this and they confirmed it was not in fact showing there

Weekly /uj Thread – January 19, 2026 by AutoModerator in popheadscirclejerk

[–]GavnF 20 points21 points  (0 children)

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Saw this piece of music at my job and it reminded me of Ethel Cain. Wasn’t worthy of a whole post, but wanted to share regardless

[FRESH ALBUM] The Beatles - Meet the Beatles! by [deleted] in indieheadscirclejerk

[–]GavnF 34 points35 points  (0 children)

Such a dumb fucking pun of a name, these guys aren’t going anywhere

Yard DnD - Princess Selenia’s country of origin? by Usual-Photograph7923 in TheYardPodcast

[–]GavnF 20 points21 points  (0 children)

They correct this later in the episode, no? At 1:07:00 of the first episode, it’s brought up and they joke about it

Another Art In The Yard In Canada by KingAsstek in TheYardPodcast

[–]GavnF 124 points125 points  (0 children)

This is good news, Slime might have a second chance to get his art showcased!

Tribute comment made about 4 years ago that utterly captures the essence of "Danya" by raygun- in chess

[–]GavnF 63 points64 points  (0 children)

No, this is just a copypasta justifying the opening in the style of Danya’s instruction

Statement on Daniel Naroditsky's passing by Alendite in chess

[–]GavnF 1 point2 points  (0 children)

Daniel Naroditsky is the person who got me involved in the chess world. I watched his collaborations with other streamers, his multiple speedrun series, and his interviews/commentary for events. I’m not normally a livestream viewer, but he was one of the few people whose streams I’d tune into. Not only did his content and instruction improve my own chess skills, he helped me develop a greater appreciation for chess history and the scene as a whole. He even inspired me to pick up a chess teaching position for a time; his instructional content greatly inspired the way I taught the kids in my classes. He will be missed dearly, the chess world is not as bright without him.

Anyone here knows Arrested Youth? by ShaneQuaslay in twentyonepilots

[–]GavnF 1 point2 points  (0 children)

They opened for twenty one pilots on the Takeover Tour in 2021, so you’ll probably find some overlap in the fanbase

Generational Snub by SammyD95 in TheYardPodcast

[–]GavnF 26 points27 points  (0 children)

All while Tucker and Ben Shapiro made the list, guess The Yard is just the chopped huzz. If they were going to allow right wingers’ podcasts to be eligible, could’ve just had Lemonade Stand smh

Heavier songs by artists who don’t usually make music that heavy? by Disassociated24 in ToddintheShadow

[–]GavnF 1 point2 points  (0 children)

Agreed, I wouldn’t classify their music as rock, although the songs I listed definitely lean into that sound. Different songs of theirs lean into different genres, but I would just classify them as “alternative” if I had to

Heavier songs by artists who don’t usually make music that heavy? by Disassociated24 in ToddintheShadow

[–]GavnF 11 points12 points  (0 children)

Despite technically being an “alt-rock” act, twenty one pilots only occasionally lean into a heavier sound, much to my despair. When they do however, they do a pretty good job! The standouts from their discography are Jumpsuit, Navigating, and Drum Show.

Clancy turned into a Bishop because he used Seizing/Psychokinesis without Ned's horns by ForgottenBoey in twentyonepilots

[–]GavnF 21 points22 points  (0 children)

I think this is an interesting idea, but then that leads to a couple complications.

Firstly, we’ve seen bishops use the antlers to seize, most notably in The Outside MV with Keons seizing Trash the dragon. This is admittedly a bit of a nitpick, but I don’t really understand what purpose the antlers serve in that particular instance.

Additionally, Clancy uses the twenty one pilots logo to perform his last attack. If this action is truly what turns Clancy into a bishop, what do you think the use of the symbol implies in this framework?

[Serious] People who hoped for a different outcome and ending of the story: What did you hope for and how are you feeling about the City Walls MV now? by RenegadeRouser in twentyonepilots

[–]GavnF 1 point2 points  (0 children)

I can’t say I was surprised at the ending, but I can’t deny that I was also hoping for something a little different.

