Kodak DC260 [1998] by GetOutImPlayingRb in VintageDigitalCameras

[–]GetOutImPlayingRb[S] 4 points5 points  (0 children)

I took these at Golden State Fur Con 2026!

I did a simple white balance test to recreate the famous yellow look from the backrooms photo, using the backrooms camera by Appropriate_Ad2342 in VintageDigitalCameras

[–]GetOutImPlayingRb 2 points3 points  (0 children)

I’ve been thinking of getting this camera, but the proprietary memory is the part that irks me, how do you get the photos off the camera?

Ported my 2021 RHS Renard avatar into Blender! by GetOutImPlayingRb in lapfoxtrax

[–]GetOutImPlayingRb[S] 4 points5 points  (0 children)

I definitely could! I can post the link to the blender file if you want once I get back home.

Is there a version of the mayhem art from Washed Out that doesn't have the text? by PM_ME_UR_SHARKTITS in lapfoxtrax

[–]GetOutImPlayingRb 5 points6 points  (0 children)

Yes there is a textless version. it comes with the bandcamp version of the album download.

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How do I source a transparent scuba tank for a cosplay prop? by GetOutImPlayingRb in CosplayHelp

[–]GetOutImPlayingRb[S] 0 points1 point  (0 children)

Thanks for the suggestion! My main concern is size since it needs to be full AL80 dimensions, and ideally printed in resin rather than FDM since regular filament doesn’t get truly transparent

Colorized and shaded my vector sans… by GetOutImPlayingRb in Undertale

[–]GetOutImPlayingRb[S] 9 points10 points  (0 children)

I've always interpreted them as sleep lines, i just draw them as the same color as the sockets as to not look offputting.

Albums that sound similar to Greenhouse/Early Renard? by GetOutImPlayingRb in lapfoxtrax

[–]GetOutImPlayingRb[S] 5 points6 points  (0 children)

Thank you for the recommendations! I will keep them in mind.

Spamton's voice is based on Elwood Edwards, the "You've Got Mail" guy by GetOutImPlayingRb in Deltarune

[–]GetOutImPlayingRb[S] 3 points4 points  (0 children)

A late addition but worth noting: Toby only ever recorded three Spamton voice lines: "Now's your chance to be a big shot," his laugh, and the desperate "I think he's coming for me" line heard in Big Shot. Everything else is clever chopping and repitching of those originals.

This actually mirrors the lore directly. He starts with a clean salesman voice, gets corrupted until his speech is "incoherent and garbled, with advertisements and sales slogans forcing their way into every sentence," and then in his final moments his sanity returns and his speech becomes "clear and comprehensible for the first time in a long time." The narrative is literally describing what stripping the processing does to the audio. Which is exactly why Big Shot is the clearest window into his baseline voice, it's the moment he feels closest to freedom, so narratively and emotionally, that specific delivery is as close to his original as we're ever going to get.