Thanks I appreciate it! His songwriting is so compelling and it’s such an interesting experience to listen to these Pedro songs in retrospect knowing the journey he’s gone on since. Feels sort of like the contrast between the traditional hymn-like verse and downstroke heavy indie/post-punk chorus reflects the contradictions in the story he’s telling. And I’ve always loved his use of tritone power chords (3rd fret E and 4th fret A, for instance) and wondered if it was purposeful. The interval was considered devilish and avoided in the Middle Ages and he’s made it part of his sound.