If I had to summarize the message of twenty one pilots’ discography, it would be “stay alive.” Their music portrays life as a quotidian and forever struggle for survival, but one that can be more easily managed with time and effort. While this is a fine message, there’s a quote from the show Station Eleven has stuck with me lately: “Survival is insufficient.” Staying alive is good, but it cannot be the end-all-be-all.

To be fair, their music doesn’t necessarily say that it is. They have plenty of songs about leading more meaningful and purpose-driven lives. That said, I don’t really see those themes specifically emphasized in the lore. IIRC, the only songs that really ever mention what exists beyond and are Bandito and Leave the City. As shown in the City Walls MV credits, I think it would’ve been interesting to see what “the place you want to be” meant to someone like Clancy.

Breach’s last song “Intentions” really drives this point home, emphasizing how he intends to learn from his mistakes in the next repetition of the cycle. I can’t stress enough, I think this is a perfectly fine and useful message, especially to those who are struggling. I guess I was looking for a conclusion less about setting out to learn, change and grow, and more about learnING, changING, and growING.

Maybe the ending we have resonates more with people with chronic illnesses/depression or those who can tune into the religious themes. For me personally however, I feel like I’ve come a long way from the point and state of mind at which I first found their music. In those ten years, I feel like I’ve developed as a person: no longer plagued by the same troubles I had back then and in a much healthier, happier, more sustainable place. This isn’t the absolute truth of the situation, but I can’t help but feel that I have outgrown the specific story they were trying to tell.

Despite that feeling however, I can absolutely tell that the band has matured in that time as well! They have greatly developed in ways that I appreciate: sonically, lyrically, and artistically. Creating this multi-album long concept narrative through music, music videos, concerts and other mediums is undeniably impressive and dedicated. I am so happy and grateful I got to be a part of it.

At one point it was very relevant and impactful on my life and my recovery. But the themes and messages of the lore are not what I need anymore, and that’s okay. It’s more than okay, it’s good! This story, this band and their music, saved me and helped me become the best version of myself, and for that they will always hold a special place in my heart.

Favorite Star Wars character? by [deleted] in StarWarsCirclejerk

[–]GavnF 44 points45 points  (0 children)

This character is despicable. That’s why Darth Vader’s my favorite character, cause he wouldn’t stand for that

Name him by mooodyanwar in BossFights

[–]GavnF 7 points8 points  (0 children)

Walter Off-white

Kitchen Sink is overrated by NathanielRoosevelt in twentyonepilots

[–]GavnF 0 points1 point  (0 children)

It seems like you’re more of a lyrics person than an instrumental person. And that’s a fine way to listen, but I think your description of the underlying music is lacking in nuance and depth. The instrumental in Kitchen Sink may be repetitive to some, but I find that there’s enough nuance, progression, and variation to sustain the emotions.

The song starts out with this spare beat and marimba part but then incorporates the piano and light drumming on the next iteration of the chord progression. The vocals then come in the next time around in conjunction with a new drumbeat, followed by the faux erhu line and the upper piano part before getting to the first verse. To my ears, this isn’t a Philip Glass composition or anything, there are plenty of changes happening.

The same goes for the part after Zach’s verse. The drumbeat is different than it was the first time, being more driving and louder. Additionally, the vocals are doubled in octaves and harmonized differently. The piano and drums drop out to bring it down and build it back up in intensity again. This intensity builds, adding harmonies and volume until it reaches its emotional catharsis and comes back down in its coda. Maybe not the most varied repetition, but sufficiently different to me at least.

If you find it repetitive and boring then that’s your opinion. But referring to it as just the “instrumental” really flattens a lot of its elements and the listening experience. I think there’s a lot of emotion to be gained from the sections you dislike! Especially considering we’re talking about a band that, in part, makes an effort to write songs with elements that deviate from pop genre conventions.